The Resource Music and embodied cognition : listening, moving, feeling, and thinking, Arnie Cox
Music and embodied cognition : listening, moving, feeling, and thinking, Arnie Cox
Resource Information
The item Music and embodied cognition : listening, moving, feeling, and thinking, Arnie Cox represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Music and embodied cognition : listening, moving, feeling, and thinking, Arnie Cox represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- "Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition."--Publisher's description
- Language
- eng
- Extent
- 1 online resource
- Contents
-
- Mimetic comprehension
- Mimetic comprehension of music
- Metaphor and related means of reasoning
- Pitch height
- Temporal motion and musical motion
- Perspectives on musical motion
- Music and the external senses
- Musical affect
- Applications
- Review and implications
- Isbn
- 9780253021670
- Label
- Music and embodied cognition : listening, moving, feeling, and thinking
- Title
- Music and embodied cognition
- Title remainder
- listening, moving, feeling, and thinking
- Statement of responsibility
- Arnie Cox
- Subject
-
- Emotions and cognition
- Emotions and cognition
- Emotions in music
- Emotions in music
- Kognitionswissenschaft
- MUSIC -- Instruction & Study | Theory
- Music -- Philosophy and aesthetics
- Music -- Philosophy and aesthetics
- Music -- Psychological aspects
- Music -- Psychological aspects
- Musik
- Musikhören
- Musikpsychologie
- Neurowissenschaften
- Phänomenologie
- Electronic books
- Embodiment
- Language
- eng
- Summary
- "Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition."--Publisher's description
- Cataloging source
- YDX
- http://library.link/vocab/creatorDate
- 1963-
- http://library.link/vocab/creatorName
- Cox, Arnie
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- Musical meaning and interpretation
- http://library.link/vocab/subjectName
-
- Music
- Emotions and cognition
- Emotions in music
- Music
- MUSIC
- Emotions and cognition
- Emotions in music
- Music
- Music
- Embodiment
- Kognitionswissenschaft
- Musik
- Musikhören
- Musikpsychologie
- Neurowissenschaften
- Phänomenologie
- Label
- Music and embodied cognition : listening, moving, feeling, and thinking, Arnie Cox
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Mimetic comprehension -- Mimetic comprehension of music -- Metaphor and related means of reasoning -- Pitch height -- Temporal motion and musical motion -- Perspectives on musical motion -- Music and the external senses -- Musical affect -- Applications -- Review and implications
- Control code
- ocn958861686
- Dimensions
- unknown
- Extent
- 1 online resource
- Form of item
- online
- Isbn
- 9780253021670
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt1zzjxfd
- Specific material designation
- remote
- System control number
- (OCoLC)958861686
- Label
- Music and embodied cognition : listening, moving, feeling, and thinking, Arnie Cox
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Mimetic comprehension -- Mimetic comprehension of music -- Metaphor and related means of reasoning -- Pitch height -- Temporal motion and musical motion -- Perspectives on musical motion -- Music and the external senses -- Musical affect -- Applications -- Review and implications
- Control code
- ocn958861686
- Dimensions
- unknown
- Extent
- 1 online resource
- Form of item
- online
- Isbn
- 9780253021670
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt1zzjxfd
- Specific material designation
- remote
- System control number
- (OCoLC)958861686
Subject
- Emotions and cognition
- Emotions and cognition
- Emotions in music
- Emotions in music
- Kognitionswissenschaft
- MUSIC -- Instruction & Study | Theory
- Music -- Philosophy and aesthetics
- Music -- Philosophy and aesthetics
- Music -- Psychological aspects
- Music -- Psychological aspects
- Musik
- Musikhören
- Musikpsychologie
- Neurowissenschaften
- Phänomenologie
- Electronic books
- Embodiment
Genre
Member of
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Music-and-embodied-cognition--listening-moving/gGLsjJenUsk/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Music-and-embodied-cognition--listening-moving/gGLsjJenUsk/">Music and embodied cognition : listening, moving, feeling, and thinking, Arnie Cox</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
