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The Resource Shakespeare's authentic performance texts : the case for staging from the first folio, Graham Watts

Shakespeare's authentic performance texts : the case for staging from the first folio, Graham Watts

Label
Shakespeare's authentic performance texts : the case for staging from the first folio
Title
Shakespeare's authentic performance texts
Title remainder
the case for staging from the first folio
Statement of responsibility
Graham Watts
Creator
Author
Subject
Language
eng
Summary
"When we pick up a copy of a Shakespeare play, we assume that we hold in our hands an original record of his writing. We don't. Present day printings are an editor's often subjective version of the script. This volume makes the case for printing and staging the plays as set in the Folio"--
Assigning source
Provided by publisher
Cataloging source
DLC
http://library.link/vocab/creatorDate
1959-
http://library.link/vocab/creatorName
Watts, Graham
Index
index present
LC call number
PR3091
LC item number
.W388 2015
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Shakespeare, William
  • Shakespeare, William
  • Shakespeare, William
  • Shakespeare, William
  • Shakespeare, William
  • Aufführung
  • Inszenierung
Label
Shakespeare's authentic performance texts : the case for staging from the first folio, Graham Watts
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages 241-246) and index
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Introduction: How did this argument begin? -- The heavy hand of the editors: "Oh pardon me ... that I am meek and gentle with these butchers" -- The shaman at work: "words, words, words" -- Bungling printers: "you strike like the blind man" -- Creating a role from the folio text: "know you the character?" -- Shakespeare's rogues and vagabonds: "unperfect actors"? -- Character as actor: "I can counterfeit the deep tragedian" -- Ambiguity: "faire is foule, and foule is faire" -- A director's approach: "the rich advantage of good exercise" -- Weighing up the options: "Measure for measure"
Control code
883647519
Dimensions
26 cm
Extent
vii, 249 pages
Isbn
9780786497201
Lccn
2014046484
Media category
unmediated
Media MARC source
rdamedia
System control number
(OCoLC)883647519
Label
Shakespeare's authentic performance texts : the case for staging from the first folio, Graham Watts
Publication
Bibliography note
Includes bibliographical references (pages 241-246) and index
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Introduction: How did this argument begin? -- The heavy hand of the editors: "Oh pardon me ... that I am meek and gentle with these butchers" -- The shaman at work: "words, words, words" -- Bungling printers: "you strike like the blind man" -- Creating a role from the folio text: "know you the character?" -- Shakespeare's rogues and vagabonds: "unperfect actors"? -- Character as actor: "I can counterfeit the deep tragedian" -- Ambiguity: "faire is foule, and foule is faire" -- A director's approach: "the rich advantage of good exercise" -- Weighing up the options: "Measure for measure"
Control code
883647519
Dimensions
26 cm
Extent
vii, 249 pages
Isbn
9780786497201
Lccn
2014046484
Media category
unmediated
Media MARC source
rdamedia
System control number
(OCoLC)883647519

Library Locations

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      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
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