Coverart for item
The Resource Artistic experimentation in music : an anthology, edited by Darla Crispin and Bob Gilmore

Artistic experimentation in music : an anthology, edited by Darla Crispin and Bob Gilmore

Label
Artistic experimentation in music : an anthology
Title
Artistic experimentation in music
Title remainder
an anthology
Statement of responsibility
edited by Darla Crispin and Bob Gilmore
Contributor
Editor
Subject
Genre
Language
eng
Summary
Essential reading for anyone interested in artistic research applied to music. This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus Research Centre in Music (ORCiM) in Ghent, Belgium. The book critically examines experimentat
Member of
Cataloging source
EBLCP
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1961-2015
http://library.link/vocab/relatedWorkOrContributorName
  • Crispin, Darla
  • Gilmore, Bob
Series statement
Orpheus Institute Series
http://library.link/vocab/subjectName
  • Musicology
  • Music
  • Arts
  • MUSIC
  • Arts
  • Musicology
Label
Artistic experimentation in music : an anthology, edited by Darla Crispin and Bob Gilmore
Instantiates
Publication
Note
Interview with Agostino Di Scipio
Antecedent source
unknown
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Introduction; Darla Crispin and Bob Gilmore; Section I; Towards an Understanding of Experimentation in Artistic Practice; Five Maps of the Experimental World; Bob Gilmore; The Exposition of Practice as Research as Experimental Systems; Michael Schwab; Epistemic Complexity and Experimental Systems in Music Performance; Paulo de Assis; Experimental Art as Research; Godfried-Willem Raes; Tiny Moments of Experimentation: ; Kairos in the Liminal Space of Performance; Kathleen Coessens; The Web of Artistic Practice:; A Background for Experimentation; Kathleen Coessens
  • Towards an Ethical-Political Role for Artistic ResearchMarcel Cobussen; A New Path to Music: ; Experimental Exploration and Expression of an Aesthetic Universe; Bart Vanhecke; From Experimentation to Construction; Richard Barrett; Artistic Research and Experimental Systems:; The Rheinberger Questionnaire and Study Day -- A Report; Michael Schwab; Section II; The Role of the Body: Tacit and Creative Dimensions of Artistic Experimentation; Embodiment and Gesture in Performance: ; Practice-Based Perspectives; Catherine Laws; Order Matters; A Thought on How to Practise ; Mieko Kanno
  • Association-Based Experimentation as an Artistic Research MethodValentin Gloor; Association and Selection:; Toward a New Flexibility in the Form and Content of the Liederabend; Valentin Gloor; Il palpitar del core: ; The Heart-Beat of the "First Opera"; Andrew Lawrence-King; Techno-Intuition: ; Experiments with Sound in the Environment; Yolande Harris; Section III; Experimenting with Materials in the Processes of Music-Making; what if?; Larry Polansky; Historical Precedents for Artistic Research in Music:; The Case of William Butler Yeats; William Brooks
  • Cageian Interpenetration and the Nature-Artifice DistinctionSteve Tromans; Revisiting Luigi Nono's Suffered, Serene Waves; Paulo de Assis; On Kagel's Experimental Sound Producers: ; An Illustrated Interview with a Historical Performer; Luk Vaes; Composing as a Way of Doing Philosophy; Nicholas G. Brown; Cycles of Experimentation and the Creative Process of Music Composition; Hans Roels; Changing Sounds, Changing Meanings: ; How Artistic Experimentation Opens Up the Field of Brahms Performance Practice; Anna Scott; Experiments in Time
  • Music-Research with Jazz Standards in the Professional ContextSteve Tromans; Ecosonics: ; Music and Birdsong, Ends and Beginnings; Stephen Preston; Section IV ; Sound and Space: Environments and Interactions; Speaking and Singing in Different Rooms:; Conceptuality and Variation in Alvin Lucier's I Am Sitting in a Room; Paul Craenen; Experiment in Practice; Catherine Laws; The Virtual Haydn: ; An Experiment in Recording, Performing, and Publishing; Tom Beghin; On Life Is Too Precious: ; Blending Musical and Research Goals through Experimentation; Juan Parra Cancino
Control code
ocn905993358
Dimensions
unknown
Extent
1 online resource (416 pages)
File format
unknown
Form of item
online
Isbn
9789461661661
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt14c4s7v
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)905993358
Label
Artistic experimentation in music : an anthology, edited by Darla Crispin and Bob Gilmore
Publication
Note
Interview with Agostino Di Scipio
Antecedent source
unknown
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Introduction; Darla Crispin and Bob Gilmore; Section I; Towards an Understanding of Experimentation in Artistic Practice; Five Maps of the Experimental World; Bob Gilmore; The Exposition of Practice as Research as Experimental Systems; Michael Schwab; Epistemic Complexity and Experimental Systems in Music Performance; Paulo de Assis; Experimental Art as Research; Godfried-Willem Raes; Tiny Moments of Experimentation: ; Kairos in the Liminal Space of Performance; Kathleen Coessens; The Web of Artistic Practice:; A Background for Experimentation; Kathleen Coessens
  • Towards an Ethical-Political Role for Artistic ResearchMarcel Cobussen; A New Path to Music: ; Experimental Exploration and Expression of an Aesthetic Universe; Bart Vanhecke; From Experimentation to Construction; Richard Barrett; Artistic Research and Experimental Systems:; The Rheinberger Questionnaire and Study Day -- A Report; Michael Schwab; Section II; The Role of the Body: Tacit and Creative Dimensions of Artistic Experimentation; Embodiment and Gesture in Performance: ; Practice-Based Perspectives; Catherine Laws; Order Matters; A Thought on How to Practise ; Mieko Kanno
  • Association-Based Experimentation as an Artistic Research MethodValentin Gloor; Association and Selection:; Toward a New Flexibility in the Form and Content of the Liederabend; Valentin Gloor; Il palpitar del core: ; The Heart-Beat of the "First Opera"; Andrew Lawrence-King; Techno-Intuition: ; Experiments with Sound in the Environment; Yolande Harris; Section III; Experimenting with Materials in the Processes of Music-Making; what if?; Larry Polansky; Historical Precedents for Artistic Research in Music:; The Case of William Butler Yeats; William Brooks
  • Cageian Interpenetration and the Nature-Artifice DistinctionSteve Tromans; Revisiting Luigi Nono's Suffered, Serene Waves; Paulo de Assis; On Kagel's Experimental Sound Producers: ; An Illustrated Interview with a Historical Performer; Luk Vaes; Composing as a Way of Doing Philosophy; Nicholas G. Brown; Cycles of Experimentation and the Creative Process of Music Composition; Hans Roels; Changing Sounds, Changing Meanings: ; How Artistic Experimentation Opens Up the Field of Brahms Performance Practice; Anna Scott; Experiments in Time
  • Music-Research with Jazz Standards in the Professional ContextSteve Tromans; Ecosonics: ; Music and Birdsong, Ends and Beginnings; Stephen Preston; Section IV ; Sound and Space: Environments and Interactions; Speaking and Singing in Different Rooms:; Conceptuality and Variation in Alvin Lucier's I Am Sitting in a Room; Paul Craenen; Experiment in Practice; Catherine Laws; The Virtual Haydn: ; An Experiment in Recording, Performing, and Publishing; Tom Beghin; On Life Is Too Precious: ; Blending Musical and Research Goals through Experimentation; Juan Parra Cancino
Control code
ocn905993358
Dimensions
unknown
Extent
1 online resource (416 pages)
File format
unknown
Form of item
online
Isbn
9789461661661
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt14c4s7v
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)905993358

Library Locations

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      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
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