Coverart for item
The Resource Manhood, marriage & mischief : Rembrandt's 'Night watch' and other Dutch group portraits, Harry Berger, Jr

Manhood, marriage & mischief : Rembrandt's 'Night watch' and other Dutch group portraits, Harry Berger, Jr

Label
Manhood, marriage & mischief : Rembrandt's 'Night watch' and other Dutch group portraits
Title
Manhood, marriage & mischief
Title remainder
Rembrandt's 'Night watch' and other Dutch group portraits
Statement of responsibility
Harry Berger, Jr
Title variation
Manhood, marriage, and mischief
Creator
Subject
Genre
Language
eng
Summary
A study of the theory and practice of seventeenth-century Dutch group portraits, 'Manhood, Marriage, & Mischief' offers an account of the genre's comic and ironic features, which it treats as comments on the social context of portrait sitters who are husbands and householders as well as members of civic and proto-military organizations
Cataloging source
CN8ML
http://library.link/vocab/creatorName
Berger, Harry
Illustrations
  • illustrations
  • plates
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Rembrandt Harmenszoon van Rijn
  • Rembrandt Harmenszoon van Rijn
  • Rembrandt Harmenszoon van Rijn
  • Portrait painting, Dutch
  • Portraits, Group
  • LITERARY CRITICISM
  • Portrait painting, Dutch
  • Portraits, Group
  • Netherlands
Label
Manhood, marriage & mischief : Rembrandt's 'Night watch' and other Dutch group portraits, Harry Berger, Jr
Instantiates
Publication
Note
OldControl:muse9780823248148
Antecedent source
not applicable
Bibliography note
Includes bibliographical references (pages 227-265) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Part Two:
  • Militias and Marriage
  • Male Bondage and the Military Imperative
  • Social Sources of Performance Anxiety
  • Part Three
  • Picturing Family Values
  • The Preacher's Wife
  • Women with Elbows
  • Families Making Music
  • Part Four:
  • Part One:
  • 'The Night Watch' As Homosocial Pastoral
  • The Night Watch: How the Sandbank Crumbles
  • Evasive Action: Three Ways to Shore Up the Sandbank
  • Captain Cocq and the Unruly Musketeer
  • Disaggregation as Class Conflict
  • Manual Mischief: The Loneliness of the Red Musketeer
  • Between Stad and Stadholder: Captain Cocq's Dilemma
  • Posographical Misfires
  • An Odd Couple: the Ghost of Anslo's Wife
  • Coda: Playing Soldier
  • Group Portraits and the Fictions of the Pose
  • Toward the Interpretation of Performance Anxiety
  • Portraiture and the Fictions of the Pose
  • The Posographical Imperative: A Comparison of Genres
  • Group Portraiture: Coming Together and Coming Apart
  • Alois Riegl and the Posographical Imperative
  • Performance Anxiety and the Belated Viewer
Control code
ocn794702333
Edition
1st ed
Extent
1 online resource (xx, 272 pages, 16 pages of plates)
Form of item
online
Isbn
9780823248148
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations (some color)
Quality assurance targets
not applicable
Reformatting quality
not applicable
Specific material designation
remote
System control number
(OCoLC)794702333
Label
Manhood, marriage & mischief : Rembrandt's 'Night watch' and other Dutch group portraits, Harry Berger, Jr
Publication
Note
OldControl:muse9780823248148
Antecedent source
not applicable
Bibliography note
Includes bibliographical references (pages 227-265) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Part Two:
  • Militias and Marriage
  • Male Bondage and the Military Imperative
  • Social Sources of Performance Anxiety
  • Part Three
  • Picturing Family Values
  • The Preacher's Wife
  • Women with Elbows
  • Families Making Music
  • Part Four:
  • Part One:
  • 'The Night Watch' As Homosocial Pastoral
  • The Night Watch: How the Sandbank Crumbles
  • Evasive Action: Three Ways to Shore Up the Sandbank
  • Captain Cocq and the Unruly Musketeer
  • Disaggregation as Class Conflict
  • Manual Mischief: The Loneliness of the Red Musketeer
  • Between Stad and Stadholder: Captain Cocq's Dilemma
  • Posographical Misfires
  • An Odd Couple: the Ghost of Anslo's Wife
  • Coda: Playing Soldier
  • Group Portraits and the Fictions of the Pose
  • Toward the Interpretation of Performance Anxiety
  • Portraiture and the Fictions of the Pose
  • The Posographical Imperative: A Comparison of Genres
  • Group Portraiture: Coming Together and Coming Apart
  • Alois Riegl and the Posographical Imperative
  • Performance Anxiety and the Belated Viewer
Control code
ocn794702333
Edition
1st ed
Extent
1 online resource (xx, 272 pages, 16 pages of plates)
Form of item
online
Isbn
9780823248148
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations (some color)
Quality assurance targets
not applicable
Reformatting quality
not applicable
Specific material designation
remote
System control number
(OCoLC)794702333

Library Locations

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      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
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