The Resource Continuity and crisis in German cinema, 1928-1936, edited by Barbara Hales, Mihaela Petrescu, and Valerie Weinstein
Continuity and crisis in German cinema, 1928-1936, edited by Barbara Hales, Mihaela Petrescu, and Valerie Weinstein
Resource Information
The item Continuity and crisis in German cinema, 1928-1936, edited by Barbara Hales, Mihaela Petrescu, and Valerie Weinstein represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Continuity and crisis in German cinema, 1928-1936, edited by Barbara Hales, Mihaela Petrescu, and Valerie Weinstein represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Language
- eng
- Extent
- 1 online resource
- Contents
-
- Introduction / Barbara Hales, Mihaela Petrescu, and Valerie Weinstein
- Part 1. Politics
- "Timid heresies": Werner Hochbaum's Razzia in St. Pauli (1932) / Christian Rogowski
- Film as pedagogy in late Weimar and early Nazi cinema: the role of the street in mobilizing the Spectator / Bastian Heinsohn
- Part 2. The economy
- "A fairy tale for grown-ups": financial and cinematic crises in Die Koffer des Herrn O.F. (1931) / Paul Flaig
- "Denn Gold ist Gluck und Fluch dieser Welt": Examining the trope of "Gold" in Gold (1934) and Der Kaiser von Kalifornien (1936) / Owen Lyons
- Part 3. Concepts of race and ethnicity
- Degenerate disease and the doctors of death: racial hygiene film as propaganda in Weimar and Early Nazi Germany / Barbara Hales
- "White Jews" and dark continents: capitalist critique and its racial undercurrents in Detlef Sierck's April! April! (1935) / Valerie Weinstein
- Part 4. Genre cinema
- The Zigeunerdrama reloaded: Leni Riefenstahl's Fantasy gypsies and Sacrificial others / Anjeana Hans
- Regaining mobility: the Aviator in Weimar mountain films / Wilfried Wilms
- Part 5. Making cinema stars
- Brigitte Helm and Germany's star system in the 1920s and 1930s / Mihaela Petrescu
- Foreign attractions: Czech stars and ethnic masquerade / Kevin B. Johnson
- Part 6. Film Technologies
- Objects in Motion: Hans Richter's Vormittagsspuk (1928) and the crisis of avant- garde film / Brook Henkel
- Seeing crisis in Harry Piel's Ein unsichtbarer geht durch die stadt (1933) / Kalani Michell
- Part 7. German-international film relations
- Playing the European market: Marcel L'Herbier's L'Argent (1928), Ufa, and German-French film relations / Margrit Frolich
- A serious man? Ernst Lubitsch's anti-war film The Man I Killed (a.k.a. Broken Lullaby, USA 1932) / Richard McCormick
- Isbn
- 9781782048435
- Label
- Continuity and crisis in German cinema, 1928-1936
- Title
- Continuity and crisis in German cinema, 1928-1936
- Statement of responsibility
- edited by Barbara Hales, Mihaela Petrescu, and Valerie Weinstein
- Subject
-
- 1900-1999
- Electronic books
- Germany
- History
- Motion pictures
- Motion pictures -- Germany -- History -- 20th century
- Motion pictures -- Political aspects
- Motion pictures -- Political aspects -- Germany -- History -- 20th century
- Motion pictures -- Social aspects
- Motion pictures -- Social aspects -- Germany -- History -- 20th century
- PERFORMING ARTS -- Film & Video | History & Criticism
- PERFORMING ARTS -- Reference
- Language
- eng
- Cataloging source
- N$T
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/relatedWorkOrContributorDate
-
- 1962-
- 1974-
- 1971-
- http://library.link/vocab/relatedWorkOrContributorName
-
- Hales, Barbara
- Petrescu, Mihaela
- Weinstein, Valerie
- Series statement
- Screen cultures: German film and the visual
- http://library.link/vocab/subjectName
-
- Motion pictures
- Motion pictures
- Motion pictures
- PERFORMING ARTS
- PERFORMING ARTS
- Motion pictures
- Motion pictures
- Motion pictures
- Germany
- Label
- Continuity and crisis in German cinema, 1928-1936, edited by Barbara Hales, Mihaela Petrescu, and Valerie Weinstein
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction / Barbara Hales, Mihaela Petrescu, and Valerie Weinstein -- Part 1. Politics -- "Timid heresies": Werner Hochbaum's Razzia in St. Pauli (1932) / Christian Rogowski -- Film as pedagogy in late Weimar and early Nazi cinema: the role of the street in mobilizing the Spectator / Bastian Heinsohn -- Part 2. The economy -- "A fairy tale for grown-ups": financial and cinematic crises in Die Koffer des Herrn O.F. (1931) / Paul Flaig -- "Denn Gold ist Gluck und Fluch dieser Welt": Examining the trope of "Gold" in Gold (1934) and Der Kaiser von Kalifornien (1936) / Owen Lyons -- Part 3. Concepts of race and ethnicity -- Degenerate disease and the doctors of death: racial hygiene film as propaganda in Weimar and Early Nazi Germany / Barbara Hales -- "White Jews" and dark continents: capitalist critique and its racial undercurrents in Detlef Sierck's April! April! (1935) / Valerie Weinstein -- Part 4. Genre cinema -- The Zigeunerdrama reloaded: Leni Riefenstahl's Fantasy gypsies and Sacrificial others / Anjeana Hans -- Regaining mobility: the Aviator in Weimar mountain films / Wilfried Wilms -- Part 5. Making cinema stars -- Brigitte Helm and Germany's star system in the 1920s and 1930s / Mihaela Petrescu -- Foreign attractions: Czech stars and ethnic masquerade / Kevin B. Johnson -- Part 6. Film Technologies -- Objects in Motion: Hans Richter's Vormittagsspuk (1928) and the crisis of avant- garde film / Brook Henkel -- Seeing crisis in Harry Piel's Ein unsichtbarer geht durch die stadt (1933) / Kalani Michell -- Part 7. German-international film relations -- Playing the European market: Marcel L'Herbier's L'Argent (1928), Ufa, and German-French film relations / Margrit Frolich -- A serious man? Ernst Lubitsch's anti-war film The Man I Killed (a.k.a. Broken Lullaby, USA 1932) / Richard McCormick
- Control code
- ocn961911945
- Dimensions
- unknown
- Extent
- 1 online resource
- File format
- unknown
- Form of item
- online
- Isbn
- 9781782048435
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- http://library.link/vocab/ext/overdrive/overdriveId
-
- 967265
- 22573/ctt1kxwj3t
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)961911945
- Label
- Continuity and crisis in German cinema, 1928-1936, edited by Barbara Hales, Mihaela Petrescu, and Valerie Weinstein
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction / Barbara Hales, Mihaela Petrescu, and Valerie Weinstein -- Part 1. Politics -- "Timid heresies": Werner Hochbaum's Razzia in St. Pauli (1932) / Christian Rogowski -- Film as pedagogy in late Weimar and early Nazi cinema: the role of the street in mobilizing the Spectator / Bastian Heinsohn -- Part 2. The economy -- "A fairy tale for grown-ups": financial and cinematic crises in Die Koffer des Herrn O.F. (1931) / Paul Flaig -- "Denn Gold ist Gluck und Fluch dieser Welt": Examining the trope of "Gold" in Gold (1934) and Der Kaiser von Kalifornien (1936) / Owen Lyons -- Part 3. Concepts of race and ethnicity -- Degenerate disease and the doctors of death: racial hygiene film as propaganda in Weimar and Early Nazi Germany / Barbara Hales -- "White Jews" and dark continents: capitalist critique and its racial undercurrents in Detlef Sierck's April! April! (1935) / Valerie Weinstein -- Part 4. Genre cinema -- The Zigeunerdrama reloaded: Leni Riefenstahl's Fantasy gypsies and Sacrificial others / Anjeana Hans -- Regaining mobility: the Aviator in Weimar mountain films / Wilfried Wilms -- Part 5. Making cinema stars -- Brigitte Helm and Germany's star system in the 1920s and 1930s / Mihaela Petrescu -- Foreign attractions: Czech stars and ethnic masquerade / Kevin B. Johnson -- Part 6. Film Technologies -- Objects in Motion: Hans Richter's Vormittagsspuk (1928) and the crisis of avant- garde film / Brook Henkel -- Seeing crisis in Harry Piel's Ein unsichtbarer geht durch die stadt (1933) / Kalani Michell -- Part 7. German-international film relations -- Playing the European market: Marcel L'Herbier's L'Argent (1928), Ufa, and German-French film relations / Margrit Frolich -- A serious man? Ernst Lubitsch's anti-war film The Man I Killed (a.k.a. Broken Lullaby, USA 1932) / Richard McCormick
- Control code
- ocn961911945
- Dimensions
- unknown
- Extent
- 1 online resource
- File format
- unknown
- Form of item
- online
- Isbn
- 9781782048435
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- http://library.link/vocab/ext/overdrive/overdriveId
-
- 967265
- 22573/ctt1kxwj3t
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)961911945
Subject
- 1900-1999
- Electronic books
- Germany
- History
- Motion pictures
- Motion pictures -- Germany -- History -- 20th century
- Motion pictures -- Political aspects
- Motion pictures -- Political aspects -- Germany -- History -- 20th century
- Motion pictures -- Social aspects
- Motion pictures -- Social aspects -- Germany -- History -- 20th century
- PERFORMING ARTS -- Film & Video | History & Criticism
- PERFORMING ARTS -- Reference
Genre
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Continuity-and-crisis-in-German-cinema/Y7Kjv4Zlv1c/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Continuity-and-crisis-in-German-cinema/Y7Kjv4Zlv1c/">Continuity and crisis in German cinema, 1928-1936, edited by Barbara Hales, Mihaela Petrescu, and Valerie Weinstein</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
