The Resource Duchamp and the aesthetics of chance : art as experiment, Herbert Molderings ; translated by John Brogden
Duchamp and the aesthetics of chance : art as experiment, Herbert Molderings ; translated by John Brogden
Resource Information
The item Duchamp and the aesthetics of chance : art as experiment, Herbert Molderings ; translated by John Brogden represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Duchamp and the aesthetics of chance : art as experiment, Herbert Molderings ; translated by John Brogden represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- Marcel Duchamp is often viewed as an ""artist-engineer-scientist, "" a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision. Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scien
- Language
-
- eng
- ger
- eng
- Extent
- 1 online resource (xvi, 214 pages)
- Contents
-
- The idea of the fabrication
- The 3 standard stoppages in the context of the large glass. The pane of glass as a materialized plane intersecting the visual pyramid
- Depersonalizing straight lines. The thread as a metaphor of the visual ray
- The 3 standard stoppages as paintings. Gravity and line : the "rephysicalization" of the ideal straight
- Duchamp's application of the new standard measures
- Painting of chance. Art as an experiment
- 1936 : Duchamp transforms the painting into an experimental setup. On the title : Roussel's "method"
- An excursion into the world of shop signs and windows
- Humorous application of non-Euclidean geometry. A brief digression on Tu m'
- The crisis of the scientific concept of truth
- Pataphysics, chance, and the aesthetics of the possible
- Radical individualism
- Isbn
- 9780231519748
- Label
- Duchamp and the aesthetics of chance : art as experiment
- Title
- Duchamp and the aesthetics of chance
- Title remainder
- art as experiment
- Statement of responsibility
- Herbert Molderings ; translated by John Brogden
- Title variation
- Art as experiment
- Subject
-
- ART -- Individual Artists | Essays
- ART -- Individual Artists | Monographs
- Criticism, interpretation, etc
- Duchamp, Marcel, 1887-1968
- Duchamp, Marcel, 1887-1968
- Duchamp, Marcel, 1887-1968 -- Criticism and interpretation
- Electronic books
- PHILOSOPHY -- Aesthetics
- ART -- Individual Artists | Artists' Books
- Language
-
- eng
- ger
- eng
- Summary
- Marcel Duchamp is often viewed as an ""artist-engineer-scientist, "" a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision. Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scien
- Cataloging source
- MERUC
- http://library.link/vocab/creatorName
- Molderings, Herbert
- Illustrations
- illustrations
- Index
- index present
- Language note
- Translated from the German
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/relatedWorkOrContributorName
- Brogden, John
- Series statement
- Columbia themes in philosophy, social criticism, and the arts
- http://library.link/vocab/subjectName
-
- Duchamp, Marcel
- Duchamp, Marcel
- Duchamp, Marcel
- ART
- ART
- ART
- PHILOSOPHY
- Label
- Duchamp and the aesthetics of chance : art as experiment, Herbert Molderings ; translated by John Brogden
- Bibliography note
- Includes bibliographical references (pages 193-210) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- The idea of the fabrication -- The 3 standard stoppages in the context of the large glass. The pane of glass as a materialized plane intersecting the visual pyramid -- Depersonalizing straight lines. The thread as a metaphor of the visual ray -- The 3 standard stoppages as paintings. Gravity and line : the "rephysicalization" of the ideal straight -- Duchamp's application of the new standard measures -- Painting of chance. Art as an experiment -- 1936 : Duchamp transforms the painting into an experimental setup. On the title : Roussel's "method" -- An excursion into the world of shop signs and windows -- Humorous application of non-Euclidean geometry. A brief digression on Tu m' -- The crisis of the scientific concept of truth -- Pataphysics, chance, and the aesthetics of the possible -- Radical individualism
- Control code
- ocn676731525
- Dimensions
- unknown
- Extent
- 1 online resource (xvi, 214 pages)
- Form of item
- online
- Isbn
- 9780231519748
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other control number
-
- 9786612796517
- 10.7312/mold14762
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
-
- 279651
- 22573/cttgqg66
- Specific material designation
- remote
- System control number
- (OCoLC)676731525
- Label
- Duchamp and the aesthetics of chance : art as experiment, Herbert Molderings ; translated by John Brogden
- Bibliography note
- Includes bibliographical references (pages 193-210) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- The idea of the fabrication -- The 3 standard stoppages in the context of the large glass. The pane of glass as a materialized plane intersecting the visual pyramid -- Depersonalizing straight lines. The thread as a metaphor of the visual ray -- The 3 standard stoppages as paintings. Gravity and line : the "rephysicalization" of the ideal straight -- Duchamp's application of the new standard measures -- Painting of chance. Art as an experiment -- 1936 : Duchamp transforms the painting into an experimental setup. On the title : Roussel's "method" -- An excursion into the world of shop signs and windows -- Humorous application of non-Euclidean geometry. A brief digression on Tu m' -- The crisis of the scientific concept of truth -- Pataphysics, chance, and the aesthetics of the possible -- Radical individualism
- Control code
- ocn676731525
- Dimensions
- unknown
- Extent
- 1 online resource (xvi, 214 pages)
- Form of item
- online
- Isbn
- 9780231519748
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other control number
-
- 9786612796517
- 10.7312/mold14762
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
-
- 279651
- 22573/cttgqg66
- Specific material designation
- remote
- System control number
- (OCoLC)676731525
Subject
- ART -- Individual Artists | Essays
- ART -- Individual Artists | Monographs
- Criticism, interpretation, etc
- Duchamp, Marcel, 1887-1968
- Duchamp, Marcel, 1887-1968
- Duchamp, Marcel, 1887-1968 -- Criticism and interpretation
- Electronic books
- PHILOSOPHY -- Aesthetics
- ART -- Individual Artists | Artists' Books
Genre
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Duchamp-and-the-aesthetics-of-chance--art-as/x8xW0ib9-Cc/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Duchamp-and-the-aesthetics-of-chance--art-as/x8xW0ib9-Cc/">Duchamp and the aesthetics of chance : art as experiment, Herbert Molderings ; translated by John Brogden</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
