The Resource Ancient music adapted to modern practice, Nicola Vicentino ; translated, with introduction and notes, by Maria Rika Maniates ; edited by Claude V. Palisca
Ancient music adapted to modern practice, Nicola Vicentino ; translated, with introduction and notes, by Maria Rika Maniates ; edited by Claude V. Palisca
Resource Information
The item Ancient music adapted to modern practice, Nicola Vicentino ; translated, with introduction and notes, by Maria Rika Maniates ; edited by Claude V. Palisca represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Ancient music adapted to modern practice, Nicola Vicentino ; translated, with introduction and notes, by Maria Rika Maniates ; edited by Claude V. Palisca represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
-
- First published in Rome in 1555, Nicola Vicentino's treatise was one of the most influential music theory texts of the sixteenth century. This translation by Maria Rika Maniates is the first English-language edition of Vicentino's important work. Unlike most early theorists, Vicentino did not simply summarize the practice of his time. His aim was to change how composers wrote and how musicians thought about music
- His best-known contribution is the adaptation of the ancient Greek chromatic and enharmonic genera to modern polyphonic practice. But he also expressed the avant-garde's position on the relation between music and the subject matter and feelings of a secular or sacred text. He challenged the view that part writing always had to conform to the rules of counterpoint, asserting that license was permissible in order to express the feelings of a verbal text. In this he anticipated the manifestos of Vincenzo Galilei and Claudio Monteverdi. Maniates' introduction discusses Vicentino's life and work, the sources of his ideas in earlier theoretical literature, and the contemporary humanists from whom he may have learned
- Language
-
- eng
- ita
- eng
- Extent
- 1 online resource (lxix, 487 pages)
- Contents
-
- Table of String Lengths Based on Lemme Rossi
- Table of Cents Values for the First Tuning System of the Archicembalo
- Table of Cents Values for the Second Tuning System on the Archicembalo
- Table of the Major and Minor Triads in the Second Tuning of the Archicembalo
- Ancient Music Adapted to Modern Practice
- Book on Music Theory
- Book on Music Practice
- Vicentino's Petition to Venice for a Printing Privilege
- Diagram of the Keys in One Octave on the Archicembalo
- Chart of the Steps from the Comma to the Proximate Major Third
- Copy of the Original Warrant Made on the Debate
- Table of the Names of the Keys on the Archicembalo in Descending Order
- Isbn
- 9780300146226
- Label
- Ancient music adapted to modern practice
- Title
- Ancient music adapted to modern practice
- Statement of responsibility
- Nicola Vicentino ; translated, with introduction and notes, by Maria Rika Maniates ; edited by Claude V. Palisca
- Subject
-
- Archicembalo
- Cembalo
- Early works
- Electronic books
- Historische Musikpraxis
- MUSIC -- General
- Music theory
- Musical intervals and scales
- Musical intervals and scales -- Early works to 1800
- Musiktheorie
- Musique -- Intervalles et gammes | Ouvrages avant 1800
- Musique -- Théorie -- 16e siècle -- Ouvrages avant 1800
- Muziektheorie
- Uitvoeringspraktijk
- Music theory -- Early works to 1800
- Archicembalo
- Language
-
- eng
- ita
- eng
- Summary
-
- First published in Rome in 1555, Nicola Vicentino's treatise was one of the most influential music theory texts of the sixteenth century. This translation by Maria Rika Maniates is the first English-language edition of Vicentino's important work. Unlike most early theorists, Vicentino did not simply summarize the practice of his time. His aim was to change how composers wrote and how musicians thought about music
- His best-known contribution is the adaptation of the ancient Greek chromatic and enharmonic genera to modern polyphonic practice. But he also expressed the avant-garde's position on the relation between music and the subject matter and feelings of a secular or sacred text. He challenged the view that part writing always had to conform to the rules of counterpoint, asserting that license was permissible in order to express the feelings of a verbal text. In this he anticipated the manifestos of Vincenzo Galilei and Claudio Monteverdi. Maniates' introduction discusses Vicentino's life and work, the sources of his ideas in earlier theoretical literature, and the contemporary humanists from whom he may have learned
- Cataloging source
- JSTOR
- http://library.link/vocab/creatorDate
- 1511-approximately 1576
- http://library.link/vocab/creatorName
- Vicentino, Nicola
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/relatedWorkOrContributorDate
- 1937-
- http://library.link/vocab/relatedWorkOrContributorName
-
- Maniates, Maria Rika
- Palisca, Claude V.
- Series statement
- Music theory translation series
- http://library.link/vocab/subjectName
-
- Music theory
- Musical intervals and scales
- Archicembalo
- Musique
- Musique
- Archicembalo
- MUSIC
- Archicembalo
- Music theory
- Musical intervals and scales
- Muziektheorie
- Uitvoeringspraktijk
- Cembalo
- Historische Musikpraxis
- Musiktheorie
- Label
- Ancient music adapted to modern practice, Nicola Vicentino ; translated, with introduction and notes, by Maria Rika Maniates ; edited by Claude V. Palisca
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references (pages 457-473) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Table of String Lengths Based on Lemme Rossi
- Table of Cents Values for the First Tuning System of the Archicembalo
- Table of Cents Values for the Second Tuning System on the Archicembalo
- Table of the Major and Minor Triads in the Second Tuning of the Archicembalo
- Ancient Music Adapted to Modern Practice
- Book on Music Theory
- Book on Music Practice
- Vicentino's Petition to Venice for a Printing Privilege
- Diagram of the Keys in One Octave on the Archicembalo
- Chart of the Steps from the Comma to the Proximate Major Third
- Copy of the Original Warrant Made on the Debate
- Table of the Names of the Keys on the Archicembalo in Descending Order
- Control code
- ocn861792649
- Dimensions
- unknown
- Extent
- 1 online resource (lxix, 487 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780300146226
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt2zz939
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)861792649
- Label
- Ancient music adapted to modern practice, Nicola Vicentino ; translated, with introduction and notes, by Maria Rika Maniates ; edited by Claude V. Palisca
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references (pages 457-473) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Table of String Lengths Based on Lemme Rossi
- Table of Cents Values for the First Tuning System of the Archicembalo
- Table of Cents Values for the Second Tuning System on the Archicembalo
- Table of the Major and Minor Triads in the Second Tuning of the Archicembalo
- Ancient Music Adapted to Modern Practice
- Book on Music Theory
- Book on Music Practice
- Vicentino's Petition to Venice for a Printing Privilege
- Diagram of the Keys in One Octave on the Archicembalo
- Chart of the Steps from the Comma to the Proximate Major Third
- Copy of the Original Warrant Made on the Debate
- Table of the Names of the Keys on the Archicembalo in Descending Order
- Control code
- ocn861792649
- Dimensions
- unknown
- Extent
- 1 online resource (lxix, 487 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780300146226
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt2zz939
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)861792649
Subject
- Archicembalo
- Cembalo
- Early works
- Electronic books
- Historische Musikpraxis
- MUSIC -- General
- Music theory
- Musical intervals and scales
- Musical intervals and scales -- Early works to 1800
- Musiktheorie
- Musique -- Intervalles et gammes | Ouvrages avant 1800
- Musique -- Théorie -- 16e siècle -- Ouvrages avant 1800
- Muziektheorie
- Uitvoeringspraktijk
- Music theory -- Early works to 1800
- Archicembalo
Genre
Member of
Library Links
Embed
Settings
Select options that apply then copy and paste the RDF/HTML data fragment to include in your application
Embed this data in a secure (HTTPS) page:
Layout options:
Include data citation:
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Ancient-music-adapted-to-modern-practice-Nicola/F5qQVubbo8U/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Ancient-music-adapted-to-modern-practice-Nicola/F5qQVubbo8U/">Ancient music adapted to modern practice, Nicola Vicentino ; translated, with introduction and notes, by Maria Rika Maniates ; edited by Claude V. Palisca</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
Note: Adjust the width and height settings defined in the RDF/HTML code fragment to best match your requirements
Preview
Cite Data - Experimental
Data Citation of the Item Ancient music adapted to modern practice, Nicola Vicentino ; translated, with introduction and notes, by Maria Rika Maniates ; edited by Claude V. Palisca
Copy and paste the following RDF/HTML data fragment to cite this resource
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Ancient-music-adapted-to-modern-practice-Nicola/F5qQVubbo8U/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Ancient-music-adapted-to-modern-practice-Nicola/F5qQVubbo8U/">Ancient music adapted to modern practice, Nicola Vicentino ; translated, with introduction and notes, by Maria Rika Maniates ; edited by Claude V. Palisca</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>