Coverart for item
The Resource Transnational encounters : music and performance at the U.S.-Mexico border, edited by Alejandro L. Madrid

Transnational encounters : music and performance at the U.S.-Mexico border, edited by Alejandro L. Madrid

Label
Transnational encounters : music and performance at the U.S.-Mexico border
Title
Transnational encounters
Title remainder
music and performance at the U.S.-Mexico border
Statement of responsibility
edited by Alejandro L. Madrid
Contributor
Subject
Language
eng
Cataloging source
DLC
Illustrations
  • illustrations
  • maps
Index
index present
LC call number
ML3476
LC item number
.T73 2011
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
Madrid, Alejandro L
http://library.link/vocab/subjectName
  • Popular music
  • Folk music
  • Music
  • Grenzgebiet
  • Kulturkontakt
  • Musik
  • Nationalität
  • Grenzgebiet
  • Kulturkontakt
  • Musik
  • Nationalität
  • Constitutional law
  • Constitutional law
  • Constitutional law
  • Constitutional law
Label
Transnational encounters : music and performance at the U.S.-Mexico border, edited by Alejandro L. Madrid
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Mariachi reimaginings : encounters with technology, aesthetics, and identity
  • Donald Henriques
  • "This is our música, guy!": Tejanos and ethno/regional musical nationalism
  • José E. Limón
  • Indigeneity and modernity.
  • Re-localized rap and its representation of the hombre digno
  • Helena Simonett
  • Waila as transnational practice
  • Joan Titus
  • Cultural citizenship and rights.
  • Border meanings.
  • Transnational identity, the singing of spirituals, and the performance of blackness among Moscogos
  • Alejandro L. Madrid
  • Transnational cultural constructions : cumbia music and the making of locality in Monterrey
  • Jesus A. Ramos-Kittrell
  • Patriotic citizenship, the border wall, and the "El Veterano" Conjunto Festival
  • Margaret E. Dorsey and Miguel Díaz-Barriga
  • Trans-border cosmopolitan audiotopias.
  • The Tijuana sound : brass, blues and the border of the 1960s
  • Josh Kun
  • La avanzada regia : Monterrey's alternative music scene and the aesthetics of transnationalism
  • Reggae on the border : the possibilities of a frontera soundscape
  • Ignacio Corona
  • Contested identities.
  • New Mexico and 'Manitos at the borderlands of popular music in greater Mexico
  • Brenda M. Romero
  • "Todos me llaman El Gringo" : place, identity, and erasure within the New Mexico Hispano music scene
  • Lillian Gorman
  • Performing locality and gender.
  • From pistol-packing pelado to border crossing mojado : El Piporro and the making of a "Mexican" border space
  • Cathy Ragland
  • Dancing reggaetón with cowboy boots
  • Luis Alvarez
  • Ramón H. Rivera-Servera
  • Breaking borders/quebrando fronteras : dancing in the borderscape
  • Sydney Hutchinson
  • Narcocorridos : narratives of a cultural persona and power on the border
  • Mark C. Edberg
  • Nationalisms.
Control code
695560230
Dimensions
24 cm
Extent
[xvii], 406 p.
Isbn
9780199735921
Isbn Type
(hardcover : alk. paper)
Lccn
2010054537
Other physical details
ill., maps, music
System control number
(OCoLC)695560230
Label
Transnational encounters : music and performance at the U.S.-Mexico border, edited by Alejandro L. Madrid
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Mariachi reimaginings : encounters with technology, aesthetics, and identity
  • Donald Henriques
  • "This is our música, guy!": Tejanos and ethno/regional musical nationalism
  • José E. Limón
  • Indigeneity and modernity.
  • Re-localized rap and its representation of the hombre digno
  • Helena Simonett
  • Waila as transnational practice
  • Joan Titus
  • Cultural citizenship and rights.
  • Border meanings.
  • Transnational identity, the singing of spirituals, and the performance of blackness among Moscogos
  • Alejandro L. Madrid
  • Transnational cultural constructions : cumbia music and the making of locality in Monterrey
  • Jesus A. Ramos-Kittrell
  • Patriotic citizenship, the border wall, and the "El Veterano" Conjunto Festival
  • Margaret E. Dorsey and Miguel Díaz-Barriga
  • Trans-border cosmopolitan audiotopias.
  • The Tijuana sound : brass, blues and the border of the 1960s
  • Josh Kun
  • La avanzada regia : Monterrey's alternative music scene and the aesthetics of transnationalism
  • Reggae on the border : the possibilities of a frontera soundscape
  • Ignacio Corona
  • Contested identities.
  • New Mexico and 'Manitos at the borderlands of popular music in greater Mexico
  • Brenda M. Romero
  • "Todos me llaman El Gringo" : place, identity, and erasure within the New Mexico Hispano music scene
  • Lillian Gorman
  • Performing locality and gender.
  • From pistol-packing pelado to border crossing mojado : El Piporro and the making of a "Mexican" border space
  • Cathy Ragland
  • Dancing reggaetón with cowboy boots
  • Luis Alvarez
  • Ramón H. Rivera-Servera
  • Breaking borders/quebrando fronteras : dancing in the borderscape
  • Sydney Hutchinson
  • Narcocorridos : narratives of a cultural persona and power on the border
  • Mark C. Edberg
  • Nationalisms.
Control code
695560230
Dimensions
24 cm
Extent
[xvii], 406 p.
Isbn
9780199735921
Isbn Type
(hardcover : alk. paper)
Lccn
2010054537
Other physical details
ill., maps, music
System control number
(OCoLC)695560230

Library Locations

    • Copley LibraryBorrow it
      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
Processing Feedback ...