Coverart for item
The Resource Screens and veils : Maghrebi women's cinema, Florence Martin

Screens and veils : Maghrebi women's cinema, Florence Martin

Label
Screens and veils : Maghrebi women's cinema
Title
Screens and veils
Title remainder
Maghrebi women's cinema
Statement of responsibility
Florence Martin
Creator
Subject
Genre
Language
eng
Summary
Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of "transvergence" to examine how Maghrebi women's cinema is flexi
Member of
Cataloging source
N$T
http://library.link/vocab/creatorDate
1959-
http://library.link/vocab/creatorName
Martin, Florence
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Series statement
New directions in national cinemas
http://library.link/vocab/subjectName
  • Motion pictures
  • Motion pictures
  • Women motion picture producers and directors
  • Motion pictures
  • Women in motion pictures
  • Africa, North
  • ART
  • PERFORMING ARTS
  • PERFORMING ARTS
  • Motion pictures
  • Motion pictures
  • Women in motion pictures
  • Women motion picture producers and directors
  • Africa, North
  • Frauenfilm
  • Maghreb
Label
Screens and veils : Maghrebi women's cinema, Florence Martin
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda
Control code
ocn756501586
Dimensions
unknown
Extent
1 online resource (x, 271 pages)
File format
unknown
Form of item
online
Isbn
9780253005656
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt16ghtp0
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)756501586
Label
Screens and veils : Maghrebi women's cinema, Florence Martin
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda
Control code
ocn756501586
Dimensions
unknown
Extent
1 online resource (x, 271 pages)
File format
unknown
Form of item
online
Isbn
9780253005656
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt16ghtp0
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)756501586

Library Locations

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      32.771354 -117.193327
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