Coverart for item
The Resource Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource)

Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource)

Label
Tonality as drama : closure and interruption in four twentieth-century American operas
Title
Tonality as drama
Title remainder
closure and interruption in four twentieth-century American operas
Statement of responsibility
Edward D. Latham
Creator
Contributor
Subject
Genre
Language
eng
Cataloging source
CaPaEBR
http://library.link/vocab/creatorName
Latham, Edward David
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • standards specifications
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
ebrary, Inc
http://library.link/vocab/subjectName
  • Joplin, Scott
  • Weill, Kurt
  • Gershwin, George
  • Copland, Aaron
  • Operas
  • Opera
Label
Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource)
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. 193-210) and index
Color
multicolored
Contents
Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954)
Control code
ebr10383995
Dimensions
24 cm
Dimensions
unknown
Extent
xv, 221 p.
Form of item
electronic
Other physical details
ill.
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)647923278
Label
Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource)
Publication
Bibliography note
Includes bibliographical references (p. 193-210) and index
Color
multicolored
Contents
Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954)
Control code
ebr10383995
Dimensions
24 cm
Dimensions
unknown
Extent
xv, 221 p.
Form of item
electronic
Other physical details
ill.
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)647923278

Library Locations

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      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
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