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The Resource After Fellini : national cinema in the postmodern age, Millicent Marcus

After Fellini : national cinema in the postmodern age, Millicent Marcus

Label
After Fellini : national cinema in the postmodern age
Title
After Fellini
Title remainder
national cinema in the postmodern age
Statement of responsibility
Millicent Marcus
Creator
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorName
Marcus, Millicent Joy
Illustrations
illustrations
Index
index present
LC call number
PN1993.5.I88
LC item number
M283 2002
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
Motion pictures
Label
After Fellini : national cinema in the postmodern age, Millicent Marcus
Instantiates
Publication
Bibliography note
  • Includes bibliographical references (p. 355-364) and index
  • Videography: p. 365
Contents
National identity by means of montage in Roberto Rossellini's Paisan -- Luchino Visconti's Bellisima : the diva, the mirror, and the screen -- Bernardo Bertolucci's The last emperor : powerless in Peking -- Mediterraneo and the "minimal utopias" of Gabriele Salvatores -- From Salazar's Lisbon to Mussolini's Rome by way of France in Roberto Faenza's Pereira declares -- Francesco Rosi's Three brothers : after the diaspora -- The alternative family of Ricky Tognazzi's La scorta -- The gaze of innocence : lost and found in Gianni Amelio's Stolen children -- Ginger and Fred : Fellini after Fellini -- Giuseppe Tornatore's Cinema paradiso and the art of nostalgia -- From conscience to hyperconsciousness in Maurizio Nichetti's The icicle thief -- Postmodern Pastiche, the Sceneggiata, and the view of the Mafia from below in Roberta Torre's To die for Tano -- Filming the text of witness : Francesco Rosi's The truce -- The seriousness of humor in Roberto Benigni's Life is beautiful -- Caro diario and the cinematic body of Nanni Moretti
Control code
46729452
Dimensions
23 cm
Extent
xi, 377 p.
Isbn
9780801868474
Isbn Type
(acid-free paper)
Lccn
2001002201
Other physical details
ill.
Label
After Fellini : national cinema in the postmodern age, Millicent Marcus
Publication
Bibliography note
  • Includes bibliographical references (p. 355-364) and index
  • Videography: p. 365
Contents
National identity by means of montage in Roberto Rossellini's Paisan -- Luchino Visconti's Bellisima : the diva, the mirror, and the screen -- Bernardo Bertolucci's The last emperor : powerless in Peking -- Mediterraneo and the "minimal utopias" of Gabriele Salvatores -- From Salazar's Lisbon to Mussolini's Rome by way of France in Roberto Faenza's Pereira declares -- Francesco Rosi's Three brothers : after the diaspora -- The alternative family of Ricky Tognazzi's La scorta -- The gaze of innocence : lost and found in Gianni Amelio's Stolen children -- Ginger and Fred : Fellini after Fellini -- Giuseppe Tornatore's Cinema paradiso and the art of nostalgia -- From conscience to hyperconsciousness in Maurizio Nichetti's The icicle thief -- Postmodern Pastiche, the Sceneggiata, and the view of the Mafia from below in Roberta Torre's To die for Tano -- Filming the text of witness : Francesco Rosi's The truce -- The seriousness of humor in Roberto Benigni's Life is beautiful -- Caro diario and the cinematic body of Nanni Moretti
Control code
46729452
Dimensions
23 cm
Extent
xi, 377 p.
Isbn
9780801868474
Isbn Type
(acid-free paper)
Lccn
2001002201
Other physical details
ill.

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      32.771354 -117.193327
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