Coverart for item
The Resource Turkish German cinema in the new millennium : sites, sounds, and screens, edited by Sabine Hake and Barbara Mennel

Turkish German cinema in the new millennium : sites, sounds, and screens, edited by Sabine Hake and Barbara Mennel

Label
Turkish German cinema in the new millennium : sites, sounds, and screens
Title
Turkish German cinema in the new millennium
Title remainder
sites, sounds, and screens
Statement of responsibility
edited by Sabine Hake and Barbara Mennel
Contributor
Subject
Genre
Language
eng
Summary
In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewriting American gangster narratives, Kung Fu action films, and paralleling other emergent European minority cinemas. This, the first book-length study on the topic, will function as an introduction to this emergent and growing cinema and offer a survey of important films and directors of the last tw
Member of
Cataloging source
CDX
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
  • filmographies
http://library.link/vocab/relatedWorkOrContributorDate
1956-
http://library.link/vocab/relatedWorkOrContributorName
  • Hake, Sabine
  • Mennel, Barbara Caroline
Series statement
Film Europa: German cinema in an international context
http://library.link/vocab/subjectName
  • Motion pictures
  • Motion pictures, Turkish
  • Foreign language films
  • Stereotypes (Social psychology) in motion pictures
  • Culture in motion pictures
  • Motion pictures and transnationalism
  • Motion picture audiences
  • ART
  • PERFORMING ARTS
  • PERFORMING ARTS
  • Culture in motion pictures
  • Foreign language films
  • Motion picture audiences
  • Motion pictures
  • Motion pictures and transnationalism
  • Motion pictures, Turkish
  • Stereotypes (Social psychology) in motion pictures
  • Germany
  • Türken
  • Film
  • Deutschland
  • Cinéma
  • Cinéma turc
  • Films en langues étrangères
  • Stéréotype (psychologie)
  • Cinéma
  • Transnationalisme
Label
Turkish German cinema in the new millennium : sites, sounds, and screens, edited by Sabine Hake and Barbara Mennel
Instantiates
Publication
Bibliography note
  • Includes bibliographical references and index
  • Includes filmography
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Introduction -- CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES. Daniela Berghahn: My big fat Turkish wedding: from culture clash to romcom -- David Gramling: The oblivion of influence: mythical realism in Feo Alada's When we leave -- Marco Abel: The minor cinema of Thomas Arslan: a prolegomenon -- MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART. Angelica Fenner: Roots and routes of the diasporic documentarian: a psychogeography of Fatih Akin's We forgot to go back -- Ingeborg Majer-O'Sickey: Gendered kicks: Buket Alakus's and Aysun Bademsoy's soccer films -- Nilgan Bayraktar: Location and mobility in Kutlu Ataman's site-specific video installation Kuba -- Brent Peterson: Turkish for beginners: teaching cosmopolitanism to Germans -- Brad Prager: "Only the wounded honor fights": Zili Alada's rage and the drama of the Turkish German perpetrator -- INSTITUTIONAL CONTEXTS: STARS, THEATERS, AND RECEPTION. Randall Halle: The German Turkish spectator and Turkish language film programming: Karli Kino, maximum distribution, and the interzone cinema -- Berna Gueneli: Mehmet Kurtulu and Birol Ünel: Sexualized masculinities, normalized ethnicities -- Karolin Machtans: The perception and marketing of Fatih Akin in the German press -- Ayìa Tunì Cox: Hyphenated identities: the reception of Turkish-German cinema in the Turkish daily press -- THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND. Mine Eren: Cosmopolitan filmmaking: Fatih Akin's In July and Head-on -- Roger Hillman and Vivien Silvey: Remixing Hamburg: transnationalism in Fatih Akin's Soul kitchen -- Deniz Gukturk: World cinema goes digital: looking at Europe from the other shore
Control code
ocn822890091
Dimensions
unknown
Edition
1st ed
Extent
1 online resource (viii, 251 pages)
Form of item
online
Isbn
9780857457691
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other control number
40021530673
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
  • 421498
  • 22573/ctt7j0d8n
Specific material designation
remote
System control number
(OCoLC)822890091
Label
Turkish German cinema in the new millennium : sites, sounds, and screens, edited by Sabine Hake and Barbara Mennel
Publication
Bibliography note
  • Includes bibliographical references and index
  • Includes filmography
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Introduction -- CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES. Daniela Berghahn: My big fat Turkish wedding: from culture clash to romcom -- David Gramling: The oblivion of influence: mythical realism in Feo Alada's When we leave -- Marco Abel: The minor cinema of Thomas Arslan: a prolegomenon -- MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART. Angelica Fenner: Roots and routes of the diasporic documentarian: a psychogeography of Fatih Akin's We forgot to go back -- Ingeborg Majer-O'Sickey: Gendered kicks: Buket Alakus's and Aysun Bademsoy's soccer films -- Nilgan Bayraktar: Location and mobility in Kutlu Ataman's site-specific video installation Kuba -- Brent Peterson: Turkish for beginners: teaching cosmopolitanism to Germans -- Brad Prager: "Only the wounded honor fights": Zili Alada's rage and the drama of the Turkish German perpetrator -- INSTITUTIONAL CONTEXTS: STARS, THEATERS, AND RECEPTION. Randall Halle: The German Turkish spectator and Turkish language film programming: Karli Kino, maximum distribution, and the interzone cinema -- Berna Gueneli: Mehmet Kurtulu and Birol Ünel: Sexualized masculinities, normalized ethnicities -- Karolin Machtans: The perception and marketing of Fatih Akin in the German press -- Ayìa Tunì Cox: Hyphenated identities: the reception of Turkish-German cinema in the Turkish daily press -- THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND. Mine Eren: Cosmopolitan filmmaking: Fatih Akin's In July and Head-on -- Roger Hillman and Vivien Silvey: Remixing Hamburg: transnationalism in Fatih Akin's Soul kitchen -- Deniz Gukturk: World cinema goes digital: looking at Europe from the other shore
Control code
ocn822890091
Dimensions
unknown
Edition
1st ed
Extent
1 online resource (viii, 251 pages)
Form of item
online
Isbn
9780857457691
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other control number
40021530673
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
  • 421498
  • 22573/ctt7j0d8n
Specific material designation
remote
System control number
(OCoLC)822890091

Library Locations

    • Copley LibraryBorrow it
      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
Processing Feedback ...