Coverart for item
The Resource The audience effect : on the collective cinema experience, Julian Hanich

The audience effect : on the collective cinema experience, Julian Hanich

Label
The audience effect : on the collective cinema experience
Title
The audience effect
Title remainder
on the collective cinema experience
Statement of responsibility
Julian Hanich
Creator
Author
Author
Subject
Genre
Language
eng
Summary
In this innovative book, Julian Hanich explores the subjectively lived experience of watching films together, to discover a fuller understanding of cinema as an art form and a social institution that matters to millions of people worldwide
Cataloging source
N$T
http://library.link/vocab/creatorDate
1975-
http://library.link/vocab/creatorName
Hanich, Julian
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Motion picture audiences
  • Motion picture audiences
  • Motion picture audiences
  • PSYCHOLOGY
  • HISTORY
  • Media Studies
  • Motion picture audiences
  • Motion picture audiences
  • Media Studies
Label
The audience effect : on the collective cinema experience, Julian Hanich
Instantiates
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 293-312) and indexes
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Quiet-attentive viewing: toward a typology of collective spectatorship, part I
  • 4.
  • Expressive-diverted viewing: toward a typology of collective spectatorship, part II
  • Part III. Medium shot: on the cinema's affective audience effects.
  • 5.
  • I, you, and we: investigating the cinema's affective audience interrelations
  • 6.
  • Feeling close: conceptualizing the cinema's affective we-experience
  • Part IV. Close-up: case studies of affective audience effects.
  • 7.
  • Part I. Establishing shot: definition and history.
  • Chuckle, chortle, cackle: a phenomenology of cinematic laughter
  • 8.
  • When viewers silently weep: a phenomenology of cinematic tears
  • 9.
  • Trouble every day: a phenomenology of cinematic anger
  • Part V. fade-out: conclusion.
  • 10.
  • The audience effect in the cinema and beyond
  • 1. Introduction:
  • What is the audience effect?
  • 2.
  • Excavating the audience effect: precursors in the history of film theory
  • Part II. Long shot: types of collective viewing.
  • Introductory notes
  • 3.
Control code
on1065537609
Dimensions
unknown
Extent
1 online resource (ix, 325 pages)
File format
unknown
Form of item
online
Isbn
9781474414975
Lccn
2017486795
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
  • 9781474414975
  • 22573/ctt1t6vbb2
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)1065537609
Label
The audience effect : on the collective cinema experience, Julian Hanich
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 293-312) and indexes
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Quiet-attentive viewing: toward a typology of collective spectatorship, part I
  • 4.
  • Expressive-diverted viewing: toward a typology of collective spectatorship, part II
  • Part III. Medium shot: on the cinema's affective audience effects.
  • 5.
  • I, you, and we: investigating the cinema's affective audience interrelations
  • 6.
  • Feeling close: conceptualizing the cinema's affective we-experience
  • Part IV. Close-up: case studies of affective audience effects.
  • 7.
  • Part I. Establishing shot: definition and history.
  • Chuckle, chortle, cackle: a phenomenology of cinematic laughter
  • 8.
  • When viewers silently weep: a phenomenology of cinematic tears
  • 9.
  • Trouble every day: a phenomenology of cinematic anger
  • Part V. fade-out: conclusion.
  • 10.
  • The audience effect in the cinema and beyond
  • 1. Introduction:
  • What is the audience effect?
  • 2.
  • Excavating the audience effect: precursors in the history of film theory
  • Part II. Long shot: types of collective viewing.
  • Introductory notes
  • 3.
Control code
on1065537609
Dimensions
unknown
Extent
1 online resource (ix, 325 pages)
File format
unknown
Form of item
online
Isbn
9781474414975
Lccn
2017486795
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
  • 9781474414975
  • 22573/ctt1t6vbb2
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)1065537609

Library Locations

    • Copley LibraryBorrow it
      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
Processing Feedback ...