Great Women on Stage : the Reception of Women Monarchs from Antiquity in Baroque Opera

Resource Information

The work Great Women on Stage : the Reception of Women Monarchs from Antiquity in Baroque Opera represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.

Label

Great Women on Stage : the Reception of Women Monarchs from Antiquity in Baroque Opera

Title remainder

the Reception of Women Monarchs from Antiquity in Baroque Opera

Creator

• Droß-Krüpe, Kerstin

Subject

• Agrippina (Handel, George Frideric)
• Agrippina, Minor, 15-59
• Agrippina, Minor, 15-59 -- In opera -- Congresses
• Antike
• Barock
• Cleopatra, Queen of Egypt, -30 B.C
• Cleopatra, Queen of Egypt, -30 B.C. -- In opera -- Congresses
• Conference papers and proceedings
• Electronic books
• Geschlechterrolle
• 1700-1799
• Herrscherin
• MUSIC -- Genres & Styles | Opera
• Opera
• Opera -- 18th century -- Congresses
• Operngestalt
• Women in opera
• Women in opera -- Congresses
• Handel, George Frideric, 1685-1759 -- Congresses

Genre

• Congresses
• Electronic books
• Conference papers and proceedings

Language

eng

Summary

Baroque opera is entirely plurimedial. Like no other medium, it offers unique possibilities to create, transform and reinterpret common historical images and figures, using different but closely intertwined semantic levels (drama, music, acting). This makes baroque opera a promising subject of historical, political and gender-specific analysis. The present volume is based on a session of the Eleventh European Social Science History conference in 2016 and examines the (re- )presentation of antique female rulers in baroque opera. The volume is not about music history or music theory studies, but deals with how, in the baroque period, librettists, composers and stage processed the ancient material in order to present female rulers on stage. Baroque opera is a particularly suitable model of study, as ancient themes occupy a prominent place during that period of time. Agnès Garcia Ventura and Marta Ortega Balanza focus on Agrippina the Younger as adapted in a staging of Georg Friedrich Händel?s opera 'Agrippina' at the Liceu opera house in Barcelona in 2013. They analyze the miscellaneous gender representations of Agrippina from ancient sources to Händel?s opera and its Barcelona staging. In Valeska Hartmann?s contribution Cleopatra VII plays the lead. Hartmann focuses on the stage designs used to create an appropriate setting for this ambivalent and often highly sexualized ruler. Both case studies are preceded by an introductory chapter by Kerstin Dross-Krüpe about the 'opera seria' as a source for the reception of antiquity and an essay by Kerstin Weiand about the polyvalence of antiquity in early modern Europe

Cataloging source

EBLCP

Index

no index present

Literary form

non fiction

Nature of contents

• dictionaries
• bibliography