The Resource The Oxford handbook of music and disability studies, edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
The Oxford handbook of music and disability studies, edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
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The item The Oxford handbook of music and disability studies, edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item The Oxford handbook of music and disability studies, edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Language
- eng
- Extent
- xviii, 928 pages
- Contents
-
- Part 1: Disability Communities -- Part 2: Performing Disability -- Part 3: Race, Gender, Sexuality -- Part 4: War and Trauma -- Part 5: Premodern Conceptions -- Part 6: The Classical Tradition -- Part 7: Modernism and After -- Part 8: Film and Musical Theatre
- Imagined hearing: music-making in deaf culture
- Jeannette DiBernardo Jones
- Musical expression among deaf and hearing song signers
- Anabel Maler
- The politics of sound: music and blindness in France, 1750-1830
- Ingrid Sykes
- "They say we exchanged our eyes for the xylophone": resisting tropes of disability as spiritual deviance in Birifor music
- Brian Hogan
- Understanding is seeing: music analysis and blindness
- Shersten Johnson
- Introduction:
- Performing disability.
- Mechanized bodies: technology and supplements in Björk's electronica
- Jennifer Iverson
- Subhuman or superhuman? (Musical) assistive technology, performance enhancement, and the aesthetic/moral debate
- Laurie Stras
- Disabling music performance
- Blake Howe
- Musical and bodily difference in Cirque du Soleil
- Stephanie Jensen-Moulton
- Punk rock and disability: cripping subculture
- Disability studies in music, music in disability studies
- George McKay
- Moving experiences: blindness and the performing self in Imre Ungár's Chopin
- Stefan Sunandan Honisch
- Stevie Wonder's tactile keyboard mediation, black key compositional development, and the quest for creative autonomy
- Will Fulton
- Oh, the stories we tell! Performer-audience-disability
- Michael Beckerman
- The dancing ground: embodied knowledge, disability, and visibility in New Orleans second lines
- Daniella Santoro
- Race, gender, sexuality.
- Blake How, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
- A cannon-shaped man with an amphibian voice: castrato and disability in eighteenth-century France
- Hedy Law
- Sexuality, trauma, and dissociated expression
- Fred Everett Maus
- That "weird and wonderful posture": jump "Jim Crow" and the performance of disability
- Sean Murray
- Disabled moves: multidimensional music listening, disturbing/activating differences of identity
- Marianne Kielian-Gilbert
- War and trauma.
- Disabled Union veterans and the performance of martial begging
- Disability communities.
- Michael Accinno
- "Good bye, old arm": the domestication of veterans' disabilities in Civil War era popular songs
- Devin Burke
- "The absurd disordering of notes": dysfunctional memory in the post-traumatic music of Ivor Gurney
- Beth Keyes
- Vocal ability and musical performances of nuclear damages in the Marshall Islands
- Jessica A. Schwartz
- Premodern conceptions.
- Lyrical humor(s) in the "fumeur" songs
- Julie Singer
- Toward an ethnographic model of disability, and human flourishing
- Difference, disability, and composition in the late Middle Ages: of Antonio "Zachara" da Teramo and Francesco "Il Cieco" da Firenze
- Michael Scott Cuthbert
- Madness and music as (dis)ability in early modern England
- Samantha Bassler
- Saul, David, and music's ideal body
- Blake Howe
- The classical tradition.
- Narratives of affliction and recovery in Haydn
- Floyd Grave
- Music and the labyrinth of melancholy: traditions and paradoxes in C.P.E. Bach and Beethoven
- Michael B. Bakan
- Elaine Sisman
- Musical prosthesis: form, expression, and narrative structure in Beethoven's sonata movements
- Bruce Quaglia
- Sounds of mind: music and madness in the popular imagination
- James Deaville
- Modernism and after.
- Modernist opera's stigmatized subjects
- Sherry D. Lee
- Autism and postwar serialism as neurodiverse forms of cultural modernism
- Joseph Straus
- Music, intellectual disability, and human flourishing
- Broken facture: representations of disability in the music of Allan Pettersson
- Allen Gimbel
- Representing the extraordinary body: musical modernism's aesthetics of disability
- Joseph Straus
- "Defamiliarizing the familiar": Michael Nyman, narrative medicine, and the composition of mental blindness
- Stephanie Jensen-Moulton
- Film and musical theatre.
- Scene in a new light: monstrous mothers, disabled daughters, and the performance of feminism and disability in The light in the piazza (2005) and Next to normal (2008)
- Ann M. Fox
- "Pitiful creature of darkness": the subhuman and the superhuman in The Phantom of the opera
- Licia Carlson
- Jessica Sternfeld
- "Waitin' for the light to shine": musicals and disability
- Raymond Knapp
- Music for Olivier's Richard III: cinematic scoring for the early modern monstrous
- Kendra Preston Leonard
- Hearing a site of masculinity in Franz Waxman's score for Pride of the Marines (1945)
- Neil Lerner
- Isbn
- 9780199331444
- Label
- The Oxford handbook of music and disability studies
- Title
- The Oxford handbook of music and disability studies
- Statement of responsibility
- edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
- Language
- eng
- Cataloging source
- DLC
- Illustrations
-
- illustrations
- music
- Index
- index present
- Language note
- Text in English
- LC call number
- ML3916
- LC item number
- .O96 2016
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/relatedWorkOrContributorDate
- 1966-
- http://library.link/vocab/relatedWorkOrContributorName
-
- Howe, Blake
- Jensen-Moulton, Stephanie
- Lerner, Neil William
- Straus, Joseph Nathan
- Series statement
- Oxford handbooks
- http://library.link/vocab/subjectName
-
- People with disabilities in music
- Disability studies
- Musicians with disabilities
- Disability studies
- Musicians with disabilities
- People with disabilities in music
- Behinderung
- Musiker
- Musik
- Label
- The Oxford handbook of music and disability studies, edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Part 1: Disability Communities -- Part 2: Performing Disability -- Part 3: Race, Gender, Sexuality -- Part 4: War and Trauma -- Part 5: Premodern Conceptions -- Part 6: The Classical Tradition -- Part 7: Modernism and After -- Part 8: Film and Musical Theatre
- Imagined hearing: music-making in deaf culture
- Jeannette DiBernardo Jones
- Musical expression among deaf and hearing song signers
- Anabel Maler
- The politics of sound: music and blindness in France, 1750-1830
- Ingrid Sykes
- "They say we exchanged our eyes for the xylophone": resisting tropes of disability as spiritual deviance in Birifor music
- Brian Hogan
- Understanding is seeing: music analysis and blindness
- Shersten Johnson
- Introduction:
- Performing disability.
- Mechanized bodies: technology and supplements in Björk's electronica
- Jennifer Iverson
- Subhuman or superhuman? (Musical) assistive technology, performance enhancement, and the aesthetic/moral debate
- Laurie Stras
- Disabling music performance
- Blake Howe
- Musical and bodily difference in Cirque du Soleil
- Stephanie Jensen-Moulton
- Punk rock and disability: cripping subculture
- Disability studies in music, music in disability studies
- George McKay
- Moving experiences: blindness and the performing self in Imre Ungár's Chopin
- Stefan Sunandan Honisch
- Stevie Wonder's tactile keyboard mediation, black key compositional development, and the quest for creative autonomy
- Will Fulton
- Oh, the stories we tell! Performer-audience-disability
- Michael Beckerman
- The dancing ground: embodied knowledge, disability, and visibility in New Orleans second lines
- Daniella Santoro
- Race, gender, sexuality.
- Blake How, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
- A cannon-shaped man with an amphibian voice: castrato and disability in eighteenth-century France
- Hedy Law
- Sexuality, trauma, and dissociated expression
- Fred Everett Maus
- That "weird and wonderful posture": jump "Jim Crow" and the performance of disability
- Sean Murray
- Disabled moves: multidimensional music listening, disturbing/activating differences of identity
- Marianne Kielian-Gilbert
- War and trauma.
- Disabled Union veterans and the performance of martial begging
- Disability communities.
- Michael Accinno
- "Good bye, old arm": the domestication of veterans' disabilities in Civil War era popular songs
- Devin Burke
- "The absurd disordering of notes": dysfunctional memory in the post-traumatic music of Ivor Gurney
- Beth Keyes
- Vocal ability and musical performances of nuclear damages in the Marshall Islands
- Jessica A. Schwartz
- Premodern conceptions.
- Lyrical humor(s) in the "fumeur" songs
- Julie Singer
- Toward an ethnographic model of disability, and human flourishing
- Difference, disability, and composition in the late Middle Ages: of Antonio "Zachara" da Teramo and Francesco "Il Cieco" da Firenze
- Michael Scott Cuthbert
- Madness and music as (dis)ability in early modern England
- Samantha Bassler
- Saul, David, and music's ideal body
- Blake Howe
- The classical tradition.
- Narratives of affliction and recovery in Haydn
- Floyd Grave
- Music and the labyrinth of melancholy: traditions and paradoxes in C.P.E. Bach and Beethoven
- Michael B. Bakan
- Elaine Sisman
- Musical prosthesis: form, expression, and narrative structure in Beethoven's sonata movements
- Bruce Quaglia
- Sounds of mind: music and madness in the popular imagination
- James Deaville
- Modernism and after.
- Modernist opera's stigmatized subjects
- Sherry D. Lee
- Autism and postwar serialism as neurodiverse forms of cultural modernism
- Joseph Straus
- Music, intellectual disability, and human flourishing
- Broken facture: representations of disability in the music of Allan Pettersson
- Allen Gimbel
- Representing the extraordinary body: musical modernism's aesthetics of disability
- Joseph Straus
- "Defamiliarizing the familiar": Michael Nyman, narrative medicine, and the composition of mental blindness
- Stephanie Jensen-Moulton
- Film and musical theatre.
- Scene in a new light: monstrous mothers, disabled daughters, and the performance of feminism and disability in The light in the piazza (2005) and Next to normal (2008)
- Ann M. Fox
- "Pitiful creature of darkness": the subhuman and the superhuman in The Phantom of the opera
- Licia Carlson
- Jessica Sternfeld
- "Waitin' for the light to shine": musicals and disability
- Raymond Knapp
- Music for Olivier's Richard III: cinematic scoring for the early modern monstrous
- Kendra Preston Leonard
- Hearing a site of masculinity in Franz Waxman's score for Pride of the Marines (1945)
- Neil Lerner
- Control code
- 910309803
- Dimensions
- 26 cm
- Extent
- xviii, 928 pages
- Isbn
- 9780199331444
- Lccn
- 2015013132
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations, music
- System control number
- (OCoLC)910309803
- Label
- The Oxford handbook of music and disability studies, edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Part 1: Disability Communities -- Part 2: Performing Disability -- Part 3: Race, Gender, Sexuality -- Part 4: War and Trauma -- Part 5: Premodern Conceptions -- Part 6: The Classical Tradition -- Part 7: Modernism and After -- Part 8: Film and Musical Theatre
- Imagined hearing: music-making in deaf culture
- Jeannette DiBernardo Jones
- Musical expression among deaf and hearing song signers
- Anabel Maler
- The politics of sound: music and blindness in France, 1750-1830
- Ingrid Sykes
- "They say we exchanged our eyes for the xylophone": resisting tropes of disability as spiritual deviance in Birifor music
- Brian Hogan
- Understanding is seeing: music analysis and blindness
- Shersten Johnson
- Introduction:
- Performing disability.
- Mechanized bodies: technology and supplements in Björk's electronica
- Jennifer Iverson
- Subhuman or superhuman? (Musical) assistive technology, performance enhancement, and the aesthetic/moral debate
- Laurie Stras
- Disabling music performance
- Blake Howe
- Musical and bodily difference in Cirque du Soleil
- Stephanie Jensen-Moulton
- Punk rock and disability: cripping subculture
- Disability studies in music, music in disability studies
- George McKay
- Moving experiences: blindness and the performing self in Imre Ungár's Chopin
- Stefan Sunandan Honisch
- Stevie Wonder's tactile keyboard mediation, black key compositional development, and the quest for creative autonomy
- Will Fulton
- Oh, the stories we tell! Performer-audience-disability
- Michael Beckerman
- The dancing ground: embodied knowledge, disability, and visibility in New Orleans second lines
- Daniella Santoro
- Race, gender, sexuality.
- Blake How, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
- A cannon-shaped man with an amphibian voice: castrato and disability in eighteenth-century France
- Hedy Law
- Sexuality, trauma, and dissociated expression
- Fred Everett Maus
- That "weird and wonderful posture": jump "Jim Crow" and the performance of disability
- Sean Murray
- Disabled moves: multidimensional music listening, disturbing/activating differences of identity
- Marianne Kielian-Gilbert
- War and trauma.
- Disabled Union veterans and the performance of martial begging
- Disability communities.
- Michael Accinno
- "Good bye, old arm": the domestication of veterans' disabilities in Civil War era popular songs
- Devin Burke
- "The absurd disordering of notes": dysfunctional memory in the post-traumatic music of Ivor Gurney
- Beth Keyes
- Vocal ability and musical performances of nuclear damages in the Marshall Islands
- Jessica A. Schwartz
- Premodern conceptions.
- Lyrical humor(s) in the "fumeur" songs
- Julie Singer
- Toward an ethnographic model of disability, and human flourishing
- Difference, disability, and composition in the late Middle Ages: of Antonio "Zachara" da Teramo and Francesco "Il Cieco" da Firenze
- Michael Scott Cuthbert
- Madness and music as (dis)ability in early modern England
- Samantha Bassler
- Saul, David, and music's ideal body
- Blake Howe
- The classical tradition.
- Narratives of affliction and recovery in Haydn
- Floyd Grave
- Music and the labyrinth of melancholy: traditions and paradoxes in C.P.E. Bach and Beethoven
- Michael B. Bakan
- Elaine Sisman
- Musical prosthesis: form, expression, and narrative structure in Beethoven's sonata movements
- Bruce Quaglia
- Sounds of mind: music and madness in the popular imagination
- James Deaville
- Modernism and after.
- Modernist opera's stigmatized subjects
- Sherry D. Lee
- Autism and postwar serialism as neurodiverse forms of cultural modernism
- Joseph Straus
- Music, intellectual disability, and human flourishing
- Broken facture: representations of disability in the music of Allan Pettersson
- Allen Gimbel
- Representing the extraordinary body: musical modernism's aesthetics of disability
- Joseph Straus
- "Defamiliarizing the familiar": Michael Nyman, narrative medicine, and the composition of mental blindness
- Stephanie Jensen-Moulton
- Film and musical theatre.
- Scene in a new light: monstrous mothers, disabled daughters, and the performance of feminism and disability in The light in the piazza (2005) and Next to normal (2008)
- Ann M. Fox
- "Pitiful creature of darkness": the subhuman and the superhuman in The Phantom of the opera
- Licia Carlson
- Jessica Sternfeld
- "Waitin' for the light to shine": musicals and disability
- Raymond Knapp
- Music for Olivier's Richard III: cinematic scoring for the early modern monstrous
- Kendra Preston Leonard
- Hearing a site of masculinity in Franz Waxman's score for Pride of the Marines (1945)
- Neil Lerner
- Control code
- 910309803
- Dimensions
- 26 cm
- Extent
- xviii, 928 pages
- Isbn
- 9780199331444
- Lccn
- 2015013132
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations, music
- System control number
- (OCoLC)910309803
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/The-Oxford-handbook-of-music-and-disability/iM2lSi9S1Ow/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/The-Oxford-handbook-of-music-and-disability/iM2lSi9S1Ow/">The Oxford handbook of music and disability studies, edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
