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The Resource The Oxford handbook of music and disability studies, edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus

The Oxford handbook of music and disability studies, edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus

Label
The Oxford handbook of music and disability studies
Title
The Oxford handbook of music and disability studies
Statement of responsibility
edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
Contributor
Subject
Language
eng
Member of
Cataloging source
DLC
Illustrations
  • illustrations
  • music
Index
index present
Language note
Text in English
LC call number
ML3916
LC item number
.O96 2016
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1966-
http://library.link/vocab/relatedWorkOrContributorName
  • Howe, Blake
  • Jensen-Moulton, Stephanie
  • Lerner, Neil William
  • Straus, Joseph Nathan
Series statement
Oxford handbooks
http://library.link/vocab/subjectName
  • People with disabilities in music
  • Disability studies
  • Musicians with disabilities
  • Disability studies
  • Musicians with disabilities
  • People with disabilities in music
  • Behinderung
  • Musiker
  • Musik
Label
The Oxford handbook of music and disability studies, edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Part 1: Disability Communities -- Part 2: Performing Disability -- Part 3: Race, Gender, Sexuality -- Part 4: War and Trauma -- Part 5: Premodern Conceptions -- Part 6: The Classical Tradition -- Part 7: Modernism and After -- Part 8: Film and Musical Theatre
  • Imagined hearing: music-making in deaf culture
  • Jeannette DiBernardo Jones
  • Musical expression among deaf and hearing song signers
  • Anabel Maler
  • The politics of sound: music and blindness in France, 1750-1830
  • Ingrid Sykes
  • "They say we exchanged our eyes for the xylophone": resisting tropes of disability as spiritual deviance in Birifor music
  • Brian Hogan
  • Understanding is seeing: music analysis and blindness
  • Shersten Johnson
  • Introduction:
  • Performing disability.
  • Mechanized bodies: technology and supplements in Björk's electronica
  • Jennifer Iverson
  • Subhuman or superhuman? (Musical) assistive technology, performance enhancement, and the aesthetic/moral debate
  • Laurie Stras
  • Disabling music performance
  • Blake Howe
  • Musical and bodily difference in Cirque du Soleil
  • Stephanie Jensen-Moulton
  • Punk rock and disability: cripping subculture
  • Disability studies in music, music in disability studies
  • George McKay
  • Moving experiences: blindness and the performing self in Imre Ungár's Chopin
  • Stefan Sunandan Honisch
  • Stevie Wonder's tactile keyboard mediation, black key compositional development, and the quest for creative autonomy
  • Will Fulton
  • Oh, the stories we tell! Performer-audience-disability
  • Michael Beckerman
  • The dancing ground: embodied knowledge, disability, and visibility in New Orleans second lines
  • Daniella Santoro
  • Race, gender, sexuality.
  • Blake How, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
  • A cannon-shaped man with an amphibian voice: castrato and disability in eighteenth-century France
  • Hedy Law
  • Sexuality, trauma, and dissociated expression
  • Fred Everett Maus
  • That "weird and wonderful posture": jump "Jim Crow" and the performance of disability
  • Sean Murray
  • Disabled moves: multidimensional music listening, disturbing/activating differences of identity
  • Marianne Kielian-Gilbert
  • War and trauma.
  • Disabled Union veterans and the performance of martial begging
  • Disability communities.
  • Michael Accinno
  • "Good bye, old arm": the domestication of veterans' disabilities in Civil War era popular songs
  • Devin Burke
  • "The absurd disordering of notes": dysfunctional memory in the post-traumatic music of Ivor Gurney
  • Beth Keyes
  • Vocal ability and musical performances of nuclear damages in the Marshall Islands
  • Jessica A. Schwartz
  • Premodern conceptions.
  • Lyrical humor(s) in the "fumeur" songs
  • Julie Singer
  • Toward an ethnographic model of disability, and human flourishing
  • Difference, disability, and composition in the late Middle Ages: of Antonio "Zachara" da Teramo and Francesco "Il Cieco" da Firenze
  • Michael Scott Cuthbert
  • Madness and music as (dis)ability in early modern England
  • Samantha Bassler
  • Saul, David, and music's ideal body
  • Blake Howe
  • The classical tradition.
  • Narratives of affliction and recovery in Haydn
  • Floyd Grave
  • Music and the labyrinth of melancholy: traditions and paradoxes in C.P.E. Bach and Beethoven
  • Michael B. Bakan
  • Elaine Sisman
  • Musical prosthesis: form, expression, and narrative structure in Beethoven's sonata movements
  • Bruce Quaglia
  • Sounds of mind: music and madness in the popular imagination
  • James Deaville
  • Modernism and after.
  • Modernist opera's stigmatized subjects
  • Sherry D. Lee
  • Autism and postwar serialism as neurodiverse forms of cultural modernism
  • Joseph Straus
  • Music, intellectual disability, and human flourishing
  • Broken facture: representations of disability in the music of Allan Pettersson
  • Allen Gimbel
  • Representing the extraordinary body: musical modernism's aesthetics of disability
  • Joseph Straus
  • "Defamiliarizing the familiar": Michael Nyman, narrative medicine, and the composition of mental blindness
  • Stephanie Jensen-Moulton
  • Film and musical theatre.
  • Scene in a new light: monstrous mothers, disabled daughters, and the performance of feminism and disability in The light in the piazza (2005) and Next to normal (2008)
  • Ann M. Fox
  • "Pitiful creature of darkness": the subhuman and the superhuman in The Phantom of the opera
  • Licia Carlson
  • Jessica Sternfeld
  • "Waitin' for the light to shine": musicals and disability
  • Raymond Knapp
  • Music for Olivier's Richard III: cinematic scoring for the early modern monstrous
  • Kendra Preston Leonard
  • Hearing a site of masculinity in Franz Waxman's score for Pride of the Marines (1945)
  • Neil Lerner
Control code
910309803
Dimensions
26 cm
Extent
xviii, 928 pages
Isbn
9780199331444
Lccn
2015013132
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations, music
System control number
(OCoLC)910309803
Label
The Oxford handbook of music and disability studies, edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Part 1: Disability Communities -- Part 2: Performing Disability -- Part 3: Race, Gender, Sexuality -- Part 4: War and Trauma -- Part 5: Premodern Conceptions -- Part 6: The Classical Tradition -- Part 7: Modernism and After -- Part 8: Film and Musical Theatre
  • Imagined hearing: music-making in deaf culture
  • Jeannette DiBernardo Jones
  • Musical expression among deaf and hearing song signers
  • Anabel Maler
  • The politics of sound: music and blindness in France, 1750-1830
  • Ingrid Sykes
  • "They say we exchanged our eyes for the xylophone": resisting tropes of disability as spiritual deviance in Birifor music
  • Brian Hogan
  • Understanding is seeing: music analysis and blindness
  • Shersten Johnson
  • Introduction:
  • Performing disability.
  • Mechanized bodies: technology and supplements in Björk's electronica
  • Jennifer Iverson
  • Subhuman or superhuman? (Musical) assistive technology, performance enhancement, and the aesthetic/moral debate
  • Laurie Stras
  • Disabling music performance
  • Blake Howe
  • Musical and bodily difference in Cirque du Soleil
  • Stephanie Jensen-Moulton
  • Punk rock and disability: cripping subculture
  • Disability studies in music, music in disability studies
  • George McKay
  • Moving experiences: blindness and the performing self in Imre Ungár's Chopin
  • Stefan Sunandan Honisch
  • Stevie Wonder's tactile keyboard mediation, black key compositional development, and the quest for creative autonomy
  • Will Fulton
  • Oh, the stories we tell! Performer-audience-disability
  • Michael Beckerman
  • The dancing ground: embodied knowledge, disability, and visibility in New Orleans second lines
  • Daniella Santoro
  • Race, gender, sexuality.
  • Blake How, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
  • A cannon-shaped man with an amphibian voice: castrato and disability in eighteenth-century France
  • Hedy Law
  • Sexuality, trauma, and dissociated expression
  • Fred Everett Maus
  • That "weird and wonderful posture": jump "Jim Crow" and the performance of disability
  • Sean Murray
  • Disabled moves: multidimensional music listening, disturbing/activating differences of identity
  • Marianne Kielian-Gilbert
  • War and trauma.
  • Disabled Union veterans and the performance of martial begging
  • Disability communities.
  • Michael Accinno
  • "Good bye, old arm": the domestication of veterans' disabilities in Civil War era popular songs
  • Devin Burke
  • "The absurd disordering of notes": dysfunctional memory in the post-traumatic music of Ivor Gurney
  • Beth Keyes
  • Vocal ability and musical performances of nuclear damages in the Marshall Islands
  • Jessica A. Schwartz
  • Premodern conceptions.
  • Lyrical humor(s) in the "fumeur" songs
  • Julie Singer
  • Toward an ethnographic model of disability, and human flourishing
  • Difference, disability, and composition in the late Middle Ages: of Antonio "Zachara" da Teramo and Francesco "Il Cieco" da Firenze
  • Michael Scott Cuthbert
  • Madness and music as (dis)ability in early modern England
  • Samantha Bassler
  • Saul, David, and music's ideal body
  • Blake Howe
  • The classical tradition.
  • Narratives of affliction and recovery in Haydn
  • Floyd Grave
  • Music and the labyrinth of melancholy: traditions and paradoxes in C.P.E. Bach and Beethoven
  • Michael B. Bakan
  • Elaine Sisman
  • Musical prosthesis: form, expression, and narrative structure in Beethoven's sonata movements
  • Bruce Quaglia
  • Sounds of mind: music and madness in the popular imagination
  • James Deaville
  • Modernism and after.
  • Modernist opera's stigmatized subjects
  • Sherry D. Lee
  • Autism and postwar serialism as neurodiverse forms of cultural modernism
  • Joseph Straus
  • Music, intellectual disability, and human flourishing
  • Broken facture: representations of disability in the music of Allan Pettersson
  • Allen Gimbel
  • Representing the extraordinary body: musical modernism's aesthetics of disability
  • Joseph Straus
  • "Defamiliarizing the familiar": Michael Nyman, narrative medicine, and the composition of mental blindness
  • Stephanie Jensen-Moulton
  • Film and musical theatre.
  • Scene in a new light: monstrous mothers, disabled daughters, and the performance of feminism and disability in The light in the piazza (2005) and Next to normal (2008)
  • Ann M. Fox
  • "Pitiful creature of darkness": the subhuman and the superhuman in The Phantom of the opera
  • Licia Carlson
  • Jessica Sternfeld
  • "Waitin' for the light to shine": musicals and disability
  • Raymond Knapp
  • Music for Olivier's Richard III: cinematic scoring for the early modern monstrous
  • Kendra Preston Leonard
  • Hearing a site of masculinity in Franz Waxman's score for Pride of the Marines (1945)
  • Neil Lerner
Control code
910309803
Dimensions
26 cm
Extent
xviii, 928 pages
Isbn
9780199331444
Lccn
2015013132
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations, music
System control number
(OCoLC)910309803

Library Locations

    • Copley LibraryBorrow it
      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
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