Coverart for item
The Resource The voice of technology : Soviet cinema's transition to sound, 1928-1935, Lilya Kaganovsky

The voice of technology : Soviet cinema's transition to sound, 1928-1935, Lilya Kaganovsky

Label
The voice of technology : Soviet cinema's transition to sound, 1928-1935
Title
The voice of technology
Title remainder
Soviet cinema's transition to sound, 1928-1935
Statement of responsibility
Lilya Kaganovsky
Creator
Author
Subject
Genre
Language
eng
Summary
As cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialist Realism. In The Voice of Technology: Soviet Cinema's Transition to Sound, 1928-1935, Lilya Kaganovsky explores the history, practice, technology, ideology, aesthetics, and politics of the transition to sound within the context of larger issues in Soviet media history. Industrialization and centralization of the cinema industry greatly altered the way movies in the Soviet Union were made, while the introduction of sound radically influenced the way these movies were received. Kaganovsky argues that the coming of sound changed the Soviet cinema industry by making audible, for the first time, the voice of State power, directly addressing the Soviet viewer. By exploring numerous examples of films from this transitional period, Kaganovsky demonstrates the importance of the new technology of sound in producing and imposing the "Soviet Voice."
Cataloging source
JSTOR
http://library.link/vocab/creatorName
Kaganovsky, Lilya
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Sound motion pictures
  • Motion pictures
  • Motion picture industry
  • Motion pictures
  • PERFORMING ARTS
  • Motion picture industry
  • Motion pictures
  • Motion pictures
  • Sound motion pictures
  • Soviet Union
Label
The voice of technology : Soviet cinema's transition to sound, 1928-1935, Lilya Kaganovsky
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Cover; THE VOICE OF TECHNOLOGY; Title; Copyright; Dedication; CONTENTS; Acknowledgments; Note on Translation and Transliteration; Prologue; Introduction: The Long Transition: Soviet Cinema and the Coming of Sound; one The Voice of Technology and the End of Soviet Silent Film: Grigori Kozintsev and Leonid Traubergâ#x80;#x99;s Alone; two The Materiality of Sound: Dziga Vertovâ#x80;#x99;s Enthusiasm and Esfir Shubâ#x80;#x99;s K. Sh. E.; three The Homogeneous Thinking Subject, or Soviet Cinema Learns to Sing: Igor Savchenkoâ#x80;#x99;s The Accordion
  • Four Multilingualism and Heteroglossia in Aleksandr Dovzhenkoâ#x80;#x99;s Ivan and Aerogradfive â#x80;#x9C;Les Silences de la voixâ#x80;#x9D;: Dziga Vertovâ#x80;#x99;s Three Songs of Lenin; Conclusion: Socialist Realist Sound; Works Cited; Index
Control code
on1028050194
Dimensions
unknown
Extent
1 online resource
File format
unknown
Form of item
online
Isbn
9780253033000
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt213cp8z
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)1028050194
Label
The voice of technology : Soviet cinema's transition to sound, 1928-1935, Lilya Kaganovsky
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Cover; THE VOICE OF TECHNOLOGY; Title; Copyright; Dedication; CONTENTS; Acknowledgments; Note on Translation and Transliteration; Prologue; Introduction: The Long Transition: Soviet Cinema and the Coming of Sound; one The Voice of Technology and the End of Soviet Silent Film: Grigori Kozintsev and Leonid Traubergâ#x80;#x99;s Alone; two The Materiality of Sound: Dziga Vertovâ#x80;#x99;s Enthusiasm and Esfir Shubâ#x80;#x99;s K. Sh. E.; three The Homogeneous Thinking Subject, or Soviet Cinema Learns to Sing: Igor Savchenkoâ#x80;#x99;s The Accordion
  • Four Multilingualism and Heteroglossia in Aleksandr Dovzhenkoâ#x80;#x99;s Ivan and Aerogradfive â#x80;#x9C;Les Silences de la voixâ#x80;#x9D;: Dziga Vertovâ#x80;#x99;s Three Songs of Lenin; Conclusion: Socialist Realist Sound; Works Cited; Index
Control code
on1028050194
Dimensions
unknown
Extent
1 online resource
File format
unknown
Form of item
online
Isbn
9780253033000
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt213cp8z
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)1028050194

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