Coverart for item
The Resource Reading abstract expressionism : context and critique, edited and with an introduction by Ellen G. Landau

Reading abstract expressionism : context and critique, edited and with an introduction by Ellen G. Landau

Label
Reading abstract expressionism : context and critique
Title
Reading abstract expressionism
Title remainder
context and critique
Statement of responsibility
edited and with an introduction by Ellen G. Landau
Contributor
Editor
Writer of introduction
Subject
Genre
Language
eng
Summary
"Abstract Expressionism is arguably the most important art movement in postwar America. Many of its creators and critics became celebrities, participating in heated public debates that were published in newspapers, magazines, and exhibition catalogues. This up-to-date anthology is the first comprehensive collection of key critical writings about Abstract Expressionism from its inception in the 1940s to the present day"--Jacket
Cataloging source
JSTOR
Illustrations
illustrations
Index
index present
Language note
In English
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
Landau, Ellen G.
http://library.link/vocab/subjectName
  • Abstract expressionism
  • Art, American
  • Expressionnisme abstrait
  • Art américain
  • ART
  • Abstract expressionism
  • Art, American
  • United States
  • Beeldende kunsten
  • Expressionisme
  • Abstracte kunst
  • Abstrakter Expressionismus
  • Ästhetik
  • Kunstkritik
  • USA
Label
Reading abstract expressionism : context and critique, edited and with an introduction by Ellen G. Landau
Instantiates
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 665-706) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • questionnaire
  • Evan R. Firestone
  • market for abstract expressionism : the time lag between critical and commercial acceptance
  • A. Deirdre Robson
  • impact of Nietzsche and Northwest Coast Indian art on Barnett Newman's idea of redemption in the abstract sublime
  • W. Jackson Rushing
  • rhetoric of abstract expressionism
  • Ann Gibson
  • 1990s : re(de)fining abstract expressionism
  • Martha Graham and abstract expressionism
  • Stephen Polcari
  • Jackson Pollock
  • "Introduction," "Abstract expressionism and Afro-American marginalisation," and "Dissent during the McCarthy period"
  • David Craven
  • Modern man discourse and the New York School
  • Michael Leja
  • In defense of abstract expressionism
  • T.J. Clark
  • Reconsidering the stain : on gender, identity, and New York School painting
  • Lisa Saltzman
  • Of the earth, the damned, and of the recreated : aspects of Clyfford Still's earlier work
  • David Anfam
  • Thesis
  • Excerpt from "Water and lipstick : de Kooning in transition"
  • Richard Shiff
  • Barnett Newman's stripe paintings and Kabbalah : a Jewish take
  • Matthew Baigell
  • Arcadian nightmares : the evolution of David Smith and Dorothy Dehner's work at Bolton Landing
  • Joan M. Marter
  • crisis of the easel picture
  • Rosalind E. Krauss
  • Norman Lewis
  • Application for a Guggenheim Fellowship
  • Jackson Pollock
  • ideographic picture
  • Barnett Newman
  • sublime is now
  • Barnett Newman
  • Introduction : abstract expressionism : changing methodologies for interpreting meaning
  • My painting
  • Jackson Pollock
  • romantics were prompted
  • Mark Rothko
  • Excerpts from System and dialectics of art
  • John Graham
  • Excerpt from "The realm of art : a new platform; 'globalism' pops into view"
  • Edward Alden Jewell
  • Excerpt from "Whither goes abstract and surrealist art?
  • Maude Riley
  • 1940s : mythologizing the movement
  • problem for critics
  • Howard Putzel
  • Editorial preface
  • Robert Motherwell and Harold Rosenberg
  • intrasubjectives
  • Samuel M. Kootz and Harold Rosenberg
  • 1950s : establishing authority
  • Excerpts from artists' sessions at Studio 35
  • Edited by Robert Goodnough
  • David Smith makes a sculpture
  • Excerpt from letter to his sister Vartoosh
  • Elaine de Kooning
  • Statement
  • Clyfford Still
  • de Kooning paints a picture
  • Thomas B. Hess
  • Artist's statement
  • Louise Bourgeois
  • legacy of Jackson Pollock
  • Allan Kaprow
  • In the galleries : Franz Kline
  • Arshile Gorky
  • Martica Sawin
  • American action painters
  • Harold Rosenberg
  • "American-type painting"
  • Clement Greenberg
  • Excerpts from "The liberating quality of avant-garde art"
  • Meyer Schapiro
  • International reaction to Alfred H. Barr Jr., "The new American painting"
  • Revista
  • Mercedes Molleda
  • Excerpt from "Art in New York"
  • La Libre Belgique
  • L.D.H.
  • Le Phare
  • Unsigned
  • Der Tagesspiegel
  • Will Grohmann
  • 1960s : consolidating the canon
  • unwanted title : abstract expressionism
  • P.G. Pavia
  • We interview Lee Krasner
  • Adolph Gottlieb and Mark Rothko
  • Louise Elliott Rago
  • abstract sublime
  • Robert Rosenblum
  • Excerpts from American abstract expressionists and imagists
  • H.H. Arnason
  • biomorphic '40s
  • Lawrence Alloway
  • Jackson Pollock
  • Michael Fried
  • Concerning the beginnings of the New York School, 1939-1943 : an interview with Peter Busa and Matta, conducted in Minneapolis in December 1966
  • Excerpts from "The modern painter's world"
  • Sidney Simon
  • Concerning the beginnings of the New York School, 1939-1943 : an interview with Robert Motherwell conducted in New York in January 1967
  • Sidney Simon
  • 1970s : emerging contexts and closer readings
  • Jungian aspects of Jackson Pollock's imagery
  • Judith Wolfe
  • Residual sign systems in abstract expressionism
  • Lawrence Alloway
  • Robert Motherwell's Elegies to the Spanish Republic
  • Robert C. Hobbs
  • Robert Motherwell
  • Excerpt from "Abstract expressionism : the politics of apolitical painting," part 3
  • David Shapiro and Cecile Shapiro
  • Graham, Gorky, de Kooning and the "Ingres revival" in America
  • Melvin P. Lader
  • Symbolic pregnance in Mark Rothko and Clyfford Still
  • Donald B. Kuspit
  • 1980s : reading new significations
  • new adventures of the avant-garde in America : Greenberg, Pollock, or from Trotskyism to the New Liberalism of the "vital center"
  • Serge Guilbaut
  • James Joyce and the first generation New York School
Control code
ocn861793160
Dimensions
unknown
Extent
1 online resource (xiii, 716 pages)
File format
unknown
Form of item
online
Governing access note
License restrictions may limit access
Isbn
9780300185720
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other control number
10.12987/9780300185720
Other physical details
35 illustrations (some color)
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt2zxb6s
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)861793160
Label
Reading abstract expressionism : context and critique, edited and with an introduction by Ellen G. Landau
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 665-706) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • questionnaire
  • Evan R. Firestone
  • market for abstract expressionism : the time lag between critical and commercial acceptance
  • A. Deirdre Robson
  • impact of Nietzsche and Northwest Coast Indian art on Barnett Newman's idea of redemption in the abstract sublime
  • W. Jackson Rushing
  • rhetoric of abstract expressionism
  • Ann Gibson
  • 1990s : re(de)fining abstract expressionism
  • Martha Graham and abstract expressionism
  • Stephen Polcari
  • Jackson Pollock
  • "Introduction," "Abstract expressionism and Afro-American marginalisation," and "Dissent during the McCarthy period"
  • David Craven
  • Modern man discourse and the New York School
  • Michael Leja
  • In defense of abstract expressionism
  • T.J. Clark
  • Reconsidering the stain : on gender, identity, and New York School painting
  • Lisa Saltzman
  • Of the earth, the damned, and of the recreated : aspects of Clyfford Still's earlier work
  • David Anfam
  • Thesis
  • Excerpt from "Water and lipstick : de Kooning in transition"
  • Richard Shiff
  • Barnett Newman's stripe paintings and Kabbalah : a Jewish take
  • Matthew Baigell
  • Arcadian nightmares : the evolution of David Smith and Dorothy Dehner's work at Bolton Landing
  • Joan M. Marter
  • crisis of the easel picture
  • Rosalind E. Krauss
  • Norman Lewis
  • Application for a Guggenheim Fellowship
  • Jackson Pollock
  • ideographic picture
  • Barnett Newman
  • sublime is now
  • Barnett Newman
  • Introduction : abstract expressionism : changing methodologies for interpreting meaning
  • My painting
  • Jackson Pollock
  • romantics were prompted
  • Mark Rothko
  • Excerpts from System and dialectics of art
  • John Graham
  • Excerpt from "The realm of art : a new platform; 'globalism' pops into view"
  • Edward Alden Jewell
  • Excerpt from "Whither goes abstract and surrealist art?
  • Maude Riley
  • 1940s : mythologizing the movement
  • problem for critics
  • Howard Putzel
  • Editorial preface
  • Robert Motherwell and Harold Rosenberg
  • intrasubjectives
  • Samuel M. Kootz and Harold Rosenberg
  • 1950s : establishing authority
  • Excerpts from artists' sessions at Studio 35
  • Edited by Robert Goodnough
  • David Smith makes a sculpture
  • Excerpt from letter to his sister Vartoosh
  • Elaine de Kooning
  • Statement
  • Clyfford Still
  • de Kooning paints a picture
  • Thomas B. Hess
  • Artist's statement
  • Louise Bourgeois
  • legacy of Jackson Pollock
  • Allan Kaprow
  • In the galleries : Franz Kline
  • Arshile Gorky
  • Martica Sawin
  • American action painters
  • Harold Rosenberg
  • "American-type painting"
  • Clement Greenberg
  • Excerpts from "The liberating quality of avant-garde art"
  • Meyer Schapiro
  • International reaction to Alfred H. Barr Jr., "The new American painting"
  • Revista
  • Mercedes Molleda
  • Excerpt from "Art in New York"
  • La Libre Belgique
  • L.D.H.
  • Le Phare
  • Unsigned
  • Der Tagesspiegel
  • Will Grohmann
  • 1960s : consolidating the canon
  • unwanted title : abstract expressionism
  • P.G. Pavia
  • We interview Lee Krasner
  • Adolph Gottlieb and Mark Rothko
  • Louise Elliott Rago
  • abstract sublime
  • Robert Rosenblum
  • Excerpts from American abstract expressionists and imagists
  • H.H. Arnason
  • biomorphic '40s
  • Lawrence Alloway
  • Jackson Pollock
  • Michael Fried
  • Concerning the beginnings of the New York School, 1939-1943 : an interview with Peter Busa and Matta, conducted in Minneapolis in December 1966
  • Excerpts from "The modern painter's world"
  • Sidney Simon
  • Concerning the beginnings of the New York School, 1939-1943 : an interview with Robert Motherwell conducted in New York in January 1967
  • Sidney Simon
  • 1970s : emerging contexts and closer readings
  • Jungian aspects of Jackson Pollock's imagery
  • Judith Wolfe
  • Residual sign systems in abstract expressionism
  • Lawrence Alloway
  • Robert Motherwell's Elegies to the Spanish Republic
  • Robert C. Hobbs
  • Robert Motherwell
  • Excerpt from "Abstract expressionism : the politics of apolitical painting," part 3
  • David Shapiro and Cecile Shapiro
  • Graham, Gorky, de Kooning and the "Ingres revival" in America
  • Melvin P. Lader
  • Symbolic pregnance in Mark Rothko and Clyfford Still
  • Donald B. Kuspit
  • 1980s : reading new significations
  • new adventures of the avant-garde in America : Greenberg, Pollock, or from Trotskyism to the New Liberalism of the "vital center"
  • Serge Guilbaut
  • James Joyce and the first generation New York School
Control code
ocn861793160
Dimensions
unknown
Extent
1 online resource (xiii, 716 pages)
File format
unknown
Form of item
online
Governing access note
License restrictions may limit access
Isbn
9780300185720
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other control number
10.12987/9780300185720
Other physical details
35 illustrations (some color)
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt2zxb6s
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)861793160

Library Locations

    • Copley LibraryBorrow it
      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
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