The Resource Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja
Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja
Resource Information
The item Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- "In this deeply engaging account, Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate"--Provided by publisher
- Language
- eng
- Extent
- 1 online resource (xviii, 338 pages)
- Contents
-
- Toward a genealogy of indigenous film theory: reading Hollywood Indians
- Ideologies of (in)visibility: redfacing, gender, and moving images
- Tears and trash: economies of redfacing and the ghostly Indian
- Prophesizing on the virtual reservation: Imprint and It starts with a whisper
- Visual sovereignty, indigenous revisions of ethnography, and Atanarjuat (The fast runner)
- Isbn
- 9780803234451
- Label
- Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film
- Title
- Reservation reelism
- Title remainder
- redfacing, visual sovereignty, and representations of Native Americans in film
- Statement of responsibility
- Michelle H. Raheja
- Subject
-
- Electronic book
- Electronic books
- History
- Indians in motion pictures
- Indians in motion pictures
- Indians in the motion picture industry
- Indians in the motion picture industry -- United States
- Indigenous peoples in motion pictures
- Indigenous peoples in motion pictures
- Motion pictures
- Motion pictures -- United States -- History -- 20th century
- Multi-User
- PERFORMING ARTS -- Film & Video | History & Criticism
- Stereotypes (Social psychology) in motion pictures
- Stereotypes (Social psychology) in motion pictures
- United States
- 1900-1999
- Language
- eng
- Summary
- "In this deeply engaging account, Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate"--Provided by publisher
- Cataloging source
- E7B
- http://library.link/vocab/creatorName
- Raheja, Michelle H
- Government publication
- government publication of a state province territory dependency etc
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/subjectName
-
- Indians in motion pictures
- Indigenous peoples in motion pictures
- Indians in the motion picture industry
- Stereotypes (Social psychology) in motion pictures
- Motion pictures
- PERFORMING ARTS
- Indians in motion pictures
- Indians in the motion picture industry
- Indigenous peoples in motion pictures
- Motion pictures
- Stereotypes (Social psychology) in motion pictures
- United States
- Label
- Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja
- Bibliography note
- Includes bibliographical references (pages 291-317) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- mixed
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Toward a genealogy of indigenous film theory: reading Hollywood Indians -- Ideologies of (in)visibility: redfacing, gender, and moving images -- Tears and trash: economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation: Imprint and It starts with a whisper -- Visual sovereignty, indigenous revisions of ethnography, and Atanarjuat (The fast runner)
- Control code
- ocn704517538
- Dimensions
- unknown
- Extent
- 1 online resource (xviii, 338 pages)
- Form of item
- online
- Isbn
- 9780803234451
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
-
- fb002a1f-dcf3-4856-90d1-e575a8f0530d
- 22573/ctt1dfnqw9
- Specific material designation
- remote
- System control number
- (OCoLC)704517538
- Label
- Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja
- Bibliography note
- Includes bibliographical references (pages 291-317) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- mixed
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Toward a genealogy of indigenous film theory: reading Hollywood Indians -- Ideologies of (in)visibility: redfacing, gender, and moving images -- Tears and trash: economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation: Imprint and It starts with a whisper -- Visual sovereignty, indigenous revisions of ethnography, and Atanarjuat (The fast runner)
- Control code
- ocn704517538
- Dimensions
- unknown
- Extent
- 1 online resource (xviii, 338 pages)
- Form of item
- online
- Isbn
- 9780803234451
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
-
- fb002a1f-dcf3-4856-90d1-e575a8f0530d
- 22573/ctt1dfnqw9
- Specific material designation
- remote
- System control number
- (OCoLC)704517538
Subject
- Electronic book
- Electronic books
- History
- Indians in motion pictures
- Indians in motion pictures
- Indians in the motion picture industry
- Indians in the motion picture industry -- United States
- Indigenous peoples in motion pictures
- Indigenous peoples in motion pictures
- Motion pictures
- Motion pictures -- United States -- History -- 20th century
- Multi-User
- PERFORMING ARTS -- Film & Video | History & Criticism
- Stereotypes (Social psychology) in motion pictures
- Stereotypes (Social psychology) in motion pictures
- United States
- 1900-1999
Genre
Member of
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Reservation-reelism--redfacing-visual/GAJaKYZI4jo/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Reservation-reelism--redfacing-visual/GAJaKYZI4jo/">Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Reservation-reelism--redfacing-visual/GAJaKYZI4jo/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Reservation-reelism--redfacing-visual/GAJaKYZI4jo/">Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
