Coverart for item
The Resource Breaking the glass armor : neoformalist film analysis, Kristin Thompson

Breaking the glass armor : neoformalist film analysis, Kristin Thompson

Label
Breaking the glass armor : neoformalist film analysis
Title
Breaking the glass armor
Title remainder
neoformalist film analysis
Statement of responsibility
Kristin Thompson
Creator
Subject
Genre
Language
eng
Related
Cataloging source
JSTOR
http://library.link/vocab/creatorDate
1950-
http://library.link/vocab/creatorName
Thompson, Kristin
Illustrations
  • illustrations
  • plates
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Motion pictures
  • Film criticism
  • Cinéma
  • Cinéma
  • Critique cinématographique
  • PERFORMING ARTS
  • Film criticism
  • Motion pictures
  • Filmkritik
  • Neoformalismus
  • Formalismus
  • Estética do cinema
  • Filosofia do cinema
  • Crítica cinematográfica
  • Linguagem cinematográfica
Label
Breaking the glass armor : neoformalist film analysis, Kristin Thompson
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Boredom on the beach: triviality and humor in Les vacances de Monsieur Hulot
  • Sawing through the bough: Tout va bien as a Brechtian film
  • pt. 4.
  • Defamiliarization within the classical cinema:
  • Duplicitous narration and Stage fright
  • Closure within a dream?: point of view in Laura
  • pt. 5.
  • A formal look at realism:
  • Realism in the cinema: Bicycle thieves
  • An aesthetic of discrepancy: The rules of the game
  • pt. 1.
  • pt. 6.
  • The perceptual challenges of parametric form:
  • Play time: comedy on the edge of perception
  • Godard's unknown country: Sauve qui peut (la vie)
  • The sheen of armor, the whinnies of horses: sparse parametric style in Lancelot du Lac
  • Late spring and Ozu's unreasonable style
  • A neoformalist approach to film analysis:
  • Neoformalist film analysis: one approach, many methods
  • pt.
  • The ordinary film:
  • "No, Lestrade, in this case nothing was left to chance": motivation and delay in Terror by night
  • pt. 3.
  • Analyzing the dominant:
Control code
on1153575709
Dimensions
unknown
Extent
1 online resource (x, 361 pages, 41 unnumbered pages of plates)
File format
unknown
Form of item
online
Isbn
9780691213156
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations (some color)
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctvzwgs58
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)1153575709
Label
Breaking the glass armor : neoformalist film analysis, Kristin Thompson
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Boredom on the beach: triviality and humor in Les vacances de Monsieur Hulot
  • Sawing through the bough: Tout va bien as a Brechtian film
  • pt. 4.
  • Defamiliarization within the classical cinema:
  • Duplicitous narration and Stage fright
  • Closure within a dream?: point of view in Laura
  • pt. 5.
  • A formal look at realism:
  • Realism in the cinema: Bicycle thieves
  • An aesthetic of discrepancy: The rules of the game
  • pt. 1.
  • pt. 6.
  • The perceptual challenges of parametric form:
  • Play time: comedy on the edge of perception
  • Godard's unknown country: Sauve qui peut (la vie)
  • The sheen of armor, the whinnies of horses: sparse parametric style in Lancelot du Lac
  • Late spring and Ozu's unreasonable style
  • A neoformalist approach to film analysis:
  • Neoformalist film analysis: one approach, many methods
  • pt.
  • The ordinary film:
  • "No, Lestrade, in this case nothing was left to chance": motivation and delay in Terror by night
  • pt. 3.
  • Analyzing the dominant:
Control code
on1153575709
Dimensions
unknown
Extent
1 online resource (x, 361 pages, 41 unnumbered pages of plates)
File format
unknown
Form of item
online
Isbn
9780691213156
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations (some color)
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctvzwgs58
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)1153575709

Library Locations

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      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
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