The Resource Inventing Abstraction, 1910-1925 : how a radical idea changed modern art, [organized by] Leah Dickerman ; with contributions by Matthew Affron [and others]
Inventing Abstraction, 1910-1925 : how a radical idea changed modern art, [organized by] Leah Dickerman ; with contributions by Matthew Affron [and others]
Resource Information
The item Inventing Abstraction, 1910-1925 : how a radical idea changed modern art, [organized by] Leah Dickerman ; with contributions by Matthew Affron [and others] represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Inventing Abstraction, 1910-1925 : how a radical idea changed modern art, [organized by] Leah Dickerman ; with contributions by Matthew Affron [and others] represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- In 1912, in several European cities, a handful of artists--Vasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert Delaunay--presented the first abstract pictures to the public. Inventing Abstraction, published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork. It traces the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. This richly illustrated publication covers a wide range of artistic production--including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance--to draw a cross-media portrait of these watershed years. An introductory essay by Leah Dickerman, Curator in the Museum's Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction's early history by renowned scholars from a variety of fields
- Language
- eng
- Extent
- 376 p.
- Note
-
- "Organized by Leah Dickerman, Curator, with Masha Chlenova, Curatorial Assistant, Department of Painting and Sculpture"--Page 375
- "Published in conjunction with the exhibition Inventing Abstraction, 1910-1925 at The Museum of Modern Art, New York, December 23, 2012-April 15, 2013"--Page 375
- Contents
-
- Vasily Kandinsky, without words
- Leah Dickerman
- Mr. Kupka among verticals
- Lanka Tattersall
- On the move
- Hubert Damisch
- Abstraction chez Delaunay
- Gordon Hughes
- Contrasts of colors, contrasts of words
- Matthew Affron
- Inventing abstraction
- Léopold Survage's paper cinema
- Jodi Hauptman
- With color
- Rachael Z. Delue
- Francis Picabia :
- abstraction and sincerity
- Michael R. Taylor
- Fernand Léger :
- metallic sensations
- Matthew Affron
- Leah Dickerman
- Giacomo Balla :
- the most luminous abstraction
- Ester Coen
- Parole in libertà
- Jodi Hauptman
- Music, noise, and abstraction
- Christoph Cox
- Vorticism :
- planetary abstraction
- Matthew Gale
- Pablo Picasso :
- Painting stripped bare
- David Joselit
- Decoration and abstraction in Bloomsbury
- Matthew Affron
- Against the circle
- Rachael Z. Delue
- Early Russian abstraction, as such
- 0.10
- Masha Chlenova
- Piet Mondrian :
- the Cadaqués experiment
- toward the abolition of form
- Yve-Alain Bois
- 3 De Stijl models
- Yve-Alain Bois
- The spatial object
- The language of revolution
- Maria Gough
- Sense and non-sense
- Hal Foster
- Danced abstraction :
- Yve-Alain Bois
- Rudolf von Laban
- Mark Franko -- Danced abstraction :
- Mary Wigman
- Mark Franko
- The color grid
- Lanka Tattersall
- The abstract environment
- Maria Gough
- Early abstraction in Poland
- Jaroslaw Suchan
- Colors and games :
- White shadows :
- photograms around 1922
- Susan Laxton
- Rhythmus 21 and the genesis of filmic abstraction
- Philippe-Alain Michaud
- The absolute film
- Anton Kaes
- Concrete abstraction
- Peter Galison
- Abstraction in 1936 :
- music and abstraction, 1909 to 1912
- Barr's diagrams
- Glenn D. Lowry
- Abstraction in 1936 :
- Cubism and abstract art at the Museum of Modern Art
- Leah Dickerman
- David Lang
- Isbn
- 9780870708282
- Label
- Inventing Abstraction, 1910-1925 : how a radical idea changed modern art
- Title
- Inventing Abstraction, 1910-1925
- Title remainder
- how a radical idea changed modern art
- Statement of responsibility
- [organized by] Leah Dickerman ; with contributions by Matthew Affron [and others]
- Title variation
- How a radical idea changed modern art
- Language
- eng
- Summary
- In 1912, in several European cities, a handful of artists--Vasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert Delaunay--presented the first abstract pictures to the public. Inventing Abstraction, published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork. It traces the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. This richly illustrated publication covers a wide range of artistic production--including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance--to draw a cross-media portrait of these watershed years. An introductory essay by Leah Dickerman, Curator in the Museum's Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction's early history by renowned scholars from a variety of fields
- Cataloging source
- BTCTA
- Illustrations
- illustrations
- Index
- index present
- LC call number
- N6494.A2
- LC item number
- I58 2012
- Literary form
- non fiction
- Nature of contents
-
- bibliography
- catalogs
- http://library.link/vocab/relatedWorkOrContributorDate
-
- 1964-
- 1963-
- http://library.link/vocab/relatedWorkOrContributorName
-
- Dickerman, Leah
- Affron, Matthew
- Museum of Modern Art (New York, N.Y.)
- http://library.link/vocab/subjectName
-
- Art, Abstract
- Art, Modern
- Art, Abstract
- Art, Modern
- Label
- Inventing Abstraction, 1910-1925 : how a radical idea changed modern art, [organized by] Leah Dickerman ; with contributions by Matthew Affron [and others]
- Note
-
- "Organized by Leah Dickerman, Curator, with Masha Chlenova, Curatorial Assistant, Department of Painting and Sculpture"--Page 375
- "Published in conjunction with the exhibition Inventing Abstraction, 1910-1925 at The Museum of Modern Art, New York, December 23, 2012-April 15, 2013"--Page 375
- Bibliography note
- Includes bibliographical references and index
- Contents
-
- Vasily Kandinsky, without words
- Leah Dickerman
- Mr. Kupka among verticals
- Lanka Tattersall
- On the move
- Hubert Damisch
- Abstraction chez Delaunay
- Gordon Hughes
- Contrasts of colors, contrasts of words
- Matthew Affron
- Inventing abstraction
- Léopold Survage's paper cinema
- Jodi Hauptman
- With color
- Rachael Z. Delue
- Francis Picabia :
- abstraction and sincerity
- Michael R. Taylor
- Fernand Léger :
- metallic sensations
- Matthew Affron
- Leah Dickerman
- Giacomo Balla :
- the most luminous abstraction
- Ester Coen
- Parole in libertà
- Jodi Hauptman
- Music, noise, and abstraction
- Christoph Cox
- Vorticism :
- planetary abstraction
- Matthew Gale
- Pablo Picasso :
- Painting stripped bare
- David Joselit
- Decoration and abstraction in Bloomsbury
- Matthew Affron
- Against the circle
- Rachael Z. Delue
- Early Russian abstraction, as such
- 0.10
- Masha Chlenova
- Piet Mondrian :
- the Cadaqués experiment
- toward the abolition of form
- Yve-Alain Bois
- 3 De Stijl models
- Yve-Alain Bois
- The spatial object
- The language of revolution
- Maria Gough
- Sense and non-sense
- Hal Foster
- Danced abstraction :
- Yve-Alain Bois
- Rudolf von Laban
- Mark Franko -- Danced abstraction :
- Mary Wigman
- Mark Franko
- The color grid
- Lanka Tattersall
- The abstract environment
- Maria Gough
- Early abstraction in Poland
- Jaroslaw Suchan
- Colors and games :
- White shadows :
- photograms around 1922
- Susan Laxton
- Rhythmus 21 and the genesis of filmic abstraction
- Philippe-Alain Michaud
- The absolute film
- Anton Kaes
- Concrete abstraction
- Peter Galison
- Abstraction in 1936 :
- music and abstraction, 1909 to 1912
- Barr's diagrams
- Glenn D. Lowry
- Abstraction in 1936 :
- Cubism and abstract art at the Museum of Modern Art
- Leah Dickerman
- David Lang
- Control code
- 794364488
- Dimensions
- 32 cm
- Extent
- 376 p.
- Isbn
- 9780870708282
- Lccn
- 2012950682
- Other physical details
- ill. (some col.)
- System control number
- (OCoLC)794364488
- Label
- Inventing Abstraction, 1910-1925 : how a radical idea changed modern art, [organized by] Leah Dickerman ; with contributions by Matthew Affron [and others]
- Note
-
- "Organized by Leah Dickerman, Curator, with Masha Chlenova, Curatorial Assistant, Department of Painting and Sculpture"--Page 375
- "Published in conjunction with the exhibition Inventing Abstraction, 1910-1925 at The Museum of Modern Art, New York, December 23, 2012-April 15, 2013"--Page 375
- Bibliography note
- Includes bibliographical references and index
- Contents
-
- Vasily Kandinsky, without words
- Leah Dickerman
- Mr. Kupka among verticals
- Lanka Tattersall
- On the move
- Hubert Damisch
- Abstraction chez Delaunay
- Gordon Hughes
- Contrasts of colors, contrasts of words
- Matthew Affron
- Inventing abstraction
- Léopold Survage's paper cinema
- Jodi Hauptman
- With color
- Rachael Z. Delue
- Francis Picabia :
- abstraction and sincerity
- Michael R. Taylor
- Fernand Léger :
- metallic sensations
- Matthew Affron
- Leah Dickerman
- Giacomo Balla :
- the most luminous abstraction
- Ester Coen
- Parole in libertà
- Jodi Hauptman
- Music, noise, and abstraction
- Christoph Cox
- Vorticism :
- planetary abstraction
- Matthew Gale
- Pablo Picasso :
- Painting stripped bare
- David Joselit
- Decoration and abstraction in Bloomsbury
- Matthew Affron
- Against the circle
- Rachael Z. Delue
- Early Russian abstraction, as such
- 0.10
- Masha Chlenova
- Piet Mondrian :
- the Cadaqués experiment
- toward the abolition of form
- Yve-Alain Bois
- 3 De Stijl models
- Yve-Alain Bois
- The spatial object
- The language of revolution
- Maria Gough
- Sense and non-sense
- Hal Foster
- Danced abstraction :
- Yve-Alain Bois
- Rudolf von Laban
- Mark Franko -- Danced abstraction :
- Mary Wigman
- Mark Franko
- The color grid
- Lanka Tattersall
- The abstract environment
- Maria Gough
- Early abstraction in Poland
- Jaroslaw Suchan
- Colors and games :
- White shadows :
- photograms around 1922
- Susan Laxton
- Rhythmus 21 and the genesis of filmic abstraction
- Philippe-Alain Michaud
- The absolute film
- Anton Kaes
- Concrete abstraction
- Peter Galison
- Abstraction in 1936 :
- music and abstraction, 1909 to 1912
- Barr's diagrams
- Glenn D. Lowry
- Abstraction in 1936 :
- Cubism and abstract art at the Museum of Modern Art
- Leah Dickerman
- David Lang
- Control code
- 794364488
- Dimensions
- 32 cm
- Extent
- 376 p.
- Isbn
- 9780870708282
- Lccn
- 2012950682
- Other physical details
- ill. (some col.)
- System control number
- (OCoLC)794364488
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Inventing-Abstraction-1910-1925--how-a-radical/_UUM_GF6EbY/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Inventing-Abstraction-1910-1925--how-a-radical/_UUM_GF6EbY/">Inventing Abstraction, 1910-1925 : how a radical idea changed modern art, [organized by] Leah Dickerman ; with contributions by Matthew Affron [and others]</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
