Coverart for item
The Resource The philosophy of the Coen brothers, edited by Mark T. Conard

The philosophy of the Coen brothers, edited by Mark T. Conard

Label
The philosophy of the Coen brothers
Title
The philosophy of the Coen brothers
Statement of responsibility
edited by Mark T. Conard
Title variation
Coen brothers
Contributor
Editor
Subject
Genre
Language
eng
Summary
Many critics agree that Joel and Ethan Coen are one of the most visionary and idiosyncratic filmmaking teams of the last three decades. Combining thoughtful eccentricity, wry humor, irony, and often brutal violence, the Coen brothers have crafted a style of filmmaking that pays tribute to classic American movie genres yet maintains a distinctly postmodern feel. Since arriving on the film scene, the Coens have amassed an impressive body of work that has garnered them critical acclaim and a devoted cult following. From Raising Arizona and Fargo to O Brother, Where Art Thou? and No Country for Ol
Member of
Action
digitized
Cataloging source
N$T
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1965-
http://library.link/vocab/relatedWorkOrContributorName
Conard, Mark T.
Series statement
The philosophy of popular culture
http://library.link/vocab/subjectName
  • Coen, Joel
  • Coen, Ethan
  • Coen, Ethan
  • Coen, Joel
  • PERFORMING ARTS
  • PHILOSOPHY
  • Fine Arts
  • Music, Dance, Drama & Film
  • Film
Label
The philosophy of the Coen brothers, edited by Mark T. Conard
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
not applicable
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Cover Page; Title Page; Copyright Page; Contents; Acknowledgments; Introduction; Part -- 1: The Coen Brand of Comedy and Tragedy; Part -- 2: Ethics: Shame, Justice, and Virtue; Part -- 3: Postmodernity, Interpretation, and the Construction of History; Part -- 4: Existentialism, Alienation, and Despair; List of Contributors; Index
  • Deceit, desire, and dark comedy : postmodern dead ends in Blood simple
  • Alan Woolfolk
  • "And it's such a beautiful day!" : shame and Fargo
  • Rebecca Hanrahan and David Stearns
  • Justice, power, and love : the political philosophy of Intolerable cruelty
  • Shai Biderman and William J. Devlin
  • Ethics, heart, and violence in Miller's Crossing
  • Bradley L. Herling
  • "Takin' 'er easy for all us sinners" : laziness as a virtue in The big Lebowski
  • Matthew K. Douglass and Jerry L. Walls
  • Raising Arizona as an American comedy
  • No country for old men as moral philosophy
  • Douglas McFarland
  • Heidegger and the problem of interpretation in Barton Fink
  • Mark T. Conard
  • The past is now : history and The Hudsucker proxy
  • Paul Coughlin
  • "A homespun murder story" : film noir and the problem of modernity in Fargo
  • Jerold J. Abrams
  • "What kind of man are you?" : the Coen brothers and existentialist role playing
  • Richard Gaughran
  • Richard Gilmore
  • Being the barber : Kierkegaardian despair in The man who wasn't there
  • Karen D. Hoffman
  • Thinking beyond the failed community : Blood simple and The man who wasn't there
  • R. Barton Palmer
  • The human comedy perpetuates itself : nihilism and comedy in Coen neo-noir
  • Thomas S. Hibbs
  • Philosophies of comedy in O brother, where art thou?
  • Douglas McFarland
  • No country for old men : the Coens' tragic western
  • Richard Gilmore
Control code
ocn309975839
Dimensions
unknown
Extent
1 online resource (vii, 296 pages)
File format
unknown
Form of item
online
Isbn
9780813138695
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
http://library.link/vocab/ext/overdrive/overdriveId
  • 22573/ctt2hg5nh
  • 2326930a-8099-4a51-b7c1-103c78aedfa7
Quality assurance targets
not applicable
Reformatting quality
unknown
Reproduction note
Electronic reproduction.
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)309975839
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Label
The philosophy of the Coen brothers, edited by Mark T. Conard
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
not applicable
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Cover Page; Title Page; Copyright Page; Contents; Acknowledgments; Introduction; Part -- 1: The Coen Brand of Comedy and Tragedy; Part -- 2: Ethics: Shame, Justice, and Virtue; Part -- 3: Postmodernity, Interpretation, and the Construction of History; Part -- 4: Existentialism, Alienation, and Despair; List of Contributors; Index
  • Deceit, desire, and dark comedy : postmodern dead ends in Blood simple
  • Alan Woolfolk
  • "And it's such a beautiful day!" : shame and Fargo
  • Rebecca Hanrahan and David Stearns
  • Justice, power, and love : the political philosophy of Intolerable cruelty
  • Shai Biderman and William J. Devlin
  • Ethics, heart, and violence in Miller's Crossing
  • Bradley L. Herling
  • "Takin' 'er easy for all us sinners" : laziness as a virtue in The big Lebowski
  • Matthew K. Douglass and Jerry L. Walls
  • Raising Arizona as an American comedy
  • No country for old men as moral philosophy
  • Douglas McFarland
  • Heidegger and the problem of interpretation in Barton Fink
  • Mark T. Conard
  • The past is now : history and The Hudsucker proxy
  • Paul Coughlin
  • "A homespun murder story" : film noir and the problem of modernity in Fargo
  • Jerold J. Abrams
  • "What kind of man are you?" : the Coen brothers and existentialist role playing
  • Richard Gaughran
  • Richard Gilmore
  • Being the barber : Kierkegaardian despair in The man who wasn't there
  • Karen D. Hoffman
  • Thinking beyond the failed community : Blood simple and The man who wasn't there
  • R. Barton Palmer
  • The human comedy perpetuates itself : nihilism and comedy in Coen neo-noir
  • Thomas S. Hibbs
  • Philosophies of comedy in O brother, where art thou?
  • Douglas McFarland
  • No country for old men : the Coens' tragic western
  • Richard Gilmore
Control code
ocn309975839
Dimensions
unknown
Extent
1 online resource (vii, 296 pages)
File format
unknown
Form of item
online
Isbn
9780813138695
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
http://library.link/vocab/ext/overdrive/overdriveId
  • 22573/ctt2hg5nh
  • 2326930a-8099-4a51-b7c1-103c78aedfa7
Quality assurance targets
not applicable
Reformatting quality
unknown
Reproduction note
Electronic reproduction.
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)309975839
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

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      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
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