Coverart for item
The Resource Nō and kyōgen in the contemporary world, edited by James R. Brandon ; foreword by Ricardo D. Trimillos

Nō and kyōgen in the contemporary world, edited by James R. Brandon ; foreword by Ricardo D. Trimillos

Label
Nō and kyōgen in the contemporary world
Title
Nō and kyōgen in the contemporary world
Statement of responsibility
edited by James R. Brandon ; foreword by Ricardo D. Trimillos
Contributor
Subject
Genre
Language
eng
Summary
  • How do classical, highly codified theater arts retain the interest of today's audiences and how do they grow and respond to their changing circumstances? The eight essay presented here investigate these questions, examining the contemporary significance of the "classic" no and kyogen theater to Japan and the West. They explore the theatrical experience from many perspectives - those of theater, music, dance, art, literature, linguistics, philosophy, religion, history, and sociology. This volume marks the first time the contemporary position of classic Japanese theater has been so broadly investigated
  • The first group of essays addresses the values that serious dance-drama no and lively kyogen comedy hold for contemporary audiences around the world. Richard Emmert locates a definition of "no-ness" in the physical qualities of the actor's performance - qualities that facilitate artistic transmission and hence preservation. Arthur H. Thornhill III focuses on yugen as an aesthetic idea. Royall Tyler examines the plays as expressions of religious beliefs and religious points of view and suggests that, important as religious content is to the plays, it is not necessary to understand Buddhist doctrine to respond. The adaptation of the theater arts in Japan and the West is discussed in the second group of essays. Nagao Kazuo interprets the long history of no as a series of "misunderstandings" or "misconceptions" (gokai) whereby performers attempted to recover an unknown (and unknowable) past. Tom Hare's essay takes up Zeami's understanding of the process of artistic transmission. Domoto Masaki suggests that no was drastically altered when it changed from a dialogue drama to a music-dance drama early in its development
  • Essays and interviews in the final group draw on contributors' personal experiences to describe a wide range of recent interactions between no and kyogen and Western theater. Kyogen master artist Nomura Mansaku, who was interviewed toward the end of a year-long period of teaching at the University of Hawai'i, comments on the aims and process of teaching American students to perform kyogen at the University of Washington, at the University of Hawai'i, and at his studio in Tokyo. No master artist Nomura Shiro, who also taught at Hawai'i, discusses the qualities of no he tried to convey in his teaching. J. Thomas Rimer's essay analyzes the responses by American audiences to Japanese theater tours and to American-Japanese fusion productions. Jonah Salz addresses the case of foreigners studying no or kyogen, likening it to second-language acquisition, a gradual building up of competence through continued practice and training
Action
digitized
Cataloging source
N$T
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
Brandon, James R
http://library.link/vocab/subjectName
  • Kyōgen
  • Kyōgen
  • PERFORMING ARTS
  • Kyōgen
  • Kyogen
  • Théâtre japonais
  • Kyōgen
  • Nō-Spiel
  • Kyogen
  • Manoa <Hawaii, 1988>
Label
Nō and kyōgen in the contemporary world, edited by James R. Brandon ; foreword by Ricardo D. Trimillos
Instantiates
Publication
Note
"Selected essays originally presented at the international conference ... held on the Mānoa campus of the University of Hawai'i, from 4 to 6 May 1989"--Preface
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • A return to essence through misconception: from Zeami to Hisao
  • Nagao Kazuo
  • Nō changes
  • Tom Hare
  • Dialogue and monologue in Nō
  • Dōmoto Masaki
  • Part III: Encounters with the West
  • Experiments in Kyōgen
  • Nomura Mansaku
  • Contemporary audiences and the pilgrimage to Nō
  • Part I: Values of Nō and Kyōgen in contemporary society
  • J. Thomas Rimer
  • Teaching the paradox of Nō
  • Nomura Shirō
  • Pidgin-Creole performance experiment and the emerging entre-garde
  • Jonah Salz
  • Expanding Nō's horizons: considerations for a new Nō perspective
  • Richard Emmert
  • Yūgen after Seami
  • Arthur H. Thornhill III
  • The Waki-Shite relationship in Nō
  • Royall Tyler
  • Part II: Adaptation of Nō and Kyōgen to contemporary audiences
Control code
ocm45727959
Dimensions
unknown
Extent
1 online resource (x, 249 pages)
Form of item
online
Isbn
9780585285559
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)45727959
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Label
Nō and kyōgen in the contemporary world, edited by James R. Brandon ; foreword by Ricardo D. Trimillos
Publication
Note
"Selected essays originally presented at the international conference ... held on the Mānoa campus of the University of Hawai'i, from 4 to 6 May 1989"--Preface
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • A return to essence through misconception: from Zeami to Hisao
  • Nagao Kazuo
  • Nō changes
  • Tom Hare
  • Dialogue and monologue in Nō
  • Dōmoto Masaki
  • Part III: Encounters with the West
  • Experiments in Kyōgen
  • Nomura Mansaku
  • Contemporary audiences and the pilgrimage to Nō
  • Part I: Values of Nō and Kyōgen in contemporary society
  • J. Thomas Rimer
  • Teaching the paradox of Nō
  • Nomura Shirō
  • Pidgin-Creole performance experiment and the emerging entre-garde
  • Jonah Salz
  • Expanding Nō's horizons: considerations for a new Nō perspective
  • Richard Emmert
  • Yūgen after Seami
  • Arthur H. Thornhill III
  • The Waki-Shite relationship in Nō
  • Royall Tyler
  • Part II: Adaptation of Nō and Kyōgen to contemporary audiences
Control code
ocm45727959
Dimensions
unknown
Extent
1 online resource (x, 249 pages)
Form of item
online
Isbn
9780585285559
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)45727959
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

Library Locations

    • Copley LibraryBorrow it
      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
Processing Feedback ...