Stereoscopic cinema & the origins of 3-D film, 1838-1952, Ray Zone

Resource Information

The instance Stereoscopic cinema & the origins of 3-D film, 1838-1952, Ray Zone represents a material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Instance, Electronic.

Image

http://images.btol.com/ContentCafe/Jacket.aspx?UserID=USD89598&Password=CC19241&Return=T&Value=9780813134796&Type=L

Label

Stereoscopic cinema & the origins of 3-D film, 1838-1952, Ray Zone

Statement of responsibility

Ray Zone

Instantiates

• Stereoscopic cinema & the origins of 3-D film, 1838-1952

Publication

• Lexington, Ky., University Press of Kentucky, ©2007

Antecedent source

unknown

Bibliography note

Includes bibliographical references (pages 191-212) and index

Carrier category

online resource

Carrier category code

• cr

Carrier MARC source

rdacarrier

Color

multicolored

Content category

text

Content type code

• txt

Content type MARC source

rdacontent

Contents

• Cover; Half-title; Title; Copyright; Contents; Foreword; Acknowledgments; Prologue; The Novelty Period-1838 to 1952; An Era of Convergence-1952 to 1985; The Immersive Era-1986 to Present; Digital 3-D Cinema-2005 to Present; 1. Stereography Begins; Charles Wheatstone-The Binocular Discovery; Sir David Brewster-The Retinal Rival; Oliver Wendell Holmes-The Poet of Stereo; The Vortex of Popular Consumption; Stereoview Peep Shows; 2. The Peep Show Tradition; An Enclosed Space; Persistence of Vision; Hie First Stereoscopic Motion Picture Patent; Disks and Cylinders; Endless Bands; The Utopian Dream
• 3. Motion Pictures BeginEadweard Muybridge-Capturing Time; Etienne-Jules Marey-Chronophotographer; Edison's Kinetoscope; Georges Demenys Stereo Phonoscope; Dickson Leaves Edison; C.F. Jenkins-Prescient Inventor; 4. Stereoscopic Projection; The Marvelous Ducos du Hauron; The Problematic Mr. Green; John Anderton-Polarizing Light; From Bioscope to Alabastra; Pepper's Ghost; Stereo Projection in France; Watershed Years-1895-1896; 5. Cinema's Novelty Period; ""Stereopticon"" Entertainment; Phantom Rides; Acknowledging the Viewer; Caligari in Utopia; Display versus Story
• 6. Public Exhibition of 3-D Films BeginsDevelopments around 1900; Lucien Bull-High Speed Stereoscopy; Stereoscopic Movies in Natural Color; Edwin S. Porter-Artistic Mechanic; Frederic E. Ives-Stereo Polymath; 7. A Wave of Stereo; Anaglyph Proliferates; Shadowgraphs; Teleview-The ""Eclipse"" Method; The Power of Love; William Van Doren Kelley; Plasticons; 8. Essaying Utopia; A Few Stereoscopic Patents; Motional Perspective; Spoor-Berggren-Natural Vision; Parade of Inventors; The Case of William Waddell; The Lost 3-D of Napoleon; 9. Stereoscopic Cinema Proves Itself; Lumiere's 3-D Train
• Polarizing Image SelectionZeiss Ikon Stereo; Stereo Films at the Fairs; Vectographs; 10. The Stereoscopic Overture Finishes; Autostereoscopic Cinema; Semyon Ivanov-Utopia at Stereokino; Single-Strip 3-D Systems; John T. Rule-A Stereographic Pioneer; Stereo Movies and the Avant-Garde; The Festival of Britain; Epilogue; Notes; Index

Control code

ocn182523038

Dimensions

unknown

Extent

1 online resource (xii, 220 pages)

File format

unknown

Form of item

online

Isbn

9780813134796

Level of compression

unknown

Media category

computer

Media MARC source

rdamedia

Media type code

• c

Note

JSTOR

Other physical details

illustrations

http://library.link/vocab/ext/overdrive/overdriveId

• 22573/ctt5hbxz3
• 5744e231-511e-45a5-bde8-9bbb3d3510ed

Quality assurance targets

not applicable

Record ID

.b46669395

Reformatting quality

unknown

Sound

unknown sound

Specific material designation

remote

System control number

(OCoLC)182523038