The Resource Music and the politics of negation, James R. Currie
Music and the politics of negation, James R. Currie
Resource Information
The item Music and the politics of negation, James R. Currie represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Music and the politics of negation, James R. Currie represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- Over the past quarter century, music studies in the academy have their postmodern credentials by insisting that our scholarly engagements start and end by placing music firmly within its various historical and social contexts. In Music and the Politics of Negation, James R. Currie sets out to disturb the validity of this now quite orthodox claim. Alternating dialectically between analytic and historical investigations into the late 18th century and the present, he poses a set of uncomfortable questions regarding the limits and complicities of the values that the academy keeps in circulation
- Language
- eng
- Extent
- 1 online resource
- Contents
-
- Veils (Mozart, Piano concerto K. 459, Finale)
- Dreams (fugal counterpoint)
- Exile (Haydn, String quartet op. 33, no. 5)
- Enchantment (Mozart, La clemenza di Tito)
- Forgetting (Edward Said)
- Isbn
- 9780253005229
- Label
- Music and the politics of negation
- Title
- Music and the politics of negation
- Statement of responsibility
- James R. Currie
- Language
- eng
- Summary
- Over the past quarter century, music studies in the academy have their postmodern credentials by insisting that our scholarly engagements start and end by placing music firmly within its various historical and social contexts. In Music and the Politics of Negation, James R. Currie sets out to disturb the validity of this now quite orthodox claim. Alternating dialectically between analytic and historical investigations into the late 18th century and the present, he poses a set of uncomfortable questions regarding the limits and complicities of the values that the academy keeps in circulation
- Cataloging source
- MdBmJHUP
- http://library.link/vocab/creatorName
- Currie, James R
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- Musical meaning and interpretation
- http://library.link/vocab/subjectName
-
- Music
- Postmodernism
- Musicology
- MUSIC
- MUSIC
- Music
- Musicology
- Postmodernism
- Label
- Music and the politics of negation, James R. Currie
- Antecedent source
- not applicable
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Veils (Mozart, Piano concerto K. 459, Finale) -- Dreams (fugal counterpoint) -- Exile (Haydn, String quartet op. 33, no. 5) -- Enchantment (Mozart, La clemenza di Tito) -- Forgetting (Edward Said)
- Control code
- ocn859674049
- Extent
- 1 online resource
- Form of item
- online
- Isbn
- 9780253005229
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- http://library.link/vocab/ext/overdrive/overdriveId
-
- 22573/ctt16gk1sb
- fb35a3a3-656c-4041-852c-cef9c377d79b
- Quality assurance targets
- not applicable
- Reformatting quality
- not applicable
- Specific material designation
- remote
- System control number
- (OCoLC)859674049
- Label
- Music and the politics of negation, James R. Currie
- Antecedent source
- not applicable
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Veils (Mozart, Piano concerto K. 459, Finale) -- Dreams (fugal counterpoint) -- Exile (Haydn, String quartet op. 33, no. 5) -- Enchantment (Mozart, La clemenza di Tito) -- Forgetting (Edward Said)
- Control code
- ocn859674049
- Extent
- 1 online resource
- Form of item
- online
- Isbn
- 9780253005229
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- http://library.link/vocab/ext/overdrive/overdriveId
-
- 22573/ctt16gk1sb
- fb35a3a3-656c-4041-852c-cef9c377d79b
- Quality assurance targets
- not applicable
- Reformatting quality
- not applicable
- Specific material designation
- remote
- System control number
- (OCoLC)859674049
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Music-and-the-politics-of-negation-James-R./60VZKVFEsZ8/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Music-and-the-politics-of-negation-James-R./60VZKVFEsZ8/">Music and the politics of negation, James R. Currie</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
