The Resource Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky, Steven Vande Moortele
Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky, Steven Vande Moortele
Resource Information
The item Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky, Steven Vande Moortele represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky, Steven Vande Moortele represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
This item is available to borrow from 1 library branch.
- Summary
- Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century. It then offers an in-
- Language
- eng
- Extent
- 1 online resource (vii, 220 pages)
- Contents
-
- Two-DimensionalSonata Form; Contents; Acknowledgements; Introduction; Notes; Chapter 1 Two-Dimensional Sonata Form:A terminological and conceptual framework; Levels of form; Analogies between levels; Projection of hierarchies; Identification, interpolation, and exocyclic units; Integration, process, and tension; Further terminological considerations; Notes; Chapter 2Liszt's B-minor Sonata; The locus romanticus of two-dimensional sonata form; The exposition of the overarching sonata form; Identification: first movement and exposition; Interpolation: the slow movement
- Identification: scherzo-finale and recapitulation-codaNotes; Chapter 3Liszt: Tasso and Die Ideale; Two-dimensional sonata formin the second half of the nineteenth century; Form in Liszt's symphonic poems; Tasso: Lamento e trionfo (1847-54) 9; Die Ideale (1856-57); Notes; Chapter 4Strauss: Don Juan and Ein Heldenleben; Strauss and Liszt; Don Juan Op. 20 (1888-89); Ein Heldenleben Op. 40 (1897-98); Notes; Chapter 5Schoenberg's Pelleas und Melisande; Before Pelleas; Pelleas und Melisande Op. 5 (1902-03); Notes; Chapter 6Schoenberg's First String Quartet; From program to absolute music
- Issues of form in the overarching sonata formIdentification; Interpolation and integration; Overall form and tonal plan; Notes; Chapter 7Schoenberg's First Chamber Symphony; Overview; Identification; Interpolation; Recapitulation, coda, and finale; Notes; Chapter 8Zemlinsky's Second String Quartet; First approach; Identification; Interpolation; Notes; Conclusion The significanceof two-dimensional sonata form; Appendix:Measure-Number Tables; Bibliography; Index of Names and Works
- Isbn
- 9789461660145
- Label
- Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
- Title
- Two-dimensional sonata form
- Title remainder
- form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
- Statement of responsibility
- Steven Vande Moortele
- Language
- eng
- Summary
- Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century. It then offers an in-
- Cataloging source
- E7B
- http://library.link/vocab/creatorName
- Vande Moortele, Steven
- Illustrations
-
- illustrations
- music
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/subjectName
-
- Sonata form
- Instrumental music
- MUSIC
- MUSIC
- Instrumental music
- Sonata form
- Label
- Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky, Steven Vande Moortele
- Bibliography note
- Includes bibliographical references (pages 207-215) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Two-DimensionalSonata Form; Contents; Acknowledgements; Introduction; Notes; Chapter 1 Two-Dimensional Sonata Form:A terminological and conceptual framework; Levels of form; Analogies between levels; Projection of hierarchies; Identification, interpolation, and exocyclic units; Integration, process, and tension; Further terminological considerations; Notes; Chapter 2Liszt's B-minor Sonata; The locus romanticus of two-dimensional sonata form; The exposition of the overarching sonata form; Identification: first movement and exposition; Interpolation: the slow movement
- Identification: scherzo-finale and recapitulation-codaNotes; Chapter 3Liszt: Tasso and Die Ideale; Two-dimensional sonata formin the second half of the nineteenth century; Form in Liszt's symphonic poems; Tasso: Lamento e trionfo (1847-54) 9; Die Ideale (1856-57); Notes; Chapter 4Strauss: Don Juan and Ein Heldenleben; Strauss and Liszt; Don Juan Op. 20 (1888-89); Ein Heldenleben Op. 40 (1897-98); Notes; Chapter 5Schoenberg's Pelleas und Melisande; Before Pelleas; Pelleas und Melisande Op. 5 (1902-03); Notes; Chapter 6Schoenberg's First String Quartet; From program to absolute music
- Issues of form in the overarching sonata formIdentification; Interpolation and integration; Overall form and tonal plan; Notes; Chapter 7Schoenberg's First Chamber Symphony; Overview; Identification; Interpolation; Recapitulation, coda, and finale; Notes; Chapter 8Zemlinsky's Second String Quartet; First approach; Identification; Interpolation; Notes; Conclusion The significanceof two-dimensional sonata form; Appendix:Measure-Number Tables; Bibliography; Index of Names and Works
- Control code
- ocn715171716
- Dimensions
- unknown
- Extent
- 1 online resource (vii, 220 pages)
- Form of item
- online
- Isbn
- 9789461660145
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other physical details
- illustrations, music
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt8xn3dx
- Specific material designation
- remote
- System control number
- (OCoLC)715171716
- Label
- Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky, Steven Vande Moortele
- Bibliography note
- Includes bibliographical references (pages 207-215) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Two-DimensionalSonata Form; Contents; Acknowledgements; Introduction; Notes; Chapter 1 Two-Dimensional Sonata Form:A terminological and conceptual framework; Levels of form; Analogies between levels; Projection of hierarchies; Identification, interpolation, and exocyclic units; Integration, process, and tension; Further terminological considerations; Notes; Chapter 2Liszt's B-minor Sonata; The locus romanticus of two-dimensional sonata form; The exposition of the overarching sonata form; Identification: first movement and exposition; Interpolation: the slow movement
- Identification: scherzo-finale and recapitulation-codaNotes; Chapter 3Liszt: Tasso and Die Ideale; Two-dimensional sonata formin the second half of the nineteenth century; Form in Liszt's symphonic poems; Tasso: Lamento e trionfo (1847-54) 9; Die Ideale (1856-57); Notes; Chapter 4Strauss: Don Juan and Ein Heldenleben; Strauss and Liszt; Don Juan Op. 20 (1888-89); Ein Heldenleben Op. 40 (1897-98); Notes; Chapter 5Schoenberg's Pelleas und Melisande; Before Pelleas; Pelleas und Melisande Op. 5 (1902-03); Notes; Chapter 6Schoenberg's First String Quartet; From program to absolute music
- Issues of form in the overarching sonata formIdentification; Interpolation and integration; Overall form and tonal plan; Notes; Chapter 7Schoenberg's First Chamber Symphony; Overview; Identification; Interpolation; Recapitulation, coda, and finale; Notes; Chapter 8Zemlinsky's Second String Quartet; First approach; Identification; Interpolation; Notes; Conclusion The significanceof two-dimensional sonata form; Appendix:Measure-Number Tables; Bibliography; Index of Names and Works
- Control code
- ocn715171716
- Dimensions
- unknown
- Extent
- 1 online resource (vii, 220 pages)
- Form of item
- online
- Isbn
- 9789461660145
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- Other physical details
- illustrations, music
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt8xn3dx
- Specific material designation
- remote
- System control number
- (OCoLC)715171716
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/portal/Two-dimensional-sonata-form--form-and-cycle-in/OY2zLUGlfTk/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/portal/Two-dimensional-sonata-form--form-and-cycle-in/OY2zLUGlfTk/">Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky, Steven Vande Moortele</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>