The Resource Designing sound : audiovisual aesthetics in 1970s American cinema, Jay Beck
Designing sound : audiovisual aesthetics in 1970s American cinema, Jay Beck
Resource Information
The item Designing sound : audiovisual aesthetics in 1970s American cinema, Jay Beck represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Designing sound : audiovisual aesthetics in 1970s American cinema, Jay Beck represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- Designing Sound demonstrates how Francis Ford Coppola, Robert Altman, and other groundbreaking American directors of the 1970s possessed not only visionary eyes, but also keen ears that enabled them to take cinematic sound design in innovative directions. Offering detailed case studies of key films and filmmakers, Jay Beck explores how sound design was central to the era's experimentation with new modes of cinematic storytelling and aesthetic sensibilities, from the lyricism of Terrence Malick to the gritty realism of Martin Scorsese
- Language
- eng
- Extent
- 1 online resource
- Contents
-
- Introduction: the state of the art
- Part 1. General trends (1965-1971)
- The British invasion
- TV and documentary's influence on sound aesthetics
- new voices and personal sound aesthetics: 1970-71
- Part 2. Director case studies (1968-1976) Francis Ford Coppola: American Zoetrope and collective filmmaking
- Robert Altman's collaborative sound work
- Martin Scorsese's dialectical sound
- -- The Dolby stereo era (1975-1980)
- The sound of music: dolby stereo and music in the new American cinema
- The sound of spectacle: Dolby stereo and the new classicism
- The sound of storytelling: Dolby stereo and the art of sound design
- Isbn
- 9780813573076
- Label
- Designing sound : audiovisual aesthetics in 1970s American cinema
- Title
- Designing sound
- Title remainder
- audiovisual aesthetics in 1970s American cinema
- Statement of responsibility
- Jay Beck
- Subject
-
- History
- Motion pictures -- Production and direction
- Motion pictures -- Production and direction -- United States -- History -- 20th century
- PERFORMING ARTS -- Film & Video | Direction & Production
- PERFORMING ARTS -- Reference
- Sound motion pictures
- Sound motion pictures
- United States
- 1900-1999
- Electronic books
- Language
- eng
- Summary
- Designing Sound demonstrates how Francis Ford Coppola, Robert Altman, and other groundbreaking American directors of the 1970s possessed not only visionary eyes, but also keen ears that enabled them to take cinematic sound design in innovative directions. Offering detailed case studies of key films and filmmakers, Jay Beck explores how sound design was central to the era's experimentation with new modes of cinematic storytelling and aesthetic sensibilities, from the lyricism of Terrence Malick to the gritty realism of Martin Scorsese
- Cataloging source
- N$T
- http://library.link/vocab/creatorDate
- 1966-
- http://library.link/vocab/creatorName
- Beck, Jay
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- Techniques of the moving image
- http://library.link/vocab/subjectName
-
- Sound motion pictures
- Motion pictures
- PERFORMING ARTS
- PERFORMING ARTS
- Motion pictures
- Sound motion pictures
- United States
- Label
- Designing sound : audiovisual aesthetics in 1970s American cinema, Jay Beck
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: the state of the art -- Part 1. General trends (1965-1971) -- The British invasion -- TV and documentary's influence on sound aesthetics -- new voices and personal sound aesthetics: 1970-71 -- Part 2. Director case studies (1968-1976) Francis Ford Coppola: American Zoetrope and collective filmmaking -- Robert Altman's collaborative sound work -- Martin Scorsese's dialectical sound -- -- The Dolby stereo era (1975-1980) -- The sound of music: dolby stereo and music in the new American cinema -- The sound of spectacle: Dolby stereo and the new classicism -- The sound of storytelling: Dolby stereo and the art of sound design
- Control code
- ocn945447753
- Dimensions
- unknown
- Extent
- 1 online resource
- File format
- unknown
- Form of item
- online
- Isbn
- 9780813573076
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt1b8rww7
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)945447753
- Label
- Designing sound : audiovisual aesthetics in 1970s American cinema, Jay Beck
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: the state of the art -- Part 1. General trends (1965-1971) -- The British invasion -- TV and documentary's influence on sound aesthetics -- new voices and personal sound aesthetics: 1970-71 -- Part 2. Director case studies (1968-1976) Francis Ford Coppola: American Zoetrope and collective filmmaking -- Robert Altman's collaborative sound work -- Martin Scorsese's dialectical sound -- -- The Dolby stereo era (1975-1980) -- The sound of music: dolby stereo and music in the new American cinema -- The sound of spectacle: Dolby stereo and the new classicism -- The sound of storytelling: Dolby stereo and the art of sound design
- Control code
- ocn945447753
- Dimensions
- unknown
- Extent
- 1 online resource
- File format
- unknown
- Form of item
- online
- Isbn
- 9780813573076
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt1b8rww7
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)945447753
Subject
- History
- Motion pictures -- Production and direction
- Motion pictures -- Production and direction -- United States -- History -- 20th century
- PERFORMING ARTS -- Film & Video | Direction & Production
- PERFORMING ARTS -- Reference
- Sound motion pictures
- Sound motion pictures
- United States
- 1900-1999
- Electronic books
Genre
Member of
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Designing-sound--audiovisual-aesthetics-in-1970s/JeCwi1viQeE/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Designing-sound--audiovisual-aesthetics-in-1970s/JeCwi1viQeE/">Designing sound : audiovisual aesthetics in 1970s American cinema, Jay Beck</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
