Coverart for item
The Resource Reconstructing violence : the southern rape complex in film and literature, Deborah E. Barker

Reconstructing violence : the southern rape complex in film and literature, Deborah E. Barker

Label
Reconstructing violence : the southern rape complex in film and literature
Title
Reconstructing violence
Title remainder
the southern rape complex in film and literature
Statement of responsibility
Deborah E. Barker
Creator
Author
Subject
Language
eng
Member of
Cataloging source
DLC
http://library.link/vocab/creatorDate
1956-
http://library.link/vocab/creatorName
Barker, Deborah
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
LC call number
PN1995.9.V5
LC item number
B35 2015
Literary form
non fiction
Nature of contents
bibliography
Series statement
Southern literary studies
http://library.link/vocab/subjectName
  • Violence in motion pictures
  • Violence in literature
  • Race relations in motion pictures
  • Race relations in literature
  • Power (Social sciences) in motion pictures
  • Power (Social sciences) in literature
  • Power (Social sciences) in literature
  • Power (Social sciences) in motion pictures
  • Race relations in literature
  • Race relations in motion pictures
  • Violence in literature
  • Violence in motion pictures
Label
Reconstructing violence : the southern rape complex in film and literature, Deborah E. Barker
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages 247-261) and index
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Confederate abjection in D. W. Griffith's early Civil War films and Thomas Dixon's Clansman (1905) -- Taking the South out of the southern rape complex in The Story of Temple Drake (1933) -- Believing in Mammy: Sanctuary (1961), the movie -- The power of the false in Touch of Evil (1958) -- "A man like that doesn't deserve civil rights": systemic violence in Cape Fear (1962) -- "Blind spots": the visual logic and historical context of To Kill a Mockingbird (1962) -- Coda: A Time to Kill (1996) and post-civil rights variations on the southern rape complex
Control code
906935871
Dimensions
24 cm
Extent
x, 270 pages
Isbn
9780807160626
Lccn
2015008665
Media category
unmediated
Media MARC source
rdamedia
Other control number
40025377359
Other physical details
illustrations
System control number
(OCoLC)906935871
Label
Reconstructing violence : the southern rape complex in film and literature, Deborah E. Barker
Publication
Bibliography note
Includes bibliographical references (pages 247-261) and index
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Confederate abjection in D. W. Griffith's early Civil War films and Thomas Dixon's Clansman (1905) -- Taking the South out of the southern rape complex in The Story of Temple Drake (1933) -- Believing in Mammy: Sanctuary (1961), the movie -- The power of the false in Touch of Evil (1958) -- "A man like that doesn't deserve civil rights": systemic violence in Cape Fear (1962) -- "Blind spots": the visual logic and historical context of To Kill a Mockingbird (1962) -- Coda: A Time to Kill (1996) and post-civil rights variations on the southern rape complex
Control code
906935871
Dimensions
24 cm
Extent
x, 270 pages
Isbn
9780807160626
Lccn
2015008665
Media category
unmediated
Media MARC source
rdamedia
Other control number
40025377359
Other physical details
illustrations
System control number
(OCoLC)906935871

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      32.771354 -117.193327
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