Coverart for item
The Resource Island on the edge : Taiwan new cinema and after, edited by Chris Berry and Feii Lu

Island on the edge : Taiwan new cinema and after, edited by Chris Berry and Feii Lu

Label
Island on the edge : Taiwan new cinema and after
Title
Island on the edge
Title remainder
Taiwan new cinema and after
Statement of responsibility
edited by Chris Berry and Feii Lu
Contributor
Subject
Genre
Language
eng
Summary
This English-language anthology on Taiwan new cinema and its legacy covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee, bringing together a range of essays that analyze individual films produced since the advent of Taiwan new cinema in the early 1980s
Is part of
Action
digitized
Cataloging source
N$T
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1959 April 28-
http://library.link/vocab/relatedWorkOrContributorName
  • Berry, Chris
  • Lu, Feiyi
http://library.link/vocab/subjectName
  • Motion pictures
  • Cinéma
  • Producteurs et réalisateurs de cinéma
  • ART
  • PERFORMING ARTS
  • SOCIAL SCIENCE
  • Motion pictures
  • Taiwan
  • Taiwan
  • Film
Target audience
specialized
Label
Island on the edge : Taiwan new cinema and after, edited by Chris Berry and Feii Lu
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Myth(ology) mythologizing its own closure : Edward Yang's A Brighter Summer Day
  • Liu Yu-hsiu
  • Hou Hsiao Hsien's The Puppetmaster : the poetics of landscape
  • Nick Browne
  • Where is the love? : hyperbolic realism and indulgence in Vive L'Amour
  • Chris Berry
  • Generational/cultural contradiction and global incorporation : Ang Lee's Eat Drink Man Woman
  • Ti Wei
  • On Tsai Mingliang's The River
  • Gina Marchetti
  • The Terrorizer and the great divide in contemporary Taiwan's cultural development
  • Compulsory orientalism : Hou Hsiao Hsien's Flowers of Shanghai
  • Nick Kaldis
  • Another cinema : Darkness & Light
  • Feii Lu
  • China simulacrum : genre, feminism, and Pan-Chinese cultural politics in Crouching Tiger, Hidden Dragon
  • Fran Martin
  • Sung-sheng Yvonne Chang
  • Reflections on the screen : Hou Hsiao Hsien's Dust in the Wind and the rhythms of the Taiwan new cinema
  • Haden Guest
  • A Borrowed Life in Banana Paradise : de-Cold War/decolonization, or modernity and its tears
  • Chen Kuan-Hsing
  • Hou Hsiao Hsien's City of Sadness : history and the dialogic female voice
  • Rosemary Haddon
Control code
ocn654834912
Dimensions
unknown
Extent
1 online resource (ix, 195 pages)
File format
unknown
Form of item
online
Isbn
9789882201880
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt1kcs31
Quality assurance targets
not applicable
Reformatting quality
unknown
Reproduction note
Electronic reproduction.
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)654834912
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Label
Island on the edge : Taiwan new cinema and after, edited by Chris Berry and Feii Lu
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Myth(ology) mythologizing its own closure : Edward Yang's A Brighter Summer Day
  • Liu Yu-hsiu
  • Hou Hsiao Hsien's The Puppetmaster : the poetics of landscape
  • Nick Browne
  • Where is the love? : hyperbolic realism and indulgence in Vive L'Amour
  • Chris Berry
  • Generational/cultural contradiction and global incorporation : Ang Lee's Eat Drink Man Woman
  • Ti Wei
  • On Tsai Mingliang's The River
  • Gina Marchetti
  • The Terrorizer and the great divide in contemporary Taiwan's cultural development
  • Compulsory orientalism : Hou Hsiao Hsien's Flowers of Shanghai
  • Nick Kaldis
  • Another cinema : Darkness & Light
  • Feii Lu
  • China simulacrum : genre, feminism, and Pan-Chinese cultural politics in Crouching Tiger, Hidden Dragon
  • Fran Martin
  • Sung-sheng Yvonne Chang
  • Reflections on the screen : Hou Hsiao Hsien's Dust in the Wind and the rhythms of the Taiwan new cinema
  • Haden Guest
  • A Borrowed Life in Banana Paradise : de-Cold War/decolonization, or modernity and its tears
  • Chen Kuan-Hsing
  • Hou Hsiao Hsien's City of Sadness : history and the dialogic female voice
  • Rosemary Haddon
Control code
ocn654834912
Dimensions
unknown
Extent
1 online resource (ix, 195 pages)
File format
unknown
Form of item
online
Isbn
9789882201880
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt1kcs31
Quality assurance targets
not applicable
Reformatting quality
unknown
Reproduction note
Electronic reproduction.
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)654834912
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

Library Locations

    • Copley LibraryBorrow it
      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
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