The Resource How did poetry survive? : the making of modern American verse, John Timberman Newcomb
How did poetry survive? : the making of modern American verse, John Timberman Newcomb
Resource Information
The item How did poetry survive? : the making of modern American verse, John Timberman Newcomb represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item How did poetry survive? : the making of modern American verse, John Timberman Newcomb represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- How Did Poetry Survive? traces the emergence of modern American poetry at the turn of the nineteenth century. American poetry had stalled: a small group of recently deceased New England poets still held sway, and few outlets existed for living poets. However, the United States' quickly accelerating urbanization in the early twentieth century opened new opportunities, as it allowed the rise of publications focused on promoting the work of living writers of all kinds. The urban scene also influenced the work of poets, shifting away from traditional subjects and forms to reflect the rise of buildings and the increasingly busy bustle of the city. Change was everywhere: new forms of architecture and transportation, new immigrants, new professions, new tastes, new worries. This urbanized world called for a new poetry, and a group of new magazines entirely or chiefly devoted to exploring modern themes and forms led the way. Avant-garde "little magazines" succeeded not by ignoring or rejecting the busy commercial world that surrounded them, but by adapting its technologies of production and strategies of marketing for their own purposes
- Language
- eng
- Extent
- 1 online resource (xi, 338 pages)
- Contents
-
- Introduction. A modernism of the city
- Part I: Inventing the new verse. American poetry on the brink, 1905-1912 ; Poetry's opening door : Harriet Monroe and American modernism ; Young, blithe, and whimsical : the avant-gardism of the masses ; There is always others : experimental verse and "ulterior social result" ; Volunteers of America, 1917 : the seven arts and the Great War
- Part II: Keys to the city. Gutter and skyline : the new verse and the metropolitan cityscape ; Footprints of the 20th century : American skyscrapers, modern poems ; Subway fare : toward a poetics of rapid transit
- Isbn
- 9780252093906
- Label
- How did poetry survive? : the making of modern American verse
- Title
- How did poetry survive?
- Title remainder
- the making of modern American verse
- Statement of responsibility
- John Timberman Newcomb
- Title variation
- Making of modern American verse
- Subject
-
- Poets, American -- 20th century -- Psychology
- Technology in literature
- City and town life in literature
- American poetry
- Poetry -- Authorship | Psychological aspects
- 1900-1999
- Modernism (Literature)
- American poetry -- 20th century -- History and criticism
- Electronic books
- Social change in literature
- POETRY -- American | General
- Modernism (Literature) -- United States
- Technology in literature
- Poets, American -- Psychology
- Social conflict in literature
- United States
- Electronic book
- Poets, American - 20th century - Psychology
- Social change in literature
- City and town life in literature
- Social conflict in literature
- Poetry -- Authorship | Psychological aspects
- Criticism, interpretation, etc
- LITERARY CRITICISM -- American | General
- Language
- eng
- Summary
- How Did Poetry Survive? traces the emergence of modern American poetry at the turn of the nineteenth century. American poetry had stalled: a small group of recently deceased New England poets still held sway, and few outlets existed for living poets. However, the United States' quickly accelerating urbanization in the early twentieth century opened new opportunities, as it allowed the rise of publications focused on promoting the work of living writers of all kinds. The urban scene also influenced the work of poets, shifting away from traditional subjects and forms to reflect the rise of buildings and the increasingly busy bustle of the city. Change was everywhere: new forms of architecture and transportation, new immigrants, new professions, new tastes, new worries. This urbanized world called for a new poetry, and a group of new magazines entirely or chiefly devoted to exploring modern themes and forms led the way. Avant-garde "little magazines" succeeded not by ignoring or rejecting the busy commercial world that surrounded them, but by adapting its technologies of production and strategies of marketing for their own purposes
- Cataloging source
- N$T
- http://library.link/vocab/creatorName
- Newcomb, John Timberman
- Government publication
- government publication of a state province territory dependency etc
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/subjectName
-
- American poetry
- Modernism (Literature)
- Poetry
- Poets, American
- Social change in literature
- Social conflict in literature
- City and town life in literature
- Technology in literature
- POETRY
- LITERARY CRITICISM
- American poetry
- City and town life in literature
- Modernism (Literature)
- Poetry
- Poets, American
- Social change in literature
- Social conflict in literature
- Technology in literature
- United States
- Poets, American - 20th century - Psychology
- Poets, American
- Label
- How did poetry survive? : the making of modern American verse, John Timberman Newcomb
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references (pages 303-326) and index
- Carrier category
- online resource
- Carrier category code
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction. A modernism of the city -- Part I: Inventing the new verse. American poetry on the brink, 1905-1912 ; Poetry's opening door : Harriet Monroe and American modernism ; Young, blithe, and whimsical : the avant-gardism of the masses ; There is always others : experimental verse and "ulterior social result" ; Volunteers of America, 1917 : the seven arts and the Great War -- Part II: Keys to the city. Gutter and skyline : the new verse and the metropolitan cityscape ; Footprints of the 20th century : American skyscrapers, modern poems ; Subway fare : toward a poetics of rapid transit
- Control code
- ocn842264573
- Dimensions
- unknown
- Extent
- 1 online resource (xi, 338 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780252093906
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
- c
- Note
- JSTOR
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
-
- 430604
- 22573/ctt2jrz48
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)842264573
- Label
- How did poetry survive? : the making of modern American verse, John Timberman Newcomb
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references (pages 303-326) and index
- Carrier category
- online resource
- Carrier category code
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction. A modernism of the city -- Part I: Inventing the new verse. American poetry on the brink, 1905-1912 ; Poetry's opening door : Harriet Monroe and American modernism ; Young, blithe, and whimsical : the avant-gardism of the masses ; There is always others : experimental verse and "ulterior social result" ; Volunteers of America, 1917 : the seven arts and the Great War -- Part II: Keys to the city. Gutter and skyline : the new verse and the metropolitan cityscape ; Footprints of the 20th century : American skyscrapers, modern poems ; Subway fare : toward a poetics of rapid transit
- Control code
- ocn842264573
- Dimensions
- unknown
- Extent
- 1 online resource (xi, 338 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780252093906
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
- c
- Note
- JSTOR
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
-
- 430604
- 22573/ctt2jrz48
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)842264573
Subject
- 1900-1999
- American poetry
- American poetry -- 20th century -- History and criticism
- City and town life in literature
- City and town life in literature
- Criticism, interpretation, etc
- Electronic book
- Electronic books
- LITERARY CRITICISM -- American | General
- Modernism (Literature)
- Modernism (Literature) -- United States
- POETRY -- American | General
- Poetry -- Authorship | Psychological aspects
- Poetry -- Authorship | Psychological aspects
- Poets, American - 20th century - Psychology
- Poets, American -- 20th century -- Psychology
- Poets, American -- Psychology
- Social change in literature
- Social change in literature
- Social conflict in literature
- Social conflict in literature
- Technology in literature
- Technology in literature
- United States
Genre
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