Coverart for item
The Resource Stereoscopic cinema & the origins of 3-D film, 1838-1952, Ray Zone

Stereoscopic cinema & the origins of 3-D film, 1838-1952, Ray Zone

Label
Stereoscopic cinema & the origins of 3-D film, 1838-1952
Title
Stereoscopic cinema & the origins of 3-D film, 1838-1952
Statement of responsibility
Ray Zone
Title variation
Stereoscopic cinema and the origins of 3-D film, 1838-1952
Creator
Subject
Genre
Language
eng
Summary
This is a comprehensive history of the stereoscopic motion picture. Ray Zone not only discusses technological innovation and its cultural context, but also examines the aesthetic aspects of stereoscopic cinema in its first century of production
Cataloging source
N$T
http://library.link/vocab/creatorName
Zone, Ray
Illustrations
illustrations
Index
index present
Language note
English
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • 3-D films
  • PHOTOGRAPHY
  • ART
  • PERFORMING ARTS
  • 3-D films
Label
Stereoscopic cinema & the origins of 3-D film, 1838-1952, Ray Zone
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 191-212) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Cover; Half-title; Title; Copyright; Contents; Foreword; Acknowledgments; Prologue; The Novelty Period-1838 to 1952; An Era of Convergence-1952 to 1985; The Immersive Era-1986 to Present; Digital 3-D Cinema-2005 to Present; 1. Stereography Begins; Charles Wheatstone-The Binocular Discovery; Sir David Brewster-The Retinal Rival; Oliver Wendell Holmes-The Poet of Stereo; The Vortex of Popular Consumption; Stereoview Peep Shows; 2. The Peep Show Tradition; An Enclosed Space; Persistence of Vision; Hie First Stereoscopic Motion Picture Patent; Disks and Cylinders; Endless Bands; The Utopian Dream
  • 3. Motion Pictures BeginEadweard Muybridge-Capturing Time; Etienne-Jules Marey-Chronophotographer; Edison's Kinetoscope; Georges Demenys Stereo Phonoscope; Dickson Leaves Edison; C.F. Jenkins-Prescient Inventor; 4. Stereoscopic Projection; The Marvelous Ducos du Hauron; The Problematic Mr. Green; John Anderton-Polarizing Light; From Bioscope to Alabastra; Pepper's Ghost; Stereo Projection in France; Watershed Years-1895-1896; 5. Cinema's Novelty Period; ""Stereopticon"" Entertainment; Phantom Rides; Acknowledging the Viewer; Caligari in Utopia; Display versus Story
  • 6. Public Exhibition of 3-D Films BeginsDevelopments around 1900; Lucien Bull-High Speed Stereoscopy; Stereoscopic Movies in Natural Color; Edwin S. Porter-Artistic Mechanic; Frederic E. Ives-Stereo Polymath; 7. A Wave of Stereo; Anaglyph Proliferates; Shadowgraphs; Teleview-The ""Eclipse"" Method; The Power of Love; William Van Doren Kelley; Plasticons; 8. Essaying Utopia; A Few Stereoscopic Patents; Motional Perspective; Spoor-Berggren-Natural Vision; Parade of Inventors; The Case of William Waddell; The Lost 3-D of Napoleon; 9. Stereoscopic Cinema Proves Itself; Lumiere's 3-D Train
  • Polarizing Image SelectionZeiss Ikon Stereo; Stereo Films at the Fairs; Vectographs; 10. The Stereoscopic Overture Finishes; Autostereoscopic Cinema; Semyon Ivanov-Utopia at Stereokino; Single-Strip 3-D Systems; John T. Rule-A Stereographic Pioneer; Stereo Movies and the Avant-Garde; The Festival of Britain; Epilogue; Notes; Index
Control code
ocn182523038
Dimensions
unknown
Extent
1 online resource (xii, 220 pages)
File format
unknown
Form of item
online
Isbn
9780813145907
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
  • 22573/ctt5hbxz3
  • 5744e231-511e-45a5-bde8-9bbb3d3510ed
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)182523038
Label
Stereoscopic cinema & the origins of 3-D film, 1838-1952, Ray Zone
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 191-212) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Cover; Half-title; Title; Copyright; Contents; Foreword; Acknowledgments; Prologue; The Novelty Period-1838 to 1952; An Era of Convergence-1952 to 1985; The Immersive Era-1986 to Present; Digital 3-D Cinema-2005 to Present; 1. Stereography Begins; Charles Wheatstone-The Binocular Discovery; Sir David Brewster-The Retinal Rival; Oliver Wendell Holmes-The Poet of Stereo; The Vortex of Popular Consumption; Stereoview Peep Shows; 2. The Peep Show Tradition; An Enclosed Space; Persistence of Vision; Hie First Stereoscopic Motion Picture Patent; Disks and Cylinders; Endless Bands; The Utopian Dream
  • 3. Motion Pictures BeginEadweard Muybridge-Capturing Time; Etienne-Jules Marey-Chronophotographer; Edison's Kinetoscope; Georges Demenys Stereo Phonoscope; Dickson Leaves Edison; C.F. Jenkins-Prescient Inventor; 4. Stereoscopic Projection; The Marvelous Ducos du Hauron; The Problematic Mr. Green; John Anderton-Polarizing Light; From Bioscope to Alabastra; Pepper's Ghost; Stereo Projection in France; Watershed Years-1895-1896; 5. Cinema's Novelty Period; ""Stereopticon"" Entertainment; Phantom Rides; Acknowledging the Viewer; Caligari in Utopia; Display versus Story
  • 6. Public Exhibition of 3-D Films BeginsDevelopments around 1900; Lucien Bull-High Speed Stereoscopy; Stereoscopic Movies in Natural Color; Edwin S. Porter-Artistic Mechanic; Frederic E. Ives-Stereo Polymath; 7. A Wave of Stereo; Anaglyph Proliferates; Shadowgraphs; Teleview-The ""Eclipse"" Method; The Power of Love; William Van Doren Kelley; Plasticons; 8. Essaying Utopia; A Few Stereoscopic Patents; Motional Perspective; Spoor-Berggren-Natural Vision; Parade of Inventors; The Case of William Waddell; The Lost 3-D of Napoleon; 9. Stereoscopic Cinema Proves Itself; Lumiere's 3-D Train
  • Polarizing Image SelectionZeiss Ikon Stereo; Stereo Films at the Fairs; Vectographs; 10. The Stereoscopic Overture Finishes; Autostereoscopic Cinema; Semyon Ivanov-Utopia at Stereokino; Single-Strip 3-D Systems; John T. Rule-A Stereographic Pioneer; Stereo Movies and the Avant-Garde; The Festival of Britain; Epilogue; Notes; Index
Control code
ocn182523038
Dimensions
unknown
Extent
1 online resource (xii, 220 pages)
File format
unknown
Form of item
online
Isbn
9780813145907
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
  • 22573/ctt5hbxz3
  • 5744e231-511e-45a5-bde8-9bbb3d3510ed
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)182523038

Library Locations

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      32.771354 -117.193327
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