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The Resource Nineteenth-century theories of art, Joshua C. Taylor

Nineteenth-century theories of art, Joshua C. Taylor

Label
Nineteenth-century theories of art
Title
Nineteenth-century theories of art
Statement of responsibility
Joshua C. Taylor
Creator
Subject
Language
eng
Member of
Cataloging source
DLC
http://library.link/vocab/creatorDate
1917-1981
http://library.link/vocab/creatorName
Taylor, Joshua C.
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
LC call number
N7476
LC item number
.N5 1987
Literary form
non fiction
Nature of contents
bibliography
Series statement
California studies in the history of art
Series volume
24
http://library.link/vocab/subjectName
  • Art criticism
  • Kunstkritiek
  • Esthétique
  • Critique d'art
  • Quelle
  • Ästhetik
Label
Nineteenth-century theories of art, Joshua C. Taylor
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Discourses on art (1771) / Sir Joshua Reynolds -- The art of seeing in the fine arts of design according to the principles of Sulzer and Mengs (1781) / Francesco Milizia -- The jury of art (1793) / Jacques-Louis David -- Essay on picturesque beauty (1792) / William Gilpin -- A new method of assisting the invention in drawing original compositions of landscape (1785) / Alexander Cozens -- The dreams of Orestes by Berthon (1817-1818) / Edmé-François Antoine Miel -- On the end of imitation in the fine of Arts (1823) / Quatremère de Quincy -- Commentaries on art / J.A.D. Ingres -- Outpourings from the heart of an art-loving monk (1797) / Wilhelm Wackenroder -- A descriptive cataogue of pictures (1809) / William Blake -- Marginalia to Reynold's discourses (ca. 1808) / William Blake -- The beauties of Christianity (1802) / François René, Vicomte de Chateaubriand -- Diaries and letters (1811, 1814) / Friedrich Overbeck -- On Naïveté in the arts (1822) / Adolphe Thiers -- On the essential quality of Italian painting from its Renaissance to the period of its perfection (1834) / Tommaso Minardi -- The poetry of Christian art (1836) / A.F. Rio --
  • "The Beards" of 1800 and "The Beards" of today (1835) / Étienne-Jean Delécluze -- What is Romanticism? (1846) / Charles Baudelaire -- Journals (1824-1847) / Eugène Delacroix -- Advice to a student on painting, particularly on landscape (1800) / Pierre-Henri de Valenciennes -- Letter to Daniel Runge (1802) / Philipp O. Runge -- Nine letters on landscape painting (1831) / Carl G. Carus -- Essays (1836-1841) / Ralph W. Emerson -- Preface to the second edition of Modern painters (1844) / John Ruskin -- Letters and notes on painting (1802-1836) / John Constable -- Letters and reflections on painting / Camille Corot --Articles from the Encyclopaedia Britannica (1816) / Benjamin R. Haydon & William Hazlitt -- To Théodore Rousseau (1844) / Théophile Thoré -- Courbet : The burial at Ornans (1861) / Champfleury -- Selected writings (1858-1863) / Jean-François Millet -- Selected Writings (1855-1870) / Gustave Courbet -- New tendencies in art (1857) / Théophile Thoré -- The philosophy of art (1865) / Hippolyte Taine -- Concerning the principle of art and its social purpose (1857) / Pierre-Joseph Proudhon -- The art of the people (1882) / William Morris -- Édouard Manet (1867) / Émile Zola --
  • Art at the moment (1866) / Émile Zola -- Telemaco Signorini (1884) / Adriano Cecioni -- Vincenzo Cabianca (ca. 1884) / Adriano Cecioni -- The Impressionists (1876) / Émile Blémont -- The exhibition of the Impressionists (1877) / Georges Rivière -- The principles of harmony and contrast of colours, and their applications to the arts (1839) / Michel-Eugène Chevreul -- The grammar of painting and engraving (1869) / Charles Blanc -- The Impressionists in 1886 / Félix Fénéon -- Neoimpressionism (1887) / Félix Fénéon -- The fifth Promotrice exhibition, letters IV & V (1868) / Vittorio Imbriani -- Mr. Whistler's "Ten O'Clock" (1885) / James M. Whistler -- On judging works of visual art (1876) / Conrad Fiedler -- The chromatic circle (1888) / Charles Henry -- Letter to Maurice Beaubourg (1890) / Georges Seurat -- Seurat (1891) / Gustave Kahn
Control code
13456479
Dimensions
24 cm
Extent
xii, 563 p.
Isbn
9780520048874
Lccn
86007054
Other physical details
ill.
System control number
(OCoLC)13456479
Label
Nineteenth-century theories of art, Joshua C. Taylor
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Discourses on art (1771) / Sir Joshua Reynolds -- The art of seeing in the fine arts of design according to the principles of Sulzer and Mengs (1781) / Francesco Milizia -- The jury of art (1793) / Jacques-Louis David -- Essay on picturesque beauty (1792) / William Gilpin -- A new method of assisting the invention in drawing original compositions of landscape (1785) / Alexander Cozens -- The dreams of Orestes by Berthon (1817-1818) / Edmé-François Antoine Miel -- On the end of imitation in the fine of Arts (1823) / Quatremère de Quincy -- Commentaries on art / J.A.D. Ingres -- Outpourings from the heart of an art-loving monk (1797) / Wilhelm Wackenroder -- A descriptive cataogue of pictures (1809) / William Blake -- Marginalia to Reynold's discourses (ca. 1808) / William Blake -- The beauties of Christianity (1802) / François René, Vicomte de Chateaubriand -- Diaries and letters (1811, 1814) / Friedrich Overbeck -- On Naïveté in the arts (1822) / Adolphe Thiers -- On the essential quality of Italian painting from its Renaissance to the period of its perfection (1834) / Tommaso Minardi -- The poetry of Christian art (1836) / A.F. Rio --
  • "The Beards" of 1800 and "The Beards" of today (1835) / Étienne-Jean Delécluze -- What is Romanticism? (1846) / Charles Baudelaire -- Journals (1824-1847) / Eugène Delacroix -- Advice to a student on painting, particularly on landscape (1800) / Pierre-Henri de Valenciennes -- Letter to Daniel Runge (1802) / Philipp O. Runge -- Nine letters on landscape painting (1831) / Carl G. Carus -- Essays (1836-1841) / Ralph W. Emerson -- Preface to the second edition of Modern painters (1844) / John Ruskin -- Letters and notes on painting (1802-1836) / John Constable -- Letters and reflections on painting / Camille Corot --Articles from the Encyclopaedia Britannica (1816) / Benjamin R. Haydon & William Hazlitt -- To Théodore Rousseau (1844) / Théophile Thoré -- Courbet : The burial at Ornans (1861) / Champfleury -- Selected writings (1858-1863) / Jean-François Millet -- Selected Writings (1855-1870) / Gustave Courbet -- New tendencies in art (1857) / Théophile Thoré -- The philosophy of art (1865) / Hippolyte Taine -- Concerning the principle of art and its social purpose (1857) / Pierre-Joseph Proudhon -- The art of the people (1882) / William Morris -- Édouard Manet (1867) / Émile Zola --
  • Art at the moment (1866) / Émile Zola -- Telemaco Signorini (1884) / Adriano Cecioni -- Vincenzo Cabianca (ca. 1884) / Adriano Cecioni -- The Impressionists (1876) / Émile Blémont -- The exhibition of the Impressionists (1877) / Georges Rivière -- The principles of harmony and contrast of colours, and their applications to the arts (1839) / Michel-Eugène Chevreul -- The grammar of painting and engraving (1869) / Charles Blanc -- The Impressionists in 1886 / Félix Fénéon -- Neoimpressionism (1887) / Félix Fénéon -- The fifth Promotrice exhibition, letters IV & V (1868) / Vittorio Imbriani -- Mr. Whistler's "Ten O'Clock" (1885) / James M. Whistler -- On judging works of visual art (1876) / Conrad Fiedler -- The chromatic circle (1888) / Charles Henry -- Letter to Maurice Beaubourg (1890) / Georges Seurat -- Seurat (1891) / Gustave Kahn
Control code
13456479
Dimensions
24 cm
Extent
xii, 563 p.
Isbn
9780520048874
Lccn
86007054
Other physical details
ill.
System control number
(OCoLC)13456479

Library Locations

    • Copley LibraryBorrow it
      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
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