The Resource Turkish German cinema in the new millennium : sites, sounds, and screens, edited by Sabine Hake and Barbara Mennel
Turkish German cinema in the new millennium : sites, sounds, and screens, edited by Sabine Hake and Barbara Mennel
Resource Information
The item Turkish German cinema in the new millennium : sites, sounds, and screens, edited by Sabine Hake and Barbara Mennel represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Turkish German cinema in the new millennium : sites, sounds, and screens, edited by Sabine Hake and Barbara Mennel represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewriting American gangster narratives, Kung Fu action films, and paralleling other emergent European minority cinemas. This, the first book-length study on the topic, will function as an introduction to this emergent and growing cinema and offer a survey of important films and directors of the last tw
- Language
- eng
- Edition
- 1st ed
- Extent
- 1 online resource (viii, 251 pages)
- Contents
-
- Introduction
- CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES. Daniela Berghahn: My big fat Turkish wedding: from culture clash to romcom
- David Gramling: The oblivion of influence: mythical realism in Feo Alada's When we leave
- Marco Abel: The minor cinema of Thomas Arslan: a prolegomenon
- MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART. Angelica Fenner: Roots and routes of the diasporic documentarian: a psychogeography of Fatih Akin's We forgot to go back
- Ingeborg Majer-O'Sickey: Gendered kicks: Buket Alakus's and Aysun Bademsoy's soccer films
- Nilgan Bayraktar: Location and mobility in Kutlu Ataman's site-specific video installation Kuba
- Brent Peterson: Turkish for beginners: teaching cosmopolitanism to Germans
- Brad Prager: "Only the wounded honor fights": Zili Alada's rage and the drama of the Turkish German perpetrator
- INSTITUTIONAL CONTEXTS: STARS, THEATERS, AND RECEPTION. Randall Halle: The German Turkish spectator and Turkish language film programming: Karli Kino, maximum distribution, and the interzone cinema
- Berna Gueneli: Mehmet Kurtulu and Birol Ünel: Sexualized masculinities, normalized ethnicities
- Karolin Machtans: The perception and marketing of Fatih Akin in the German press
- Ayìa Tunì Cox: Hyphenated identities: the reception of Turkish-German cinema in the Turkish daily press
- THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND. Mine Eren: Cosmopolitan filmmaking: Fatih Akin's In July and Head-on
- Roger Hillman and Vivien Silvey: Remixing Hamburg: transnationalism in Fatih Akin's Soul kitchen
- Deniz Gukturk: World cinema goes digital: looking at Europe from the other shore
- Isbn
- 9780857457691
- Label
- Turkish German cinema in the new millennium : sites, sounds, and screens
- Title
- Turkish German cinema in the new millennium
- Title remainder
- sites, sounds, and screens
- Statement of responsibility
- edited by Sabine Hake and Barbara Mennel
- Subject
-
- 2000-2099
- ART -- Film & Video
- Aufsatzsammlung
- Cinéma -- Allemagne -- Histoire et critique -- 21e siècle
- Cinéma -- Publics -- Allemagne
- Cinéma turc -- Allemagne -- Histoire et critique -- 21e siècle
- Culture in motion pictures
- Culture in motion pictures
- Deutschland
- Electronic books
- Film
- Films en langues étrangères -- Allemagne -- Histoire et critique -- 21e siècle
- Foreign language films
- Foreign language films -- Germany -- History -- 21st century
- Germany
- History
- Motion picture audiences
- Motion picture audiences -- Germany
- Motion pictures
- Motion pictures -- Germany -- History -- 21st century
- Motion pictures and transnationalism
- Motion pictures and transnationalism
- Motion pictures, Turkish
- Motion pictures, Turkish -- Germany -- History -- 21st century
- PERFORMING ARTS -- Film & Video | History & Criticism
- PERFORMING ARTS -- Film & Video | Reference
- Stereotypes (Social psychology) in motion pictures
- Stereotypes (Social psychology) in motion pictures
- Stéréotype (psychologie) -- Au cinéma
- Transnationalisme
- Türken
- Language
- eng
- Summary
- In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewriting American gangster narratives, Kung Fu action films, and paralleling other emergent European minority cinemas. This, the first book-length study on the topic, will function as an introduction to this emergent and growing cinema and offer a survey of important films and directors of the last tw
- Cataloging source
- CDX
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- filmographies
- http://library.link/vocab/relatedWorkOrContributorDate
- 1956-
- http://library.link/vocab/relatedWorkOrContributorName
-
- Hake, Sabine
- Mennel, Barbara Caroline
- Series statement
- Film Europa: German cinema in an international context
- http://library.link/vocab/subjectName
-
- Motion pictures
- Motion pictures, Turkish
- Foreign language films
- Stereotypes (Social psychology) in motion pictures
- Culture in motion pictures
- Motion pictures and transnationalism
- Motion picture audiences
- ART
- PERFORMING ARTS
- PERFORMING ARTS
- Culture in motion pictures
- Foreign language films
- Motion picture audiences
- Motion pictures
- Motion pictures and transnationalism
- Motion pictures, Turkish
- Stereotypes (Social psychology) in motion pictures
- Germany
- Türken
- Film
- Deutschland
- Cinéma
- Cinéma turc
- Films en langues étrangères
- Stéréotype (psychologie)
- Cinéma
- Transnationalisme
- Label
- Turkish German cinema in the new millennium : sites, sounds, and screens, edited by Sabine Hake and Barbara Mennel
- Bibliography note
-
- Includes bibliographical references and index
- Includes filmography
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction -- CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES. Daniela Berghahn: My big fat Turkish wedding: from culture clash to romcom -- David Gramling: The oblivion of influence: mythical realism in Feo Alada's When we leave -- Marco Abel: The minor cinema of Thomas Arslan: a prolegomenon -- MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART. Angelica Fenner: Roots and routes of the diasporic documentarian: a psychogeography of Fatih Akin's We forgot to go back -- Ingeborg Majer-O'Sickey: Gendered kicks: Buket Alakus's and Aysun Bademsoy's soccer films -- Nilgan Bayraktar: Location and mobility in Kutlu Ataman's site-specific video installation Kuba -- Brent Peterson: Turkish for beginners: teaching cosmopolitanism to Germans -- Brad Prager: "Only the wounded honor fights": Zili Alada's rage and the drama of the Turkish German perpetrator -- INSTITUTIONAL CONTEXTS: STARS, THEATERS, AND RECEPTION. Randall Halle: The German Turkish spectator and Turkish language film programming: Karli Kino, maximum distribution, and the interzone cinema -- Berna Gueneli: Mehmet Kurtulu and Birol Ünel: Sexualized masculinities, normalized ethnicities -- Karolin Machtans: The perception and marketing of Fatih Akin in the German press -- Ayìa Tunì Cox: Hyphenated identities: the reception of Turkish-German cinema in the Turkish daily press -- THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND. Mine Eren: Cosmopolitan filmmaking: Fatih Akin's In July and Head-on -- Roger Hillman and Vivien Silvey: Remixing Hamburg: transnationalism in Fatih Akin's Soul kitchen -- Deniz Gukturk: World cinema goes digital: looking at Europe from the other shore
- Control code
- ocn822890091
- Dimensions
- unknown
- Edition
- 1st ed
- Extent
- 1 online resource (viii, 251 pages)
- Form of item
- online
- Isbn
- 9780857457691
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other control number
- 40021530673
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
-
- 421498
- 22573/ctt7j0d8n
- Specific material designation
- remote
- System control number
- (OCoLC)822890091
- Label
- Turkish German cinema in the new millennium : sites, sounds, and screens, edited by Sabine Hake and Barbara Mennel
- Bibliography note
-
- Includes bibliographical references and index
- Includes filmography
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction -- CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES. Daniela Berghahn: My big fat Turkish wedding: from culture clash to romcom -- David Gramling: The oblivion of influence: mythical realism in Feo Alada's When we leave -- Marco Abel: The minor cinema of Thomas Arslan: a prolegomenon -- MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART. Angelica Fenner: Roots and routes of the diasporic documentarian: a psychogeography of Fatih Akin's We forgot to go back -- Ingeborg Majer-O'Sickey: Gendered kicks: Buket Alakus's and Aysun Bademsoy's soccer films -- Nilgan Bayraktar: Location and mobility in Kutlu Ataman's site-specific video installation Kuba -- Brent Peterson: Turkish for beginners: teaching cosmopolitanism to Germans -- Brad Prager: "Only the wounded honor fights": Zili Alada's rage and the drama of the Turkish German perpetrator -- INSTITUTIONAL CONTEXTS: STARS, THEATERS, AND RECEPTION. Randall Halle: The German Turkish spectator and Turkish language film programming: Karli Kino, maximum distribution, and the interzone cinema -- Berna Gueneli: Mehmet Kurtulu and Birol Ünel: Sexualized masculinities, normalized ethnicities -- Karolin Machtans: The perception and marketing of Fatih Akin in the German press -- Ayìa Tunì Cox: Hyphenated identities: the reception of Turkish-German cinema in the Turkish daily press -- THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND. Mine Eren: Cosmopolitan filmmaking: Fatih Akin's In July and Head-on -- Roger Hillman and Vivien Silvey: Remixing Hamburg: transnationalism in Fatih Akin's Soul kitchen -- Deniz Gukturk: World cinema goes digital: looking at Europe from the other shore
- Control code
- ocn822890091
- Dimensions
- unknown
- Edition
- 1st ed
- Extent
- 1 online resource (viii, 251 pages)
- Form of item
- online
- Isbn
- 9780857457691
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other control number
- 40021530673
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
-
- 421498
- 22573/ctt7j0d8n
- Specific material designation
- remote
- System control number
- (OCoLC)822890091
Subject
- 2000-2099
- ART -- Film & Video
- Aufsatzsammlung
- Cinéma -- Allemagne -- Histoire et critique -- 21e siècle
- Cinéma -- Publics -- Allemagne
- Cinéma turc -- Allemagne -- Histoire et critique -- 21e siècle
- Culture in motion pictures
- Culture in motion pictures
- Deutschland
- Electronic books
- Film
- Films en langues étrangères -- Allemagne -- Histoire et critique -- 21e siècle
- Foreign language films
- Foreign language films -- Germany -- History -- 21st century
- Germany
- History
- Motion picture audiences
- Motion picture audiences -- Germany
- Motion pictures
- Motion pictures -- Germany -- History -- 21st century
- Motion pictures and transnationalism
- Motion pictures and transnationalism
- Motion pictures, Turkish
- Motion pictures, Turkish -- Germany -- History -- 21st century
- PERFORMING ARTS -- Film & Video | History & Criticism
- PERFORMING ARTS -- Film & Video | Reference
- Stereotypes (Social psychology) in motion pictures
- Stereotypes (Social psychology) in motion pictures
- Stéréotype (psychologie) -- Au cinéma
- Transnationalisme
- Türken
Genre
Member of
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Turkish-German-cinema-in-the-new-millennium-/v7uWXwG1Irs/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Turkish-German-cinema-in-the-new-millennium-/v7uWXwG1Irs/">Turkish German cinema in the new millennium : sites, sounds, and screens, edited by Sabine Hake and Barbara Mennel</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
