The Resource Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson
Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson
Resource Information
The item Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- The gay and lesbian presence in black entertainment in Harlem nightclubs, speakeasies, rent parties, and Broadway stages
- Language
- eng
- Extent
- 1 online resource (ix, 260 pages)
- Note
- OldControl:muse9780472026968
- Contents
-
- Introduction: "It's getting dark on old Broadway"
- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s)
- "Harlem on my mind": New York's black belt on the Great White Way
- "That's the kind of gal I am": drag balls, "sexual perversion, " and David Belasco's Lulu Belle
- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters
- "In my well of loneliness": Gladys Bentley's Bulldykin' blues
- Conclusion: "you've seen Harlem at its best."
- Isbn
- 9780472026968
- Label
- Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance
- Title
- Bulldaggers, pansies, and chocolate babies
- Title remainder
- performance, race, and sexuality in the Harlem Renaissance
- Statement of responsibility
- James F. Wilson
- Subject
-
- African Americans -- Intellectual life
- African Americans -- New York (State) | New York -- Intellectual life
- African Americans in literature
- African Americans in literature
- African Americans in the performing arts
- African Americans in the performing arts -- New York (State) | New York -- History -- 20th century
- American Literature
- American drama
- American drama -- 20th century -- History and criticism
- American drama -- African American authors
- American drama -- African American authors | History and criticism
- Criticism, interpretation, etc
- DRAMA -- American
- Drama -- amerikanisches -- Afroamerikanische Autoren -- Geschichte 20. Jh
- Electronic books
- English
- Harlem (New York, N.Y.) -- Intellectual life -- 20th century
- Harlem Renaissance
- Harlem Renaissance
- Harlem Renaissance
- History
- Intellectual life
- Languages & Literatures
- New York (State) -- New York
- New York (State) -- New York | Harlem
- Race in literature
- Race in literature
- SOCIAL SCIENCE -- Gay Studies
- Sex in the theater
- Sex in the theater
- Theater
- Theater -- New York (State) | New York -- History -- 20th century
- Theater -- afroamerikanisches -- Geschichte 20. Jh
- 1900-1999
- Language
- eng
- Summary
- The gay and lesbian presence in black entertainment in Harlem nightclubs, speakeasies, rent parties, and Broadway stages
- Cataloging source
- CN8ML
- http://library.link/vocab/creatorName
- Wilson, James F
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/subjectName
-
- Sex in the theater
- Race in literature
- African Americans in literature
- Harlem Renaissance
- Harlem (New York, N.Y.)
- African Americans
- Theater
- African Americans in the performing arts
- American drama
- American drama
- SOCIAL SCIENCE
- DRAMA
- African Americans in literature
- African Americans in the performing arts
- African Americans
- American drama
- American drama
- Harlem Renaissance
- Intellectual life
- Race in literature
- Sex in the theater
- Theater
- New York (State)
- New York (State)
- English
- Languages & Literatures
- American Literature
- Sex in the theater
- Harlem Renaissance
- Theater
- Drama
- Label
- Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson
- Note
- OldControl:muse9780472026968
- Antecedent source
- not applicable
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion, " and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best."
- Control code
- ocn794700528
- Extent
- 1 online resource (ix, 260 pages)
- Form of item
- online
- Isbn
- 9780472026968
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other physical details
- illustrations
- Quality assurance targets
- not applicable
- Reformatting quality
- not applicable
- Specific material designation
- remote
- System control number
- (OCoLC)794700528
- Label
- Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson
- Note
- OldControl:muse9780472026968
- Antecedent source
- not applicable
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion, " and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best."
- Control code
- ocn794700528
- Extent
- 1 online resource (ix, 260 pages)
- Form of item
- online
- Isbn
- 9780472026968
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other physical details
- illustrations
- Quality assurance targets
- not applicable
- Reformatting quality
- not applicable
- Specific material designation
- remote
- System control number
- (OCoLC)794700528
Subject
- African Americans -- Intellectual life
- African Americans -- New York (State) | New York -- Intellectual life
- African Americans in literature
- African Americans in literature
- African Americans in the performing arts
- African Americans in the performing arts -- New York (State) | New York -- History -- 20th century
- American Literature
- American drama
- American drama -- 20th century -- History and criticism
- American drama -- African American authors
- American drama -- African American authors | History and criticism
- Criticism, interpretation, etc
- DRAMA -- American
- Drama -- amerikanisches -- Afroamerikanische Autoren -- Geschichte 20. Jh
- Electronic books
- English
- Harlem (New York, N.Y.) -- Intellectual life -- 20th century
- Harlem Renaissance
- Harlem Renaissance
- Harlem Renaissance
- History
- Intellectual life
- Languages & Literatures
- New York (State) -- New York
- New York (State) -- New York | Harlem
- Race in literature
- Race in literature
- SOCIAL SCIENCE -- Gay Studies
- Sex in the theater
- Sex in the theater
- Theater
- Theater -- New York (State) | New York -- History -- 20th century
- Theater -- afroamerikanisches -- Geschichte 20. Jh
- 1900-1999
Genre
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Bulldaggers-pansies-and-chocolate-babies-/rRMu7WEgEJs/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Bulldaggers-pansies-and-chocolate-babies-/rRMu7WEgEJs/">Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
