The Resource Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource)
Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource)
Resource Information
The item Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource) represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource) represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Extent
- xv, 221 p.
- Contents
-
- Tonality as drama: an introduction
- Dramatic closure: the Stanislavsky system and the attainment of character objectives
- Tonal closure: a Schenkerian approach to tonal drama
- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911)
- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935)
- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947)
- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954)
- Label
- Tonality as drama : closure and interruption in four twentieth-century American operas
- Title
- Tonality as drama
- Title remainder
- closure and interruption in four twentieth-century American operas
- Statement of responsibility
- Edward D. Latham
- Language
- eng
- Cataloging source
- CaPaEBR
- http://library.link/vocab/creatorName
- Latham, Edward David
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- standards specifications
- bibliography
- http://library.link/vocab/relatedWorkOrContributorName
- ebrary, Inc
- http://library.link/vocab/subjectName
-
- Joplin, Scott
- Weill, Kurt
- Gershwin, George
- Copland, Aaron
- Operas
- Opera
- Label
- Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource)
- Bibliography note
- Includes bibliographical references (p. 193-210) and index
- Color
- multicolored
- Contents
- Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954)
- Control code
- ebr10383995
- Dimensions
- 24 cm
- Dimensions
- unknown
- Extent
- xv, 221 p.
- Form of item
- electronic
- Other physical details
- ill.
- Reproduction note
- Electronic reproduction.
- Specific material designation
- remote
- System control number
- (OCoLC)647923278
- Label
- Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource)
- Bibliography note
- Includes bibliographical references (p. 193-210) and index
- Color
- multicolored
- Contents
- Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954)
- Control code
- ebr10383995
- Dimensions
- 24 cm
- Dimensions
- unknown
- Extent
- xv, 221 p.
- Form of item
- electronic
- Other physical details
- ill.
- Reproduction note
- Electronic reproduction.
- Specific material designation
- remote
- System control number
- (OCoLC)647923278
Library Links
Embed
Settings
Select options that apply then copy and paste the RDF/HTML data fragment to include in your application
Embed this data in a secure (HTTPS) page:
Layout options:
Include data citation:
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Tonality-as-drama--closure-and-interruption-in/owG7OYCaLcs/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Tonality-as-drama--closure-and-interruption-in/owG7OYCaLcs/">Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource)</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
Note: Adjust the width and height settings defined in the RDF/HTML code fragment to best match your requirements
Preview
Cite Data - Experimental
Data Citation of the Item Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource)
Copy and paste the following RDF/HTML data fragment to cite this resource
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Tonality-as-drama--closure-and-interruption-in/owG7OYCaLcs/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Tonality-as-drama--closure-and-interruption-in/owG7OYCaLcs/">Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource)</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
