The Resource The extinct scene : late modernism and everyday life, Thomas S. Davis
The extinct scene : late modernism and everyday life, Thomas S. Davis
Resource Information
The item The extinct scene : late modernism and everyday life, Thomas S. Davis represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item The extinct scene : late modernism and everyday life, Thomas S. Davis represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- In 1935, the English novelist Stephen Spender wrote that the historical pressures of his era should "turn the reader's and writer's attention outwards from himself to the world." Combining historical, formalist, and archival approaches, Thomas S. Davis examines late modernism's decisive turn toward everyday life, locating in the heightened scrutiny of details, textures, and experiences an intimate attempt to conceptualize geopolitical disorder. The Extinct Scene reads a range of mid-century texts, films, and phenomena that reflect the decline of the British Empire and seismic shifts in the global political order. Davis follows the rise of documentary film culture and the British Documentary Film Movement, especially the work of John Grierson, Humphrey Jennings, and Basil Wright. He then considers the influence of late modernist periodical culture on social attitudes and customs, and, through a more nuanced understanding of the period, conducts original analyses of novels by Virginia Woolf, Christopher Isherwood, and Colin MacInnes; the interwar travel narratives of W.H. Auden, Christopher Isherwood, and George Orwell; the wartime gothic fiction of Elizabeth Bowen; the putry of H.D.; the sketches of Henry Moore; and the postimperial Anglophone Caribbean works of Vic Reid, Sam Selvon, and George Lamming. By considering this varied group of writers, artists, and cultural leaders, Davis recasts late modernism as an art of scale: by detailing the particulars of everyday life, the movement could better project the large-scale undoing of history
- Language
- eng
- Extent
- 1 online resource (xi, 307 pages)
- Contents
-
- Introduction: Late modernism and the outward turn
- The last snapshot of the British intelligentsia: documentary, mass-observation and the fate of the liberal avant-garde
- The historical novel at history's end
- Late modernism's geopolitical imagination: everyday life in the global hot zones
- War gothic
- "It is de age of colonial concern": vernacular fictions and political belonging
- Epilogue: "appointments to keep in the past."
- Isbn
- 9780231537889
- Label
- The extinct scene : late modernism and everyday life
- Title
- The extinct scene
- Title remainder
- late modernism and everyday life
- Statement of responsibility
- Thomas S. Davis
- Subject
-
- Electronic books
- England
- English literature
- English literature -- 20th century -- History and criticism
- Great Britain
- History
- LITERARY CRITICISM -- European | English, Irish, Scottish, Welsh
- Literary criticism
- Literary criticism
- Literature and society
- Literature and society -- England -- History -- 20th century
- Modernism (Literature)
- Modernism (Literature) -- Great Britain
- 1900-1999
- Criticism, interpretation, etc
- Language
- eng
- Summary
- In 1935, the English novelist Stephen Spender wrote that the historical pressures of his era should "turn the reader's and writer's attention outwards from himself to the world." Combining historical, formalist, and archival approaches, Thomas S. Davis examines late modernism's decisive turn toward everyday life, locating in the heightened scrutiny of details, textures, and experiences an intimate attempt to conceptualize geopolitical disorder. The Extinct Scene reads a range of mid-century texts, films, and phenomena that reflect the decline of the British Empire and seismic shifts in the global political order. Davis follows the rise of documentary film culture and the British Documentary Film Movement, especially the work of John Grierson, Humphrey Jennings, and Basil Wright. He then considers the influence of late modernist periodical culture on social attitudes and customs, and, through a more nuanced understanding of the period, conducts original analyses of novels by Virginia Woolf, Christopher Isherwood, and Colin MacInnes; the interwar travel narratives of W.H. Auden, Christopher Isherwood, and George Orwell; the wartime gothic fiction of Elizabeth Bowen; the putry of H.D.; the sketches of Henry Moore; and the postimperial Anglophone Caribbean works of Vic Reid, Sam Selvon, and George Lamming. By considering this varied group of writers, artists, and cultural leaders, Davis recasts late modernism as an art of scale: by detailing the particulars of everyday life, the movement could better project the large-scale undoing of history
- Cataloging source
- N$T
- http://library.link/vocab/creatorName
- Davis, Thomas S.
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- Modernist Latitudes
- http://library.link/vocab/subjectName
-
- English literature
- Modernism (Literature)
- Literature and society
- LITERARY CRITICISM
- English literature
- Literature and society
- Modernism (Literature)
- England
- Great Britain
- Label
- The extinct scene : late modernism and everyday life, Thomas S. Davis
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: Late modernism and the outward turn -- The last snapshot of the British intelligentsia: documentary, mass-observation and the fate of the liberal avant-garde -- The historical novel at history's end -- Late modernism's geopolitical imagination: everyday life in the global hot zones -- War gothic -- "It is de age of colonial concern": vernacular fictions and political belonging -- Epilogue: "appointments to keep in the past."
- Control code
- ocn929851448
- Dimensions
- unknown
- Extent
- 1 online resource (xi, 307 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780231537889
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
-
- 22573/ctt14d2zrj
- ea4726c9-ef77-485f-a27f-7cded5552c3f
- Publisher number
- EB00662830
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)929851448
- Label
- The extinct scene : late modernism and everyday life, Thomas S. Davis
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: Late modernism and the outward turn -- The last snapshot of the British intelligentsia: documentary, mass-observation and the fate of the liberal avant-garde -- The historical novel at history's end -- Late modernism's geopolitical imagination: everyday life in the global hot zones -- War gothic -- "It is de age of colonial concern": vernacular fictions and political belonging -- Epilogue: "appointments to keep in the past."
- Control code
- ocn929851448
- Dimensions
- unknown
- Extent
- 1 online resource (xi, 307 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780231537889
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
-
- 22573/ctt14d2zrj
- ea4726c9-ef77-485f-a27f-7cded5552c3f
- Publisher number
- EB00662830
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)929851448
Subject
- Electronic books
- England
- English literature
- English literature -- 20th century -- History and criticism
- Great Britain
- History
- LITERARY CRITICISM -- European | English, Irish, Scottish, Welsh
- Literary criticism
- Literary criticism
- Literature and society
- Literature and society -- England -- History -- 20th century
- Modernism (Literature)
- Modernism (Literature) -- Great Britain
- 1900-1999
- Criticism, interpretation, etc
Genre
Member of
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/The-extinct-scene--late-modernism-and-everyday/AM3AHPIHDvk/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/The-extinct-scene--late-modernism-and-everyday/AM3AHPIHDvk/">The extinct scene : late modernism and everyday life, Thomas S. Davis</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>