Coverart for item
The Resource Philosophy, music, and emotion, Geoffrey Madell

Philosophy, music, and emotion, Geoffrey Madell

Label
Philosophy, music, and emotion
Title
Philosophy, music, and emotion
Statement of responsibility
Geoffrey Madell
Creator
Subject
Genre
Language
eng
Summary
Philosophy, Music and Emotion explores two issues which have been intensively debated in contemporary philosophy: the nature of music's power to express emotion, and the nature of emotion itself. It shows how closely the two topics are related and provides a radically new account of what it means to say that music 'expresses emotion'
Action
digitized
Cataloging source
OCLCE
http://library.link/vocab/creatorName
Madell, Geoffrey
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Music
  • Emotions in music
  • Musique
  • Émotions (Philosophie)
  • PHILOSOPHY
  • Emotions in music
  • Music
  • Musikphilosophie
  • Musik
  • Gefühlsausdruck
  • Emoties
  • Muziek
  • Filosofische aspecten
Label
Philosophy, music, and emotion, Geoffrey Madell
Instantiates
Publication
Antecedent source
file reproduced from original
Bibliography note
Includes bibliographical references (pages 158-160) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
black and white
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Introduction -- -- Chapter 1: Contour and convention -- Contour -- Convention -- Do we 'animate' musical gestures? -- -- Chapter 2: Musics's arousal of emotion -- Why Hanslick is wrong -- Music's arousal of emotion -- -- Chapter 4: The advantages of the new arousalist position -- Conclusion -- -- Chapter 5: Emotion, judgement and desire -- Why the standard judgementalist view of emotion is untenable -- Desire and intentional feeling -- Why not all reason-providing desire have an affective dimension -- What is the exact role of intentional feeling? -- -- Chapter 6: Pleasure and emotion -- The threat of Hedonism -- Hedonistic pleasure and our experience of music pleasure as a mode of attention -- A resolution of the conflicting positions -- The analysis of pleasure and music's expression of emotion -- The indispensability of the notion of intentinal feeling -- Reason-following desire, and taking pleasure in what has objective value -- -- Chapter 7: The nature of emotion -- The relation between the affective and the intentional components of emotion -- The nature of emotion and music's expression of emotion -- -- Chapter 8: Music's expression of emotion -- Emotions in musical and in non-musical contexts -- Hanslick Again -- Are there any emotions that music cannot express? -- Some remaining difficulties -- -- Chapter 9: Retrospect
Control code
ocn606829707
Dimensions
unknown
Extent
1 online resource (vii, 162 pages)
Form of item
online
Isbn
9781474470629
Lccn
2002483834
Level of compression
  • lossless
  • lossy
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctvxcdt3w
Reformatting quality
  • preservation
  • access
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)606829707
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Label
Philosophy, music, and emotion, Geoffrey Madell
Publication
Antecedent source
file reproduced from original
Bibliography note
Includes bibliographical references (pages 158-160) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
black and white
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Introduction -- -- Chapter 1: Contour and convention -- Contour -- Convention -- Do we 'animate' musical gestures? -- -- Chapter 2: Musics's arousal of emotion -- Why Hanslick is wrong -- Music's arousal of emotion -- -- Chapter 4: The advantages of the new arousalist position -- Conclusion -- -- Chapter 5: Emotion, judgement and desire -- Why the standard judgementalist view of emotion is untenable -- Desire and intentional feeling -- Why not all reason-providing desire have an affective dimension -- What is the exact role of intentional feeling? -- -- Chapter 6: Pleasure and emotion -- The threat of Hedonism -- Hedonistic pleasure and our experience of music pleasure as a mode of attention -- A resolution of the conflicting positions -- The analysis of pleasure and music's expression of emotion -- The indispensability of the notion of intentinal feeling -- Reason-following desire, and taking pleasure in what has objective value -- -- Chapter 7: The nature of emotion -- The relation between the affective and the intentional components of emotion -- The nature of emotion and music's expression of emotion -- -- Chapter 8: Music's expression of emotion -- Emotions in musical and in non-musical contexts -- Hanslick Again -- Are there any emotions that music cannot express? -- Some remaining difficulties -- -- Chapter 9: Retrospect
Control code
ocn606829707
Dimensions
unknown
Extent
1 online resource (vii, 162 pages)
Form of item
online
Isbn
9781474470629
Lccn
2002483834
Level of compression
  • lossless
  • lossy
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctvxcdt3w
Reformatting quality
  • preservation
  • access
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)606829707
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

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