The Resource Theorizing sound writing, edited by Deborah Kapchan
Theorizing sound writing, edited by Deborah Kapchan
Resource Information
The item Theorizing sound writing, edited by Deborah Kapchan represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Theorizing sound writing, edited by Deborah Kapchan represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- An eclectic and experimental exploration of sound from the vantage point of writing
- Language
- eng
- Extent
- viii, 319 pages
- Contents
-
- Acoustic palimpsests
- J. Martin Daughtry ;
- 3.
- Writing the magnified musicking moment
- Michele Kisliuk
- Part Two.
- Memoir and metaphor as method.
- 4.
- Listening to resonant words
- Alex Waterman ;
- The splash of Icarus : theorizing sound writing/Writing sound theory
- 5.
- Sound commitments : extraordinary stories
- Tomie Hahn ;
- 6.
- Traffic patterns
- David Henderson ;
- 7.
- In my solitude : jazz song as "Sound Writing"
- Carol Muller
- Part Three.
- Deborah Kapchan
- Theorizing sound writing.
- 8.
- Women out loud : religious performance in Islamic Indonesia
- Anne K. Rasmussen ;
- 9.
- "Where the transcendent breaks into time" : toward a theology of sound in Afro-Cuban Regla de Ochá
- Katherine Johanna Hagedorn ;
- 10.
- Almost imperceptible rhythms and stuff like that : the power of affect in live performance
- Ana Pais
- Part One.
- Part Four.
- Listening and witness.
- 11.
- Deadly soundscapes : scripts of lethal force and Lo-Fi death
- Deborah Wong ;
- 12.
- Listening acts : witnessing the pain (and praise) of others
- Deborah Kapchan
- Afterword : sound properties of the written word
- Michael Jackson
- Writing sound theory.
- 1.
- Musicology, performativity, acoustemology
- Suzanne G. Cusick ;
- 2.
- Isbn
- 9780819576651
- Label
- Theorizing sound writing
- Title
- Theorizing sound writing
- Statement of responsibility
- edited by Deborah Kapchan
- Language
- eng
- Summary
- An eclectic and experimental exploration of sound from the vantage point of writing
- Cataloging source
- DLC
- Illustrations
- illustrations
- Index
- index present
- LC call number
- ML3797
- LC item number
- .T46 2017
- Literary form
- non fiction
- Nature of contents
-
- bibliography
- discographies
- filmographies
- http://library.link/vocab/relatedWorkOrContributorName
- Kapchan, Deborah A.
- Series statement
- Music/culture
- http://library.link/vocab/subjectName
-
- Musicology
- Ethnomusicology
- Sound (Philosophy)
- Ethnomusicology
- Musicology
- Sound (Philosophy)
- Label
- Theorizing sound writing, edited by Deborah Kapchan
- Bibliography note
- Includes bibliographical references, discographies, filmographies, and index
- Carrier category
- volume
- Carrier category code
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Acoustic palimpsests
- J. Martin Daughtry ;
- 3.
- Writing the magnified musicking moment
- Michele Kisliuk
- Part Two.
- Memoir and metaphor as method.
- 4.
- Listening to resonant words
- Alex Waterman ;
- The splash of Icarus : theorizing sound writing/Writing sound theory
- 5.
- Sound commitments : extraordinary stories
- Tomie Hahn ;
- 6.
- Traffic patterns
- David Henderson ;
- 7.
- In my solitude : jazz song as "Sound Writing"
- Carol Muller
- Part Three.
- Deborah Kapchan
- Theorizing sound writing.
- 8.
- Women out loud : religious performance in Islamic Indonesia
- Anne K. Rasmussen ;
- 9.
- "Where the transcendent breaks into time" : toward a theology of sound in Afro-Cuban Regla de Ochá
- Katherine Johanna Hagedorn ;
- 10.
- Almost imperceptible rhythms and stuff like that : the power of affect in live performance
- Ana Pais
- Part One.
- Part Four.
- Listening and witness.
- 11.
- Deadly soundscapes : scripts of lethal force and Lo-Fi death
- Deborah Wong ;
- 12.
- Listening acts : witnessing the pain (and praise) of others
- Deborah Kapchan
- Afterword : sound properties of the written word
- Michael Jackson
- Writing sound theory.
- 1.
- Musicology, performativity, acoustemology
- Suzanne G. Cusick ;
- 2.
- Control code
- 957223382
- Dimensions
- 23 cm
- Extent
- viii, 319 pages
- Isbn
- 9780819576651
- Lccn
- 2016030957
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
- n
- Other physical details
- illustrations
- System control number
- (OCoLC)957223382
- Label
- Theorizing sound writing, edited by Deborah Kapchan
- Bibliography note
- Includes bibliographical references, discographies, filmographies, and index
- Carrier category
- volume
- Carrier category code
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Acoustic palimpsests
- J. Martin Daughtry ;
- 3.
- Writing the magnified musicking moment
- Michele Kisliuk
- Part Two.
- Memoir and metaphor as method.
- 4.
- Listening to resonant words
- Alex Waterman ;
- The splash of Icarus : theorizing sound writing/Writing sound theory
- 5.
- Sound commitments : extraordinary stories
- Tomie Hahn ;
- 6.
- Traffic patterns
- David Henderson ;
- 7.
- In my solitude : jazz song as "Sound Writing"
- Carol Muller
- Part Three.
- Deborah Kapchan
- Theorizing sound writing.
- 8.
- Women out loud : religious performance in Islamic Indonesia
- Anne K. Rasmussen ;
- 9.
- "Where the transcendent breaks into time" : toward a theology of sound in Afro-Cuban Regla de Ochá
- Katherine Johanna Hagedorn ;
- 10.
- Almost imperceptible rhythms and stuff like that : the power of affect in live performance
- Ana Pais
- Part One.
- Part Four.
- Listening and witness.
- 11.
- Deadly soundscapes : scripts of lethal force and Lo-Fi death
- Deborah Wong ;
- 12.
- Listening acts : witnessing the pain (and praise) of others
- Deborah Kapchan
- Afterword : sound properties of the written word
- Michael Jackson
- Writing sound theory.
- 1.
- Musicology, performativity, acoustemology
- Suzanne G. Cusick ;
- 2.
- Control code
- 957223382
- Dimensions
- 23 cm
- Extent
- viii, 319 pages
- Isbn
- 9780819576651
- Lccn
- 2016030957
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
- n
- Other physical details
- illustrations
- System control number
- (OCoLC)957223382
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Theorizing-sound-writing-edited-by-Deborah/vDL3fjXsQR8/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Theorizing-sound-writing-edited-by-Deborah/vDL3fjXsQR8/">Theorizing sound writing, edited by Deborah Kapchan</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
