The Resource Latin Hitchcock : how Almodóvar, Amenábar, De la Iglesia, Del Toro and Campanella became notorious, Dona M. Kercher
Latin Hitchcock : how Almodóvar, Amenábar, De la Iglesia, Del Toro and Campanella became notorious, Dona M. Kercher
Resource Information
The item Latin Hitchcock : how Almodóvar, Amenábar, De la Iglesia, Del Toro and Campanella became notorious, Dona M. Kercher represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Latin Hitchcock : how Almodóvar, Amenábar, De la Iglesia, Del Toro and Campanella became notorious, Dona M. Kercher represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Extent
- 1 online resource
- Contents
-
- Drawing on a Darker Humour, Cultural Icons and Mass Media: Alex de la Iglesia's Journey from Outer Space to the Spanish Academy
- ch. Four
- Against Hitchcock: Alejandro Amenabar's Meteoric Career
- pt. II
- LATIN AMERICA
- ch. Five
- Latin American Openings: The Reception History of Hitchcock's Films for Mexico City
- ch. Six
- Guillermo del Toro's Continuing Education: Adapting Hitchcock's Moral and Visual Sensibilities to the World of Horror
- ch. Seven
- Machine generated contents note:
- Understanding Osmosis: Hitchcock in Argentina Through the Eyes of Juan Jose Campanella
- pt. I
- SPAIN
- ch. One
- First Loves, First Cuts: The Initial Response to Hitchcock's Films in Spain
- ch. Two
- Pedro Almodovar's Criminal Side: Plot, Humour and Cinematic Style
- ch. Three
- Isbn
- 9781322777306
- Label
- Latin Hitchcock : how Almodóvar, Amenábar, De la Iglesia, Del Toro and Campanella became notorious
- Title
- Latin Hitchcock
- Title remainder
- how Almodóvar, Amenábar, De la Iglesia, Del Toro and Campanella became notorious
- Statement of responsibility
- Dona M. Kercher
- Subject
-
- Amenábar, Alejandro, 1972-
- Amenábar, Alejandro, 1972- -- Criticism and interpretation
- Campanella, Juan José
- Campanella, Juan José -- Criticism and interpretation
- Criticism, interpretation, etc
- Electronic books
- Hitchcock, Alfred, 1899-1980
- Hitchcock, Alfred, 1899-1980 -- Criticism and interpretation
- Hitchcock, Alfred, 1899-1980 -- Influence
- Almodóvar, Pedro
- Iglesia, Álex de la, 1965- -- Criticism and interpretation
- Influence (Literary, artistic, etc.)
- Motion pictures, Spanish
- Motion pictures, Spanish -- History and criticism
- Toro, Guillermo del, 1964-
- Toro, Guillermo del, 1964- -- Criticism and interpretation
- Iglesia, Álex de la, 1965-
- Almodóvar, Pedro -- Criticism and interpretation
- Language
- eng
- Cataloging source
- CN3GA
- http://library.link/vocab/creatorName
- Kercher, Dona M.
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/subjectName
-
- Hitchcock, Alfred
- Hitchcock, Alfred
- Almodóvar, Pedro
- Iglesia, Álex de la
- Amenábar, Alejandro
- Toro, Guillermo del
- Campanella, Juan José
- Campanella, Juan José
- Almodóvar, Pedro
- Amenábar, Alejandro
- Hitchcock, Alfred
- Iglesia, Álex de la
- Toro, Guillermo del
- Motion pictures, Spanish
- Influence (Literary, artistic, etc.)
- Motion pictures, Spanish
- Label
- Latin Hitchcock : how Almodóvar, Amenábar, De la Iglesia, Del Toro and Campanella became notorious, Dona M. Kercher
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Drawing on a Darker Humour, Cultural Icons and Mass Media: Alex de la Iglesia's Journey from Outer Space to the Spanish Academy
- ch. Four
- Against Hitchcock: Alejandro Amenabar's Meteoric Career
- pt. II
- LATIN AMERICA
- ch. Five
- Latin American Openings: The Reception History of Hitchcock's Films for Mexico City
- ch. Six
- Guillermo del Toro's Continuing Education: Adapting Hitchcock's Moral and Visual Sensibilities to the World of Horror
- ch. Seven
- Machine generated contents note:
- Understanding Osmosis: Hitchcock in Argentina Through the Eyes of Juan Jose Campanella
- pt. I
- SPAIN
- ch. One
- First Loves, First Cuts: The Initial Response to Hitchcock's Films in Spain
- ch. Two
- Pedro Almodovar's Criminal Side: Plot, Humour and Cinematic Style
- ch. Three
- Control code
- ocn903573289
- Dimensions
- unknown
- Extent
- 1 online resource
- Form of item
- online
- Isbn
- 9781322777306
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt13k06jm
- Specific material designation
- remote
- System control number
- (OCoLC)903573289
- Label
- Latin Hitchcock : how Almodóvar, Amenábar, De la Iglesia, Del Toro and Campanella became notorious, Dona M. Kercher
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Drawing on a Darker Humour, Cultural Icons and Mass Media: Alex de la Iglesia's Journey from Outer Space to the Spanish Academy
- ch. Four
- Against Hitchcock: Alejandro Amenabar's Meteoric Career
- pt. II
- LATIN AMERICA
- ch. Five
- Latin American Openings: The Reception History of Hitchcock's Films for Mexico City
- ch. Six
- Guillermo del Toro's Continuing Education: Adapting Hitchcock's Moral and Visual Sensibilities to the World of Horror
- ch. Seven
- Machine generated contents note:
- Understanding Osmosis: Hitchcock in Argentina Through the Eyes of Juan Jose Campanella
- pt. I
- SPAIN
- ch. One
- First Loves, First Cuts: The Initial Response to Hitchcock's Films in Spain
- ch. Two
- Pedro Almodovar's Criminal Side: Plot, Humour and Cinematic Style
- ch. Three
- Control code
- ocn903573289
- Dimensions
- unknown
- Extent
- 1 online resource
- Form of item
- online
- Isbn
- 9781322777306
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt13k06jm
- Specific material designation
- remote
- System control number
- (OCoLC)903573289
Subject
- Amenábar, Alejandro, 1972-
- Amenábar, Alejandro, 1972- -- Criticism and interpretation
- Campanella, Juan José
- Campanella, Juan José -- Criticism and interpretation
- Criticism, interpretation, etc
- Electronic books
- Hitchcock, Alfred, 1899-1980
- Hitchcock, Alfred, 1899-1980 -- Criticism and interpretation
- Hitchcock, Alfred, 1899-1980 -- Influence
- Almodóvar, Pedro
- Iglesia, Álex de la, 1965- -- Criticism and interpretation
- Influence (Literary, artistic, etc.)
- Motion pictures, Spanish
- Motion pictures, Spanish -- History and criticism
- Toro, Guillermo del, 1964-
- Toro, Guillermo del, 1964- -- Criticism and interpretation
- Iglesia, Álex de la, 1965-
- Almodóvar, Pedro -- Criticism and interpretation
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Latin-Hitchcock--how-Almod%C3%B3var-Amen%C3%A1bar-De-la/epmKT5Gxih4/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Latin-Hitchcock--how-Almod%C3%B3var-Amen%C3%A1bar-De-la/epmKT5Gxih4/">Latin Hitchcock : how Almodóvar, Amenábar, De la Iglesia, Del Toro and Campanella became notorious, Dona M. Kercher</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
