Coverart for item
The Resource Modern German art for thirties Paris, Prague, and London : resistance and acquiescence in a democratic public sphere, Keith Holz

Modern German art for thirties Paris, Prague, and London : resistance and acquiescence in a democratic public sphere, Keith Holz

Label
Modern German art for thirties Paris, Prague, and London : resistance and acquiescence in a democratic public sphere
Title
Modern German art for thirties Paris, Prague, and London
Title remainder
resistance and acquiescence in a democratic public sphere
Statement of responsibility
Keith Holz
Creator
Subject
Language
eng
Action
Committed to retain
Cataloging source
DLC
http://library.link/vocab/creatorName
Holz, Keith
Illustrations
illustrations
Index
index present
LC call number
N72.P6
LC item number
H65 2004
Literary form
non fiction
Nature of contents
bibliography
Series statement
Social history, popular culture, and politics in Germany
http://library.link/vocab/subjectName
  • Art, German
  • Art
  • Expatriate artists
  • Artists
  • Dissenters, Artistic
  • Freedom and art
  • National socialism and art
  • Germany
Label
Modern German art for thirties Paris, Prague, and London : resistance and acquiescence in a democratic public sphere, Keith Holz
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. 333-344) and index
Contents
Which German art and artists for Paris? -- Between Gleichschaltung and the freedom of art: German art and its institutions in Czechoslovakia -- The collective of German artists (Paris) and the popular front: death twitch of the historical avant-garde? -- The limited attention to modern German art in London and the absence of a public exile culture -- Exile artists' groups and local cultural institutions respond to degenerate art (July 1937-March 1938) -- Exhibiting modern German art in London and Paris: from the Anschluss to the Night of broken glass (April-November 1938) -- The end of a public exile culture in Prague and Paris and its marginalization in London: from the Munich agreement to internment (November 1938-June 1940)
Control code
55016506
Dimensions
26 cm
Extent
xvii, 359 p.
Isbn
9780472113705
Isbn Type
(cloth : alk. paper)
Lccn
2004009446
Other physical details
ill.
Label
Modern German art for thirties Paris, Prague, and London : resistance and acquiescence in a democratic public sphere, Keith Holz
Publication
Bibliography note
Includes bibliographical references (p. 333-344) and index
Contents
Which German art and artists for Paris? -- Between Gleichschaltung and the freedom of art: German art and its institutions in Czechoslovakia -- The collective of German artists (Paris) and the popular front: death twitch of the historical avant-garde? -- The limited attention to modern German art in London and the absence of a public exile culture -- Exile artists' groups and local cultural institutions respond to degenerate art (July 1937-March 1938) -- Exhibiting modern German art in London and Paris: from the Anschluss to the Night of broken glass (April-November 1938) -- The end of a public exile culture in Prague and Paris and its marginalization in London: from the Munich agreement to internment (November 1938-June 1940)
Control code
55016506
Dimensions
26 cm
Extent
xvii, 359 p.
Isbn
9780472113705
Isbn Type
(cloth : alk. paper)
Lccn
2004009446
Other physical details
ill.

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