The Resource Screens and veils : Maghrebi women's cinema, Florence Martin
Screens and veils : Maghrebi women's cinema, Florence Martin
Resource Information
The item Screens and veils : Maghrebi women's cinema, Florence Martin represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Screens and veils : Maghrebi women's cinema, Florence Martin represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of "transvergence" to examine how Maghrebi women's cinema is flexi
- Language
- eng
- Extent
- 1 online resource (x, 271 pages)
- Contents
-
- Overture: Maghrebi women's transvergent cinema
- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978)
- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988)
- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002)
- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002)
- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002)
- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004)
- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006)
- Coda
- Isbn
- 9780253005656
- Label
- Screens and veils : Maghrebi women's cinema
- Title
- Screens and veils
- Title remainder
- Maghrebi women's cinema
- Statement of responsibility
- Florence Martin
- Subject
-
- ART -- Film & Video
- Africa, North
- Africa, North -- In motion pictures
- Electronic book
- Electronic books
- Frauenfilm
- History
- Maghreb
- Motion pictures
- Motion pictures -- Africa, North -- History -- 20th century
- Motion pictures -- Africa, North -- History -- 21st century
- Motion pictures -- Social aspects
- Motion pictures -- Social aspects -- Africa, North
- PERFORMING ARTS -- Film & Video | General
- PERFORMING ARTS -- Film & Video | Reference
- Women in motion pictures
- Women in motion pictures
- Women motion picture producers and directors
- Women motion picture producers and directors -- Africa, North
- 1900-2099
- Language
- eng
- Summary
- Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of "transvergence" to examine how Maghrebi women's cinema is flexi
- Cataloging source
- N$T
- http://library.link/vocab/creatorDate
- 1959-
- http://library.link/vocab/creatorName
- Martin, Florence
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- New directions in national cinemas
- http://library.link/vocab/subjectName
-
- Motion pictures
- Motion pictures
- Women motion picture producers and directors
- Motion pictures
- Women in motion pictures
- Africa, North
- ART
- PERFORMING ARTS
- PERFORMING ARTS
- Motion pictures
- Motion pictures
- Women in motion pictures
- Women motion picture producers and directors
- Africa, North
- Frauenfilm
- Maghreb
- Label
- Screens and veils : Maghrebi women's cinema, Florence Martin
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda
- Control code
- ocn756501586
- Dimensions
- unknown
- Extent
- 1 online resource (x, 271 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780253005656
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt16ghtp0
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)756501586
- Label
- Screens and veils : Maghrebi women's cinema, Florence Martin
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda
- Control code
- ocn756501586
- Dimensions
- unknown
- Extent
- 1 online resource (x, 271 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780253005656
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt16ghtp0
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)756501586
Subject
- ART -- Film & Video
- Africa, North
- Africa, North -- In motion pictures
- Electronic book
- Electronic books
- Frauenfilm
- History
- Maghreb
- Motion pictures
- Motion pictures -- Africa, North -- History -- 20th century
- Motion pictures -- Africa, North -- History -- 21st century
- Motion pictures -- Social aspects
- Motion pictures -- Social aspects -- Africa, North
- PERFORMING ARTS -- Film & Video | General
- PERFORMING ARTS -- Film & Video | Reference
- Women in motion pictures
- Women in motion pictures
- Women motion picture producers and directors
- Women motion picture producers and directors -- Africa, North
- 1900-2099
Genre
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Screens-and-veils--Maghrebi-womens-cinema/WjmCEtUrTOE/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Screens-and-veils--Maghrebi-womens-cinema/WjmCEtUrTOE/">Screens and veils : Maghrebi women's cinema, Florence Martin</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
