The Resource The essential Sopranos reader, edited by David Lavery, Douglas L. Howard, and Paul Levinson ; foreword by David Bianculli
The essential Sopranos reader, edited by David Lavery, Douglas L. Howard, and Paul Levinson ; foreword by David Bianculli
Resource Information
The item The essential Sopranos reader, edited by David Lavery, Douglas L. Howard, and Paul Levinson ; foreword by David Bianculli represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item The essential Sopranos reader, edited by David Lavery, Douglas L. Howard, and Paul Levinson ; foreword by David Bianculli represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- The Sopranos is recognized as the most successful cable series in the history of television. The Washington Post has called the popular series, winner of twenty-one Emmys and five Golden Globes, "the television landmark that leaves other landmarks in the dust." In every aspect-narrative structure, visual artistry, writing, intertextuality, ensemble acting, controversial themes, dark humor, and unflinching examinations of American life-The Sopranos has had few equals. Offering a definitive final assessment of the series, The Essential Sopranos Reader aims to comprehensively examine the show's th
- Language
- eng
- Extent
- 1 online resource (xi, 392 pages)
- Contents
-
- Introduction
- The Sopranos, David Chase, HBO, and television. The Sopranos as tipping point in the second coming of HBO / Gary R. Edgerton
- From made men to Mad men: what Matthew Weiner learned from David Chase / David Lavery
- The Sopranos: if nothing Is real, you have overpaid for your carpet / Martha P. Nochimson
- Author(iz)ing Chase / Robin Nelson
- Characters. "Half a wiseguy": Paulie Walnuts, meet Tom Stoppard / Paul Wright
- Christopher, Osama, and A.J.: contemporary narcissism and terrorism in The Sopranos / Jason Jacobs
- "When it comes to daughters, all bets are off": the seductive father-daughter relationship of Tony and Meadow Soprano / Marisa Carroll
- Gendering The Sopranos. "Blabbermouth cunts", or, speaking in tongues: narrative crises for women in The Sopranos and feminist dilemmas / Kim Akass and Janet McCabe
- Honoring the social compact: the last temptation of Melfi / Nancy McGuire Roche
- A "finook" in the crew: Vito Spatafore, The Sopranos, and the queering of the Mafia genre / George De Stefano
- Cinematic Concerns. The producers: the dangers of filmmaking in The Sopranos / Cameron Golden
- Comfortably numb? The Sopranos, new brutalism, and the last temptation of Chris / Glen Creeber
- -- dreams and therapy. fishes and football coaches: the narrative necessity of dreams in the sopranos / Cynthia Burkhead
- From here to InFinnerty: Tony Soprano and the American Way / Terri Carney
- "Whatever Happened to Stop and Smell the Roses?": The Sopranos as anti-therapeutic narrative / David Pattie
- Ethnic and Social Concerns. Mangia Mafia! food, punishment, and cultural identity in The Sopranos / Michael M. Grynbaum
- The guinea as tragic hero: the complex representation of Italian Americans in The Sopranos / Frank P. Tomasulo
- "All Caucasians look alike": dreams of whiteness at the end of The Sopranos / Christopher Kocela
- Images of justice and The Sopranos. Representations of law and justice in The Sopranos: an introduction / Barbara Villez
- Lawyer-client relations as seen in The Sopranos / James M. Keneally
- "This isn't a negotiation": "getting to yes" with Tony Soprano / Sharon Sutherland and Sarah Swan
- The price of stereotype: the representation of the Mafia in Italy and the United States in The Sopranos / Antonio Ingroia
- The image of justice in The Sopranos / Fabio Licata
- Narrative and intertextuality. "Funny about God, and fate, and shit like that": the imminent unexpected in The Sopranos / Robert Piluso
- The Sopranos and history / Albert Auster
- Silence in The Sopranos / Steven Peacock
- Cut to black: the finale and the Sopranos legacy. "What's different between you and me": Carmela, the audience, and the end / Joseph S. Walker
- Unpredictable but inevitable: that last scene /
- Maurice yacowar
- no justice for all: the fbi, cut to black, and david chase's final hit / Douglas L. Howard
- The Sopranos and the closure junkies / Paul Levinson
- Acknowledgments
- Appendix a: characters
- Appendix b: episode guide
- Isbn
- 9781283135504
- Label
- The essential Sopranos reader
- Title
- The essential Sopranos reader
- Statement of responsibility
- edited by David Lavery, Douglas L. Howard, and Paul Levinson ; foreword by David Bianculli
- Language
- eng
- Summary
- The Sopranos is recognized as the most successful cable series in the history of television. The Washington Post has called the popular series, winner of twenty-one Emmys and five Golden Globes, "the television landmark that leaves other landmarks in the dust." In every aspect-narrative structure, visual artistry, writing, intertextuality, ensemble acting, controversial themes, dark humor, and unflinching examinations of American life-The Sopranos has had few equals. Offering a definitive final assessment of the series, The Essential Sopranos Reader aims to comprehensively examine the show's th
- Cataloging source
- N$T
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/relatedWorkOrContributorDate
-
- 1949-
- 1966-
- http://library.link/vocab/relatedWorkOrContributorName
-
- Lavery, David
- Howard, Douglas L.
- Levinson, Paul
- Series statement
- Essential readers in contemporary media and culture
- http://library.link/vocab/subjectName
-
- PERFORMING ARTS
- SOCIAL SCIENCE
- Label
- The essential Sopranos reader, edited by David Lavery, Douglas L. Howard, and Paul Levinson ; foreword by David Bianculli
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction -- The Sopranos, David Chase, HBO, and television. The Sopranos as tipping point in the second coming of HBO / Gary R. Edgerton -- From made men to Mad men: what Matthew Weiner learned from David Chase / David Lavery -- The Sopranos: if nothing Is real, you have overpaid for your carpet / Martha P. Nochimson -- Author(iz)ing Chase / Robin Nelson -- Characters. "Half a wiseguy": Paulie Walnuts, meet Tom Stoppard / Paul Wright -- Christopher, Osama, and A.J.: contemporary narcissism and terrorism in The Sopranos / Jason Jacobs -- "When it comes to daughters, all bets are off": the seductive father-daughter relationship of Tony and Meadow Soprano / Marisa Carroll -- Gendering The Sopranos. "Blabbermouth cunts", or, speaking in tongues: narrative crises for women in The Sopranos and feminist dilemmas / Kim Akass and Janet McCabe -- Honoring the social compact: the last temptation of Melfi / Nancy McGuire Roche -- A "finook" in the crew: Vito Spatafore, The Sopranos, and the queering of the Mafia genre / George De Stefano -- Cinematic Concerns. The producers: the dangers of filmmaking in The Sopranos / Cameron Golden -- Comfortably numb? The Sopranos, new brutalism, and the last temptation of Chris / Glen Creeber -- -- dreams and therapy. fishes and football coaches: the narrative necessity of dreams in the sopranos / Cynthia Burkhead -- From here to InFinnerty: Tony Soprano and the American Way / Terri Carney -- "Whatever Happened to Stop and Smell the Roses?": The Sopranos as anti-therapeutic narrative / David Pattie -- Ethnic and Social Concerns. Mangia Mafia! food, punishment, and cultural identity in The Sopranos / Michael M. Grynbaum -- The guinea as tragic hero: the complex representation of Italian Americans in The Sopranos / Frank P. Tomasulo -- "All Caucasians look alike": dreams of whiteness at the end of The Sopranos / Christopher Kocela -- Images of justice and The Sopranos. Representations of law and justice in The Sopranos: an introduction / Barbara Villez -- Lawyer-client relations as seen in The Sopranos / James M. Keneally -- "This isn't a negotiation": "getting to yes" with Tony Soprano / Sharon Sutherland and Sarah Swan -- The price of stereotype: the representation of the Mafia in Italy and the United States in The Sopranos / Antonio Ingroia -- The image of justice in The Sopranos / Fabio Licata -- Narrative and intertextuality. "Funny about God, and fate, and shit like that": the imminent unexpected in The Sopranos / Robert Piluso -- The Sopranos and history / Albert Auster -- Silence in The Sopranos / Steven Peacock -- Cut to black: the finale and the Sopranos legacy. "What's different between you and me": Carmela, the audience, and the end / Joseph S. Walker -- Unpredictable but inevitable: that last scene / -- Maurice yacowar -- no justice for all: the fbi, cut to black, and david chase's final hit / Douglas L. Howard -- The Sopranos and the closure junkies / Paul Levinson -- Acknowledgments -- Appendix a: characters -- Appendix b: episode guide
- Control code
- ocn739713784
- Dimensions
- unknown
- Extent
- 1 online resource (xi, 392 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9781283135504
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt2hfj6r
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)739713784
- Label
- The essential Sopranos reader, edited by David Lavery, Douglas L. Howard, and Paul Levinson ; foreword by David Bianculli
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction -- The Sopranos, David Chase, HBO, and television. The Sopranos as tipping point in the second coming of HBO / Gary R. Edgerton -- From made men to Mad men: what Matthew Weiner learned from David Chase / David Lavery -- The Sopranos: if nothing Is real, you have overpaid for your carpet / Martha P. Nochimson -- Author(iz)ing Chase / Robin Nelson -- Characters. "Half a wiseguy": Paulie Walnuts, meet Tom Stoppard / Paul Wright -- Christopher, Osama, and A.J.: contemporary narcissism and terrorism in The Sopranos / Jason Jacobs -- "When it comes to daughters, all bets are off": the seductive father-daughter relationship of Tony and Meadow Soprano / Marisa Carroll -- Gendering The Sopranos. "Blabbermouth cunts", or, speaking in tongues: narrative crises for women in The Sopranos and feminist dilemmas / Kim Akass and Janet McCabe -- Honoring the social compact: the last temptation of Melfi / Nancy McGuire Roche -- A "finook" in the crew: Vito Spatafore, The Sopranos, and the queering of the Mafia genre / George De Stefano -- Cinematic Concerns. The producers: the dangers of filmmaking in The Sopranos / Cameron Golden -- Comfortably numb? The Sopranos, new brutalism, and the last temptation of Chris / Glen Creeber -- -- dreams and therapy. fishes and football coaches: the narrative necessity of dreams in the sopranos / Cynthia Burkhead -- From here to InFinnerty: Tony Soprano and the American Way / Terri Carney -- "Whatever Happened to Stop and Smell the Roses?": The Sopranos as anti-therapeutic narrative / David Pattie -- Ethnic and Social Concerns. Mangia Mafia! food, punishment, and cultural identity in The Sopranos / Michael M. Grynbaum -- The guinea as tragic hero: the complex representation of Italian Americans in The Sopranos / Frank P. Tomasulo -- "All Caucasians look alike": dreams of whiteness at the end of The Sopranos / Christopher Kocela -- Images of justice and The Sopranos. Representations of law and justice in The Sopranos: an introduction / Barbara Villez -- Lawyer-client relations as seen in The Sopranos / James M. Keneally -- "This isn't a negotiation": "getting to yes" with Tony Soprano / Sharon Sutherland and Sarah Swan -- The price of stereotype: the representation of the Mafia in Italy and the United States in The Sopranos / Antonio Ingroia -- The image of justice in The Sopranos / Fabio Licata -- Narrative and intertextuality. "Funny about God, and fate, and shit like that": the imminent unexpected in The Sopranos / Robert Piluso -- The Sopranos and history / Albert Auster -- Silence in The Sopranos / Steven Peacock -- Cut to black: the finale and the Sopranos legacy. "What's different between you and me": Carmela, the audience, and the end / Joseph S. Walker -- Unpredictable but inevitable: that last scene / -- Maurice yacowar -- no justice for all: the fbi, cut to black, and david chase's final hit / Douglas L. Howard -- The Sopranos and the closure junkies / Paul Levinson -- Acknowledgments -- Appendix a: characters -- Appendix b: episode guide
- Control code
- ocn739713784
- Dimensions
- unknown
- Extent
- 1 online resource (xi, 392 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9781283135504
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt2hfj6r
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)739713784
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/The-essential-Sopranos-reader-edited-by-David/rzbvHrIteio/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/The-essential-Sopranos-reader-edited-by-David/rzbvHrIteio/">The essential Sopranos reader, edited by David Lavery, Douglas L. Howard, and Paul Levinson ; foreword by David Bianculli</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
