Coverart for item
The Resource Hyperscapes in the poetry of Frank O'Hara : difference, homosexuality, topography, Hazel Smith

Hyperscapes in the poetry of Frank O'Hara : difference, homosexuality, topography, Hazel Smith

Label
Hyperscapes in the poetry of Frank O'Hara : difference, homosexuality, topography
Title
Hyperscapes in the poetry of Frank O'Hara
Title remainder
difference, homosexuality, topography
Statement of responsibility
Hazel Smith
Creator
Author
Subject
Genre
Language
eng
Summary
Frank O?Hara?s poetry evokes a specific era and location: New York in the fifties and early sixties. This is a pre-computer age of typewritten manuscripts, small shops and lunch hours: it is also an age of gay repression, accelerating consumerism and race riots. Hazel Smith suggests that the location and dislocation of the cityscape creates?hyperscapes? in the poetry of Frank O?Hara. The hyperscape is a postmodern site characterised by difference, breaking down unified concepts of text, city, subject and art, and remoulding them into new textual, subjective and political spaces. This book the
Action
digitized
Cataloging source
N$T
http://library.link/vocab/creatorDate
1950-
http://library.link/vocab/creatorName
Smith, Hazel
Index
index present
Language note
English
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • O'Hara, Frank
  • O'Hara, Frank
  • Homosexuality and literature
  • Art and literature
  • Difference (Psychology) in literature
  • New York (N.Y.)
  • City and town life in literature
  • Gay men in literature
  • POETRY
  • Art and literature
  • City and town life in literature
  • Difference (Psychology) in literature
  • Gay men in literature
  • Homosexuality and literature
  • Literature
  • New York (State)
  • United States
Label
Hyperscapes in the poetry of Frank O'Hara : difference, homosexuality, topography, Hazel Smith
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 200-225) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Title Page; Contents; Preface; Introduction; 1: Resituating O'Hara; 2: The Hyperscape and Hypergrace: The City and The Body; 3: In Memory of Metaphor: Metonymic Webs and the Deconstruction of Genre; 4: The Gay New Yorker: The Morphing Sexuality; 5: The Poem as Talkscape: Conversation, Gossip, Performativity, Improvisation; 6: Why I Am Not a Painter: Visual Art, Semiotic Exchange, Collaboration; Coda: Moving the Landscapes; Appendix: More Collaboration; Select Bibliography; Index
Control code
ocn277086691
Dimensions
unknown
Extent
1 online resource (ix, 230 pages)
File format
unknown
Form of item
online
Isbn
9781781386743
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt5p66r1
Quality assurance targets
not applicable
Reformatting quality
unknown
Reproduction note
Electronic reproduction.
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)277086691
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Label
Hyperscapes in the poetry of Frank O'Hara : difference, homosexuality, topography, Hazel Smith
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 200-225) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Title Page; Contents; Preface; Introduction; 1: Resituating O'Hara; 2: The Hyperscape and Hypergrace: The City and The Body; 3: In Memory of Metaphor: Metonymic Webs and the Deconstruction of Genre; 4: The Gay New Yorker: The Morphing Sexuality; 5: The Poem as Talkscape: Conversation, Gossip, Performativity, Improvisation; 6: Why I Am Not a Painter: Visual Art, Semiotic Exchange, Collaboration; Coda: Moving the Landscapes; Appendix: More Collaboration; Select Bibliography; Index
Control code
ocn277086691
Dimensions
unknown
Extent
1 online resource (ix, 230 pages)
File format
unknown
Form of item
online
Isbn
9781781386743
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt5p66r1
Quality assurance targets
not applicable
Reformatting quality
unknown
Reproduction note
Electronic reproduction.
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)277086691
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

Library Locations

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      32.771354 -117.193327
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