The Resource The ethnic eye : Latino media arts, Chon A. Noriega and Ana M. López, editors
The ethnic eye : Latino media arts, Chon A. Noriega and Ana M. López, editors
Resource Information
The item The ethnic eye : Latino media arts, Chon A. Noriega and Ana M. López, editors represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item The ethnic eye : Latino media arts, Chon A. Noriega and Ana M. López, editors represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Language
- eng
- Extent
- xxii, 289 p.
- Contents
-
- Drama queens: Latino gay and lesbian independent film/video
- Frances Negron-Muntaner
- Crossing invisible borders: Ramon Menendez's Stand and Deliver (1987)
- Ilene S. Goldman
- Reterritorializaiton in recent Chicano cinema: Edward James Olmos's American Me (1992)
- Kathleen Newman
- Introduction
- Chon A. Noriega and Ana M. Lopez
- Imagined borders: locating Chicano cinema in America/America
- Chon A. Noriega
- Moving from the margin to the center: Puerto Rican cinema in New York
- Lillian Jimenez
- Greater Cuba
- Ana M. Lopez
- Media destructionism: the digital/laser/videos of Raphael Montanez Ortiz
- Scott MacDonald
- Ethnic ingenuity and mainstream cinema: Robert Rodriguez's Bedhead (1990) and El Mariachi (1993)
- Charles Ramirez Berg
- Flaming Latinas: Ela Troyano's Carmelita Tropicana: Your Kunst is Your Waffen (1993)
- Jose Esteban Munoz
- Docudrag, or "realness" as a documentary strategy: Felix Rodriguez's One Moment in Time (1992)
- Marcos Becquer and Alisa Lebow
- From exile to ethnicity: Nestor Almendros and Orlando Jimenez-Leal's Improper Conduct (1984)
- Marvin D'Lugo
- Collaborative public art and multimedia installation: David Avalos, Louis Hock, and Elizabeth Sisco's Welcome to America's Finest Tourist Plantation (1988)
- C. Ondine Chavoya
- Mass media, site specificity, and the U.S.-Mexico border: Guillermo Gomez-Pena's Border Brujo (1988,1990)
- Claire F. Fox
- Forbidden kiss: Raul Ferrera-Balanquet and Enrique Novelo-Cascante's Merida Proscrita (1990)
- Christopher Ortiz
- (Re)constructing Chicana, Mestiza representation: Frances Salome Espana's Spitfire (1991)
- Carmen Huaco-Nuzum
- Isbn
- 9780816626755
- Label
- The ethnic eye : Latino media arts
- Title
- The ethnic eye
- Title remainder
- Latino media arts
- Statement of responsibility
- Chon A. Noriega and Ana M. López, editors
- Language
- eng
- Cataloging source
- DLC
- Government publication
- government publication of a state province territory dependency etc
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PN1995.9.L37
- LC item number
- E84 1996
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/relatedWorkOrContributorDate
- 1961-
- http://library.link/vocab/relatedWorkOrContributorName
-
- Noriega, Chon A.
- López, Ana M
- http://library.link/vocab/subjectName
-
- Latin Americans in motion pictures
- Hispanic Americans in motion pictures
- Motion pictures
- Motion pictures
- Motion picture producers and directors
- Hispanic American motion picture producers and directors
- Label
- The ethnic eye : Latino media arts, Chon A. Noriega and Ana M. López, editors
- Bibliography note
- Includes bibliographical references and index
- Contents
-
- Drama queens: Latino gay and lesbian independent film/video
- Frances Negron-Muntaner
- Crossing invisible borders: Ramon Menendez's Stand and Deliver (1987)
- Ilene S. Goldman
- Reterritorializaiton in recent Chicano cinema: Edward James Olmos's American Me (1992)
- Kathleen Newman
- Introduction
- Chon A. Noriega and Ana M. Lopez
- Imagined borders: locating Chicano cinema in America/America
- Chon A. Noriega
- Moving from the margin to the center: Puerto Rican cinema in New York
- Lillian Jimenez
- Greater Cuba
- Ana M. Lopez
- Media destructionism: the digital/laser/videos of Raphael Montanez Ortiz
- Scott MacDonald
- Ethnic ingenuity and mainstream cinema: Robert Rodriguez's Bedhead (1990) and El Mariachi (1993)
- Charles Ramirez Berg
- Flaming Latinas: Ela Troyano's Carmelita Tropicana: Your Kunst is Your Waffen (1993)
- Jose Esteban Munoz
- Docudrag, or "realness" as a documentary strategy: Felix Rodriguez's One Moment in Time (1992)
- Marcos Becquer and Alisa Lebow
- From exile to ethnicity: Nestor Almendros and Orlando Jimenez-Leal's Improper Conduct (1984)
- Marvin D'Lugo
- Collaborative public art and multimedia installation: David Avalos, Louis Hock, and Elizabeth Sisco's Welcome to America's Finest Tourist Plantation (1988)
- C. Ondine Chavoya
- Mass media, site specificity, and the U.S.-Mexico border: Guillermo Gomez-Pena's Border Brujo (1988,1990)
- Claire F. Fox
- Forbidden kiss: Raul Ferrera-Balanquet and Enrique Novelo-Cascante's Merida Proscrita (1990)
- Christopher Ortiz
- (Re)constructing Chicana, Mestiza representation: Frances Salome Espana's Spitfire (1991)
- Carmen Huaco-Nuzum
- Control code
- 33282038
- Dimensions
- 24 cm
- Extent
- xxii, 289 p.
- Isbn
- 9780816626755
- Isbn Type
- (pb : acid-free paper)
- Lccn
- 95044107
- Other physical details
- ill.
- Label
- The ethnic eye : Latino media arts, Chon A. Noriega and Ana M. López, editors
- Bibliography note
- Includes bibliographical references and index
- Contents
-
- Drama queens: Latino gay and lesbian independent film/video
- Frances Negron-Muntaner
- Crossing invisible borders: Ramon Menendez's Stand and Deliver (1987)
- Ilene S. Goldman
- Reterritorializaiton in recent Chicano cinema: Edward James Olmos's American Me (1992)
- Kathleen Newman
- Introduction
- Chon A. Noriega and Ana M. Lopez
- Imagined borders: locating Chicano cinema in America/America
- Chon A. Noriega
- Moving from the margin to the center: Puerto Rican cinema in New York
- Lillian Jimenez
- Greater Cuba
- Ana M. Lopez
- Media destructionism: the digital/laser/videos of Raphael Montanez Ortiz
- Scott MacDonald
- Ethnic ingenuity and mainstream cinema: Robert Rodriguez's Bedhead (1990) and El Mariachi (1993)
- Charles Ramirez Berg
- Flaming Latinas: Ela Troyano's Carmelita Tropicana: Your Kunst is Your Waffen (1993)
- Jose Esteban Munoz
- Docudrag, or "realness" as a documentary strategy: Felix Rodriguez's One Moment in Time (1992)
- Marcos Becquer and Alisa Lebow
- From exile to ethnicity: Nestor Almendros and Orlando Jimenez-Leal's Improper Conduct (1984)
- Marvin D'Lugo
- Collaborative public art and multimedia installation: David Avalos, Louis Hock, and Elizabeth Sisco's Welcome to America's Finest Tourist Plantation (1988)
- C. Ondine Chavoya
- Mass media, site specificity, and the U.S.-Mexico border: Guillermo Gomez-Pena's Border Brujo (1988,1990)
- Claire F. Fox
- Forbidden kiss: Raul Ferrera-Balanquet and Enrique Novelo-Cascante's Merida Proscrita (1990)
- Christopher Ortiz
- (Re)constructing Chicana, Mestiza representation: Frances Salome Espana's Spitfire (1991)
- Carmen Huaco-Nuzum
- Control code
- 33282038
- Dimensions
- 24 cm
- Extent
- xxii, 289 p.
- Isbn
- 9780816626755
- Isbn Type
- (pb : acid-free paper)
- Lccn
- 95044107
- Other physical details
- ill.
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/The-ethnic-eye--Latino-media-arts-Chon-A./Kv0Eol9Ny9M/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/The-ethnic-eye--Latino-media-arts-Chon-A./Kv0Eol9Ny9M/">The ethnic eye : Latino media arts, Chon A. Noriega and Ana M. López, editors</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
