The Resource Allusion as narrative premise in Brahms's instrumental music, Jacquelyn E.C. Sholes
Allusion as narrative premise in Brahms's instrumental music, Jacquelyn E.C. Sholes
Resource Information
The item Allusion as narrative premise in Brahms's instrumental music, Jacquelyn E.C. Sholes represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Allusion as narrative premise in Brahms's instrumental music, Jacquelyn E.C. Sholes represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- Who inspired Johannes Brahms in his art of writing music' In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history
- Language
- eng
- Extent
- 1 online resource (xi, 256 pages)
- Contents
-
- The notion of allusion as narrative premise in Brahms's instrumental music
- Lovelorn lamentation, or histrionic historicism?: re-examining allusion and extramusical
- Meaning in the B-major piano trio, op. 8
- Musical memory and the D-major serenade, op. 11
- An historical model, an emerging soloist, a young composer in turmoil: the piano
- Concerto in D minor, op. 15
- A later example: tragic antiquarianism in Brahms's fourth symphony
- Isbn
- 9780253033161
- Label
- Allusion as narrative premise in Brahms's instrumental music
- Title
- Allusion as narrative premise in Brahms's instrumental music
- Statement of responsibility
- Jacquelyn E.C. Sholes
- Subject
-
- Brahms, Johannes, 1833-1897 -- Criticism and interpretation
- Criticism, interpretation, etc
- Electronic books
- Germany
- Instrumental music
- Instrumental music (Brahms, Johannes)
- Instrumental music -- Germany -- History and criticism
- MUSIC -- History & Criticism
- MUSIC -- Musical Instruments | General
- MUSIC -- Printed Music | Band & Orchestra
- Brahms, Johannes, 1833-1897
- Brahms, Johannes, 1833-1897
- Language
- eng
- Summary
- Who inspired Johannes Brahms in his art of writing music' In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history
- Cataloging source
- DLC
- http://library.link/vocab/creatorName
- Sholes, Jacquelyn
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- Musical meaning and interpretation
- http://library.link/vocab/subjectName
-
- Brahms, Johannes
- Brahms, Johannes
- Brahms, Johannes
- Instrumental music
- MUSIC
- MUSIC
- MUSIC
- Instrumental music
- Germany
- Label
- Allusion as narrative premise in Brahms's instrumental music, Jacquelyn E.C. Sholes
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- The notion of allusion as narrative premise in Brahms's instrumental music -- Lovelorn lamentation, or histrionic historicism?: re-examining allusion and extramusical -- Meaning in the B-major piano trio, op. 8 -- Musical memory and the D-major serenade, op. 11 -- An historical model, an emerging soloist, a young composer in turmoil: the piano -- Concerto in D minor, op. 15 -- A later example: tragic antiquarianism in Brahms's fourth symphony
- Control code
- on1035782328
- Dimensions
- unknown
- Extent
- 1 online resource (xi, 256 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780253033161
- Lccn
- 2018023068
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctv2p3mzb
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)1035782328
- Label
- Allusion as narrative premise in Brahms's instrumental music, Jacquelyn E.C. Sholes
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- The notion of allusion as narrative premise in Brahms's instrumental music -- Lovelorn lamentation, or histrionic historicism?: re-examining allusion and extramusical -- Meaning in the B-major piano trio, op. 8 -- Musical memory and the D-major serenade, op. 11 -- An historical model, an emerging soloist, a young composer in turmoil: the piano -- Concerto in D minor, op. 15 -- A later example: tragic antiquarianism in Brahms's fourth symphony
- Control code
- on1035782328
- Dimensions
- unknown
- Extent
- 1 online resource (xi, 256 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780253033161
- Lccn
- 2018023068
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctv2p3mzb
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)1035782328
Subject
- Brahms, Johannes, 1833-1897 -- Criticism and interpretation
- Criticism, interpretation, etc
- Electronic books
- Germany
- Instrumental music
- Instrumental music (Brahms, Johannes)
- Instrumental music -- Germany -- History and criticism
- MUSIC -- History & Criticism
- MUSIC -- Musical Instruments | General
- MUSIC -- Printed Music | Band & Orchestra
- Brahms, Johannes, 1833-1897
- Brahms, Johannes, 1833-1897
Genre
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Allusion-as-narrative-premise-in-Brahmss/n7RSM9xQTyI/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Allusion-as-narrative-premise-in-Brahmss/n7RSM9xQTyI/">Allusion as narrative premise in Brahms's instrumental music, Jacquelyn E.C. Sholes</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
