Coverart for item
The Resource Black theatre : ritual performance in the African diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards

Black theatre : ritual performance in the African diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards

Label
Black theatre : ritual performance in the African diaspora
Title
Black theatre
Title remainder
ritual performance in the African diaspora
Statement of responsibility
edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards
Contributor
Subject
Language
eng
Cataloging source
DLC
Index
no index present
LC call number
PN1590.B53
LC item number
B59 2002
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1936-
http://library.link/vocab/relatedWorkOrContributorName
  • Harrison, Paul Carter
  • Walker, Victor Leo
  • Edwards, Gus
http://library.link/vocab/subjectName
  • Blacks in the performing arts
  • Black theater
  • Drama
  • Blacks in literature
Label
Black theatre : ritual performance in the African diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards
Instantiates
Publication
Bibliography note
Includes bibliographical references
Contents
  • Agones : the constitution of a practice
  • Tejumola Olaniyan
  • What the twilight says : an overture
  • Derek Walcott
  • Caribbean narrative : carnival characters--in life and in the mind
  • Gus Edwards
  • Rebaptizing the world in our own terms : Black theatre and live arts in Britain
  • Michael McMillan
  • and
  • SuAndi
  • Praise/word
  • pt. 2. Mythology and metaphysics.
  • The
  • fourth stage : through the mysteries of Ogun to the origin of Yoruba tragedy
  • Wole Soyinka
  • The
  • Candomblʹe and Eshu-Eleggua in Brazilian and Cuban Yoruba-based ritual /
  • Marta Moreno Vega
  • Legba and the politics of metaphysics : the trickster in Black drama
  • Femi Euba
  • Art for life's sake : rituals and rights of self and other in the theatre of Aimʹe Cʹesaire
  • Paul Carter Harrison
  • Keith L. Walker
  • Sycorax mythology
  • May Joseph
  • Conjuring as radical re/membering in the works of Shay Youngblood
  • Joni L. Jones
  • Archetype and masking in LeRoi Jones/Amiri Baraka's Dutchman
  • Victor Leo Walker II
  • pt. 3. Dramaturgical practice.
  • The
  • dramaturg's way : meditations on the cartographer at the crossroads
  • pt. 1. African roots.
  • Deborah Wood Holton
  • Introduction to Moon marked and touched by sun
  • Sydnʹe Mahone
  • Kennedy's travelers in the American and African continuum
  • Paul K. Bryant-Jackson
  • Mojo and the sayso : a drama of Nommo that asks, "Is your mojo working?"
  • Andrea J. Nouryeh
  • Ritual poetics and rites of passage in Ntozake Shange's for colored girls who have considered suicide/when the rainbow is enuf
  • Jean Young
  • pt. 4. Performance.
  • Roots in African drama and theatre
  • Form and transformation : immanence of the soul in the performance modes of Black church and Black music
  • Paul Carter Harrison
  • The
  • sense of self in ritualizing new performance spaces for survival
  • Beverly J. Robinson
  • Barbara Ann Teer : from holistic training to liberating rituals
  • Lundeana M. Thomas
  • Bopera theory
  • Amiri Baraka
  • From hip-hop to Hittite : part X
  • J.C. de Graft
  • Keith Antar Mason
  • Members and lames : language in the plays of August Wilson
  • William W. Cook
  • Porque tu no m'entrende? Whatcha mean you can't understand me?
  • Ntozake Shange
  • Performance method
  • George C. Wolfe
  • Afterword : testimony of a witness
  • Eleanor W. Traylor
  • The
  • African heritage of African American art and performance
  • Babatunde Lawal
Control code
48263784
Dimensions
26 cm
Extent
ix, 418 p.
Isbn
9781566399449
Isbn Type
(pbk. : alk. paper)
Lccn
2001055547
Label
Black theatre : ritual performance in the African diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards
Publication
Bibliography note
Includes bibliographical references
Contents
  • Agones : the constitution of a practice
  • Tejumola Olaniyan
  • What the twilight says : an overture
  • Derek Walcott
  • Caribbean narrative : carnival characters--in life and in the mind
  • Gus Edwards
  • Rebaptizing the world in our own terms : Black theatre and live arts in Britain
  • Michael McMillan
  • and
  • SuAndi
  • Praise/word
  • pt. 2. Mythology and metaphysics.
  • The
  • fourth stage : through the mysteries of Ogun to the origin of Yoruba tragedy
  • Wole Soyinka
  • The
  • Candomblʹe and Eshu-Eleggua in Brazilian and Cuban Yoruba-based ritual /
  • Marta Moreno Vega
  • Legba and the politics of metaphysics : the trickster in Black drama
  • Femi Euba
  • Art for life's sake : rituals and rights of self and other in the theatre of Aimʹe Cʹesaire
  • Paul Carter Harrison
  • Keith L. Walker
  • Sycorax mythology
  • May Joseph
  • Conjuring as radical re/membering in the works of Shay Youngblood
  • Joni L. Jones
  • Archetype and masking in LeRoi Jones/Amiri Baraka's Dutchman
  • Victor Leo Walker II
  • pt. 3. Dramaturgical practice.
  • The
  • dramaturg's way : meditations on the cartographer at the crossroads
  • pt. 1. African roots.
  • Deborah Wood Holton
  • Introduction to Moon marked and touched by sun
  • Sydnʹe Mahone
  • Kennedy's travelers in the American and African continuum
  • Paul K. Bryant-Jackson
  • Mojo and the sayso : a drama of Nommo that asks, "Is your mojo working?"
  • Andrea J. Nouryeh
  • Ritual poetics and rites of passage in Ntozake Shange's for colored girls who have considered suicide/when the rainbow is enuf
  • Jean Young
  • pt. 4. Performance.
  • Roots in African drama and theatre
  • Form and transformation : immanence of the soul in the performance modes of Black church and Black music
  • Paul Carter Harrison
  • The
  • sense of self in ritualizing new performance spaces for survival
  • Beverly J. Robinson
  • Barbara Ann Teer : from holistic training to liberating rituals
  • Lundeana M. Thomas
  • Bopera theory
  • Amiri Baraka
  • From hip-hop to Hittite : part X
  • J.C. de Graft
  • Keith Antar Mason
  • Members and lames : language in the plays of August Wilson
  • William W. Cook
  • Porque tu no m'entrende? Whatcha mean you can't understand me?
  • Ntozake Shange
  • Performance method
  • George C. Wolfe
  • Afterword : testimony of a witness
  • Eleanor W. Traylor
  • The
  • African heritage of African American art and performance
  • Babatunde Lawal
Control code
48263784
Dimensions
26 cm
Extent
ix, 418 p.
Isbn
9781566399449
Isbn Type
(pbk. : alk. paper)
Lccn
2001055547

Library Locations

    • Copley LibraryBorrow it
      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
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