The Resource Sofia Coppola : the politics of visual pleasure, Anna Backman Rogers
Sofia Coppola : the politics of visual pleasure, Anna Backman Rogers
Resource Information
The item Sofia Coppola : the politics of visual pleasure, Anna Backman Rogers represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Sofia Coppola : the politics of visual pleasure, Anna Backman Rogers represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- "All too often, the movies of Sofia Coppola have been dismissed as "all style, no substance." But such an easy caricature, as this engaging and accessible survey of Coppola's oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the "female gothic" in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola's films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy."
- Language
- eng
- Extent
- x, 177 pages
- Note
- "Berghahn on film."
- Contents
-
- Introduction : the surface of the image is political
- Part I. Imaging absence as abjection and imaging the female gothic as rage : The Virgin suicides (1999)
- The beguiled (2017)
- Part II. Empty subjectivities and masculinity as void : Lost in translation (2003)
- Somewhere (2010)
- Part III. The female body as patriarchal currency and the commodification of female identity : Marie Antoinette (2006)
- The bling ring (2013)
- Conclusion : On beguilement
- Isbn
- 9781785339653
- Label
- Sofia Coppola : the politics of visual pleasure
- Title
- Sofia Coppola
- Title remainder
- the politics of visual pleasure
- Statement of responsibility
- Anna Backman Rogers
- Language
- eng
- Summary
- "All too often, the movies of Sofia Coppola have been dismissed as "all style, no substance." But such an easy caricature, as this engaging and accessible survey of Coppola's oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the "female gothic" in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola's films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy."
- Cataloging source
- DLC
- http://library.link/vocab/creatorName
- Backman Rogers, Anna
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PN1998.3.C672
- LC item number
- R64 2019
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/subjectName
-
- Coppola, Sofia
- Coppola, Sofia
- Women motion picture producers and directors
- Feminism and motion pictures
- Feminism and motion pictures
- Women motion picture producers and directors
- United States
- Label
- Sofia Coppola : the politics of visual pleasure, Anna Backman Rogers
- Note
- "Berghahn on film."
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction : the surface of the image is political -- Part I. Imaging absence as abjection and imaging the female gothic as rage : The Virgin suicides (1999) -- The beguiled (2017) -- Part II. Empty subjectivities and masculinity as void : Lost in translation (2003) -- Somewhere (2010) -- Part III. The female body as patriarchal currency and the commodification of female identity : Marie Antoinette (2006) -- The bling ring (2013) -- Conclusion : On beguilement
- Control code
- 1056204100
- Dimensions
- 23 cm
- Extent
- x, 177 pages
- Isbn
- 9781785339653
- Lccn
- 2018046678
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other control number
- 40028762856
- Other physical details
- illustrations
- System control number
- (OCoLC)1056204100
- Label
- Sofia Coppola : the politics of visual pleasure, Anna Backman Rogers
- Note
- "Berghahn on film."
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction : the surface of the image is political -- Part I. Imaging absence as abjection and imaging the female gothic as rage : The Virgin suicides (1999) -- The beguiled (2017) -- Part II. Empty subjectivities and masculinity as void : Lost in translation (2003) -- Somewhere (2010) -- Part III. The female body as patriarchal currency and the commodification of female identity : Marie Antoinette (2006) -- The bling ring (2013) -- Conclusion : On beguilement
- Control code
- 1056204100
- Dimensions
- 23 cm
- Extent
- x, 177 pages
- Isbn
- 9781785339653
- Lccn
- 2018046678
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other control number
- 40028762856
- Other physical details
- illustrations
- System control number
- (OCoLC)1056204100
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Sofia-Coppola--the-politics-of-visual-pleasure/GU15aOlgtDc/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Sofia-Coppola--the-politics-of-visual-pleasure/GU15aOlgtDc/">Sofia Coppola : the politics of visual pleasure, Anna Backman Rogers</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Sofia-Coppola--the-politics-of-visual-pleasure/GU15aOlgtDc/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Sofia-Coppola--the-politics-of-visual-pleasure/GU15aOlgtDc/">Sofia Coppola : the politics of visual pleasure, Anna Backman Rogers</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>