The Resource Art and pluralism : Lawrence Alloway's cultural criticism, Nigel Whiteley
Art and pluralism : Lawrence Alloway's cultural criticism, Nigel Whiteley
Resource Information
The item Art and pluralism : Lawrence Alloway's cultural criticism, Nigel Whiteley represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Art and pluralism : Lawrence Alloway's cultural criticism, Nigel Whiteley represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- This book examines the writings of Lawrence Alloway (1926-1990), one of the most influential and widely-respected art writers of the post-War years. Art and Pluralism provides a close and critical reading of Alloway's writings, and sets his work in the cultural and political context of the London and New York art worlds of the 1950s to the early 1980s. A invaluable work for all twentieth-century artists and art historians
- Language
- eng
- Extent
- 1 online resource (xiv, 510 pages, 16 unnumbered pages of plates)
- Contents
-
- British art scene
- Abstraction and iconography
- 11.
- communications network
- 12.
- Departure from the Guggenheim
- 13.
- Exile in Carbondale
- 14.
- Arts Magazine
- 15.
- 4.
- Venice Biennale
- 16.
- Return to New York: SVA, SUNY, and The Nation
- 17.
- Options
- 18.
- Expanding and disappearing works of art
- 19.
- Alloway's Nation criticism
- 20.
- Early career
- Newness and the avant-garde
- 21.
- Post-Minimal radicalism
- 22.
- Historical revisions: Abstract Expressionism and Picasso
- 23.
- Mass communications
- 24.
- Film criticism
- 25.
- Section B
- Violent America
- 26.
- Pluralism as a "unifying theory"
- Section D
- Alternatives, 1971-1988
- 1.
- Disorientation and dissent in the art world
- 2.
- Alloway and the politicization of art, 1968-1970
- 3.
- Continuum, 1952 -- 1961
- Changing values, 1971-1972
- 4.
- Art/brunt and the art world as a system
- 5.
- 1973 and a new pluralism
- 6.
- uses and limits of art criticism
- 7.
- Criticism and women's art, 1972-1974
- 8.
- 1.
- Women's art and criticism, 1975
- 9.
- realist "renewal"
- 10.
- Photo-Realism
- 11.
- realist "revival"
- 12.
- Realist revisionism
- 13.
- Art criticism, 1951-1952
- decline of the avant-garde
- 14.
- "Legitimate variables"
- 15.
- Earth art
- 16.
- Public art
- 17.
- In praise of plenty
- 18.
- 2.
- Crises in the art world: criticism
- 19.
- Crises in the art world: feminism
- 20.
- Crises in the art world: curatorship
- 21.
- co-ops and "alternative" spaces
- 22.
- Turn of the decade decline
- 23.
- ICA in the early 1950s
- Mainstream
- 24.
- and "alternative"
- 25.
- last years
- 26.
- complex present
- Section E
- Summary and Conclusion
- 1.
- 3.
- Pluralism
- 2.
- "Post-Modernism"
- 3.
- Art history
- 4.
- Art criticism
- 5.
- Alloway's reputation
- 6.
- Machine generated contents note:
- Independent Group: aesthetic problems
- Art
- 7.
- legacy of pluralism
- 4.
- Independent Group: popular culture
- 5.
- Art criticism, 1953 -- 1955
- 6.
- Alloway and abstraction
- 7.
- Alloway and figurative art
- 8.
- Section
- This Is Tomorrow, 1956
- 9.
- Information Theory
- 10.
- Group 12 and Information Theory
- 11.
- Science fiction
- 12.
- cultural continuum model
- 13.
- A Introduction
- Writings about the movies
- 14.
- Graphics and advertising
- 15.
- Design
- 16.
- Architecture and the city
- 17.
- Channel flows
- 18.
- 1.
- Art autre
- 19.
- human image
- 20.
- Modern Art in the United States, 1956
- 21.
- Action Painting
- 22.
- First trip to the USA
- 23.
- Alloway and pluralism
- New American Painting, 1958
- 24.
- Alloway and Greenberg
- 25.
- Cold wars
- 26.
- British art and the USA: The Middle Generation
- 27.
- younger generation and the avant-garde
- 28.
- 2.
- Hard Edge
- 29.
- Place and the avant-garde, 1959
- 30.
- Situation and its legacy
- 31.
- emergence of Pop art
- 32.
- Alloway's departure
- Section C
- Background
- Abundance, 1961 -- 1971
- 1.
- Arrival in the USA and "Clemsville"
- 2.
- Junk art
- 3.
- American Pop
- 4.
- Curator at the Guggenheim
- 5.
- 3.
- Six Painters and the Object and Six More, 1963
- 6.
- Other writings on Pop
- 7.
- Art as human evidence
- 8.
- Alexander Liberman and Paul Feeley
- 9.
- Systemic Painting, 1966
- 10.
- Isbn
- 9781846316708
- Label
- Art and pluralism : Lawrence Alloway's cultural criticism
- Title
- Art and pluralism
- Title remainder
- Lawrence Alloway's cultural criticism
- Statement of responsibility
- Nigel Whiteley
- Language
- eng
- Summary
- This book examines the writings of Lawrence Alloway (1926-1990), one of the most influential and widely-respected art writers of the post-War years. Art and Pluralism provides a close and critical reading of Alloway's writings, and sets his work in the cultural and political context of the London and New York art worlds of the 1950s to the early 1980s. A invaluable work for all twentieth-century artists and art historians
- Cataloging source
- MHW
- http://library.link/vocab/creatorName
- Whiteley, Nigel
- Illustrations
-
- illustrations
- portraits
- plates
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- Value, art, politics
- http://library.link/vocab/subjectName
-
- Alloway, Lawrence
- Alloway, Lawrence
- Art
- Art, Modern
- Pluralism
- ART
- ART
- Art, Modern
- Art
- Pluralism
- Label
- Art and pluralism : Lawrence Alloway's cultural criticism, Nigel Whiteley
- Bibliography note
- Includes bibliographical references (pages 473-489) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- British art scene
- Abstraction and iconography
- 11.
- communications network
- 12.
- Departure from the Guggenheim
- 13.
- Exile in Carbondale
- 14.
- Arts Magazine
- 15.
- 4.
- Venice Biennale
- 16.
- Return to New York: SVA, SUNY, and The Nation
- 17.
- Options
- 18.
- Expanding and disappearing works of art
- 19.
- Alloway's Nation criticism
- 20.
- Early career
- Newness and the avant-garde
- 21.
- Post-Minimal radicalism
- 22.
- Historical revisions: Abstract Expressionism and Picasso
- 23.
- Mass communications
- 24.
- Film criticism
- 25.
- Section B
- Violent America
- 26.
- Pluralism as a "unifying theory"
- Section D
- Alternatives, 1971-1988
- 1.
- Disorientation and dissent in the art world
- 2.
- Alloway and the politicization of art, 1968-1970
- 3.
- Continuum, 1952 -- 1961
- Changing values, 1971-1972
- 4.
- Art/brunt and the art world as a system
- 5.
- 1973 and a new pluralism
- 6.
- uses and limits of art criticism
- 7.
- Criticism and women's art, 1972-1974
- 8.
- 1.
- Women's art and criticism, 1975
- 9.
- realist "renewal"
- 10.
- Photo-Realism
- 11.
- realist "revival"
- 12.
- Realist revisionism
- 13.
- Art criticism, 1951-1952
- decline of the avant-garde
- 14.
- "Legitimate variables"
- 15.
- Earth art
- 16.
- Public art
- 17.
- In praise of plenty
- 18.
- 2.
- Crises in the art world: criticism
- 19.
- Crises in the art world: feminism
- 20.
- Crises in the art world: curatorship
- 21.
- co-ops and "alternative" spaces
- 22.
- Turn of the decade decline
- 23.
- ICA in the early 1950s
- Mainstream
- 24.
- and "alternative"
- 25.
- last years
- 26.
- complex present
- Section E
- Summary and Conclusion
- 1.
- 3.
- Pluralism
- 2.
- "Post-Modernism"
- 3.
- Art history
- 4.
- Art criticism
- 5.
- Alloway's reputation
- 6.
- Machine generated contents note:
- Independent Group: aesthetic problems
- Art
- 7.
- legacy of pluralism
- 4.
- Independent Group: popular culture
- 5.
- Art criticism, 1953 -- 1955
- 6.
- Alloway and abstraction
- 7.
- Alloway and figurative art
- 8.
- Section
- This Is Tomorrow, 1956
- 9.
- Information Theory
- 10.
- Group 12 and Information Theory
- 11.
- Science fiction
- 12.
- cultural continuum model
- 13.
- A Introduction
- Writings about the movies
- 14.
- Graphics and advertising
- 15.
- Design
- 16.
- Architecture and the city
- 17.
- Channel flows
- 18.
- 1.
- Art autre
- 19.
- human image
- 20.
- Modern Art in the United States, 1956
- 21.
- Action Painting
- 22.
- First trip to the USA
- 23.
- Alloway and pluralism
- New American Painting, 1958
- 24.
- Alloway and Greenberg
- 25.
- Cold wars
- 26.
- British art and the USA: The Middle Generation
- 27.
- younger generation and the avant-garde
- 28.
- 2.
- Hard Edge
- 29.
- Place and the avant-garde, 1959
- 30.
- Situation and its legacy
- 31.
- emergence of Pop art
- 32.
- Alloway's departure
- Section C
- Background
- Abundance, 1961 -- 1971
- 1.
- Arrival in the USA and "Clemsville"
- 2.
- Junk art
- 3.
- American Pop
- 4.
- Curator at the Guggenheim
- 5.
- 3.
- Six Painters and the Object and Six More, 1963
- 6.
- Other writings on Pop
- 7.
- Art as human evidence
- 8.
- Alexander Liberman and Paul Feeley
- 9.
- Systemic Painting, 1966
- 10.
- Control code
- ocn811488562
- Dimensions
- unknown
- Extent
- 1 online resource (xiv, 510 pages, 16 unnumbered pages of plates)
- Form of item
- online
- Isbn
- 9781846316708
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other physical details
- illustrations (some color), portraits
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt5p54dw
- Specific material designation
- remote
- System control number
- (OCoLC)811488562
- Label
- Art and pluralism : Lawrence Alloway's cultural criticism, Nigel Whiteley
- Bibliography note
- Includes bibliographical references (pages 473-489) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- British art scene
- Abstraction and iconography
- 11.
- communications network
- 12.
- Departure from the Guggenheim
- 13.
- Exile in Carbondale
- 14.
- Arts Magazine
- 15.
- 4.
- Venice Biennale
- 16.
- Return to New York: SVA, SUNY, and The Nation
- 17.
- Options
- 18.
- Expanding and disappearing works of art
- 19.
- Alloway's Nation criticism
- 20.
- Early career
- Newness and the avant-garde
- 21.
- Post-Minimal radicalism
- 22.
- Historical revisions: Abstract Expressionism and Picasso
- 23.
- Mass communications
- 24.
- Film criticism
- 25.
- Section B
- Violent America
- 26.
- Pluralism as a "unifying theory"
- Section D
- Alternatives, 1971-1988
- 1.
- Disorientation and dissent in the art world
- 2.
- Alloway and the politicization of art, 1968-1970
- 3.
- Continuum, 1952 -- 1961
- Changing values, 1971-1972
- 4.
- Art/brunt and the art world as a system
- 5.
- 1973 and a new pluralism
- 6.
- uses and limits of art criticism
- 7.
- Criticism and women's art, 1972-1974
- 8.
- 1.
- Women's art and criticism, 1975
- 9.
- realist "renewal"
- 10.
- Photo-Realism
- 11.
- realist "revival"
- 12.
- Realist revisionism
- 13.
- Art criticism, 1951-1952
- decline of the avant-garde
- 14.
- "Legitimate variables"
- 15.
- Earth art
- 16.
- Public art
- 17.
- In praise of plenty
- 18.
- 2.
- Crises in the art world: criticism
- 19.
- Crises in the art world: feminism
- 20.
- Crises in the art world: curatorship
- 21.
- co-ops and "alternative" spaces
- 22.
- Turn of the decade decline
- 23.
- ICA in the early 1950s
- Mainstream
- 24.
- and "alternative"
- 25.
- last years
- 26.
- complex present
- Section E
- Summary and Conclusion
- 1.
- 3.
- Pluralism
- 2.
- "Post-Modernism"
- 3.
- Art history
- 4.
- Art criticism
- 5.
- Alloway's reputation
- 6.
- Machine generated contents note:
- Independent Group: aesthetic problems
- Art
- 7.
- legacy of pluralism
- 4.
- Independent Group: popular culture
- 5.
- Art criticism, 1953 -- 1955
- 6.
- Alloway and abstraction
- 7.
- Alloway and figurative art
- 8.
- Section
- This Is Tomorrow, 1956
- 9.
- Information Theory
- 10.
- Group 12 and Information Theory
- 11.
- Science fiction
- 12.
- cultural continuum model
- 13.
- A Introduction
- Writings about the movies
- 14.
- Graphics and advertising
- 15.
- Design
- 16.
- Architecture and the city
- 17.
- Channel flows
- 18.
- 1.
- Art autre
- 19.
- human image
- 20.
- Modern Art in the United States, 1956
- 21.
- Action Painting
- 22.
- First trip to the USA
- 23.
- Alloway and pluralism
- New American Painting, 1958
- 24.
- Alloway and Greenberg
- 25.
- Cold wars
- 26.
- British art and the USA: The Middle Generation
- 27.
- younger generation and the avant-garde
- 28.
- 2.
- Hard Edge
- 29.
- Place and the avant-garde, 1959
- 30.
- Situation and its legacy
- 31.
- emergence of Pop art
- 32.
- Alloway's departure
- Section C
- Background
- Abundance, 1961 -- 1971
- 1.
- Arrival in the USA and "Clemsville"
- 2.
- Junk art
- 3.
- American Pop
- 4.
- Curator at the Guggenheim
- 5.
- 3.
- Six Painters and the Object and Six More, 1963
- 6.
- Other writings on Pop
- 7.
- Art as human evidence
- 8.
- Alexander Liberman and Paul Feeley
- 9.
- Systemic Painting, 1966
- 10.
- Control code
- ocn811488562
- Dimensions
- unknown
- Extent
- 1 online resource (xiv, 510 pages, 16 unnumbered pages of plates)
- Form of item
- online
- Isbn
- 9781846316708
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other physical details
- illustrations (some color), portraits
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt5p54dw
- Specific material designation
- remote
- System control number
- (OCoLC)811488562
Library Links
Embed
Settings
Select options that apply then copy and paste the RDF/HTML data fragment to include in your application
Embed this data in a secure (HTTPS) page:
Layout options:
Include data citation:
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Art-and-pluralism--Lawrence-Alloways-cultural/P3CqLShqX34/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Art-and-pluralism--Lawrence-Alloways-cultural/P3CqLShqX34/">Art and pluralism : Lawrence Alloway's cultural criticism, Nigel Whiteley</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
Note: Adjust the width and height settings defined in the RDF/HTML code fragment to best match your requirements
Preview
Cite Data - Experimental
Data Citation of the Item Art and pluralism : Lawrence Alloway's cultural criticism, Nigel Whiteley
Copy and paste the following RDF/HTML data fragment to cite this resource
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Art-and-pluralism--Lawrence-Alloways-cultural/P3CqLShqX34/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Art-and-pluralism--Lawrence-Alloways-cultural/P3CqLShqX34/">Art and pluralism : Lawrence Alloway's cultural criticism, Nigel Whiteley</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
