PERFORMING ARTS -- Film & Video | History & Criticism
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- "Baad bitches" and sassy supermamas : Black power action films
- "Un-American" Hollywood : politics and film in the blacklist era
- 3-D revolution : the history of modern stereoscopic cinema
- A "toxic genre" : the Iraq War films
- A certain tendency of the Hollywood cinema, 1930-1980
- A companion to Latin American film
- A critical cinema 5 : interviews with independent filmmakers
- A culture of light : cinema and technology in 1920s Germany
- A great big girl like me : the films of Marie Dressler
- A rose for Mrs. Miniver : the life of Greer Garson
- Adapting philosophy : Jean Baudrillard and the matrix trilogy
- Afghanistan in the cinema
- African filmmaking : North and South of the Sahara
- Afterimages of Gilles Deleuze's film philosophy
- Agnes Varda
- Albert Capellani : pioneer of the silent screen
- Albert Maysles
- Allan King's A married couple
- Allegories of underdevelopment : aesthetics and politics in modern Brazilian cinema
- Amateur movie making : aesthetics of the everyday in New England film, 1915-1960
- American Audiences on Movies and Moviegoing
- American cinema of the 1930s : themes and variations
- American cinema of the 1960s : themes and variations
- American cinema of the 1990s : themes and variations
- American showman : Samuel "Roxy" Rothafel and the birth of the entertainment industry, 1908-1935
- An accented cinema : exilic and diasporic filmmaking
- Andrew Lau and Alan Mak's Infernal affairs - the trilogy
- Animating space : from Mickey to Wall-E
- Ann Dvorak : Hollywood's forgotten rebel
- Ann Hui's Song of the exile
- Anne Bancroft : a life
- Army film and the avant garde : cinema and experiment in the Czechoslovak military
- At full speed : Hong Kong cinema in a borderless world
- At the end of the street in the shadow : Orson Welles and the city
- Atom Egoyan's The adjuster
- Atomic light (shadow optics)
- Avant-garde to new wave : Czechoslovak cinema, surrealism and the sixties
- Bad women : regulating sexuality in early American cinema
- Badiou and cinema
- Barbara La Marr : the girl who was too beautiful for Hollywood
- Barry Hines : Kes, Threads and beyond
- Beautiful circuits : modernism and the mediated life
- Beautiful terrible ruins : Detroit and the anxiety of decline
- Between the sheets, in the streets : queer, lesbian, gay documentary
- Beyond Bruce Lee : Chasing the Dragon Through Film, Philosophy, and Popular Culture
- Beyond the screen : institutions, networks and publics of early cinema
- Beyond the subtitle : remapping European art cinema
- Bigger than Ben-Hur : the book, its adaptations, and their audiences
- Black & white & noir : America's pulp modernism
- Blackout : reinventing women for wartime British cinema
- Blockbuster history in the new Russia : movies, memory, and patriotism
- Boats on the Marne : Jean Renoir's critique of modernity
- Bodies in pain : emotion and the cinema of Darren Aronofsky
- Bodies in suspense : time and affect in cinema
- Bombay cinema : an archive of the city
- Borderland films : American cinema, Mexico, and Canada during the Progressive era
- Brazilian Road Movie : Journeys of (Self) Discovery
- Brazilian women's filmmaking : from dictatorship to democracy
- Breaking the glass armor : neoformalist film analysis
- British films of the 1970s
- Bruce McDonald's Hard Core Logo
- Buzz : the life and art of Busby Berkeley
- Béla Balázs : early film theory : Visible man and the spirit of film
- C. Francis Jenkins, pioneer of film and television
- Canadian cinema since the 1980s : at the heart of the world
- Candid eyes : essays on Canadian documentaries
- Captivating Westerns : the Middle East in the American West
- Carl Theodor Dreyer's Gertrud : the moving word
- Carnal thoughts : embodiment and moving image culture
- Cartographic cinema
- Catherine Breillat
- Cecil B. DeMille's Hollywood
- Charles Walters : the director who made Hollywood dance
- Chinese Looks : Fashion, Performance, Race
- Chinese martial arts cinema : the Wuxia tradition
- Cinema and counter-history
- Cinema and semiotic : Peirce and film aesthetics, narration, and representation
- Cinema and sensation : French film and the art of transgression
- Cinema and the wealth of nations : media, capital, and the liberal world system
- Cinema at the edges : new encounters with Julio Medem, Bigas Luna and José Luis GuerÃn
- Cinema at the margins
- Cinema of choice : optional thinking and narrative movies
- Cinema of the dark side : atrocity and the ethics of film spectatorship
- Cinema's bodily illusions : flying, floating, and hallucinating
- Cinemas in transition in Central and Eastern Europe after 1989
- Cinematernity : film, motherhood, genre
- Cinematic canines : dogs and their work in the fiction film
- Cinematic flashes : cinephilia and classical Hollywood
- Cinematic identity : anatomy of a problem film
- Cinematic overtures : how to read opening scenes
- Citizen Spielberg
- City that never sleeps : New York and the filmic imagination
- Classic Hollywood : lifestyles and film styles of American cinema, 1930-1960
- Classic Hollywood, classic whiteness
- Classical Hollywood cinema : point of view and communication
- Claude Rains : an actor's voice
- Cleddyf ym Mrwydr yr Iaith? : y Bwrdd Ffilmiau Cymraeg
- Closely watched films : an introduction to the art of narrative film technique
- Columbia Pictures : portrait of a studio
- Comedy is a man in trouble : slapstick in American movies
- Concentrationary cinema : aesthetics as political resistance in Alain Resnais's Night and fog (1955)
- Contaminations : beyond dialectics in modern literature, science and film
- Continuity and crisis in German cinema, 1928-1936
- Corporeality in early cinema : viscera, skin, and physical form
- Cosmopolitan film cultures in Latin America, 1896-1960
- Cowboy classics : the roots of the American western in the epic tradition
- Crafting truth : documentary form and meaning
- Creatures of Darkness : Raymond Chandler, Detective Fiction, and Film Noir
- Culture in the anteroom : the legacies of Siegfried Kracauer
- Culture on two wheels : the bicycle in literature and film
- Cutting edge : art-horror and the horrific avant-garde
- D.A. Pennebaker
- DEFA after East Germany
- Dagur Kári's Nói the albino
- Dance and the Hollywood Latina : Race, Sex and Stardom
- Dante, cinema, and television
- Dashiell Hammett and the movies
- Death and the moving image : ideology, iconography and I
- Decentring France : multilingualism and power in contemporary French cinema
- Deep Red
- Del escenario a la pantalla : la adaptación cinematográfica del teatro español
- Deleuze and film
- Deleuze and the cinemas of performance : powers of affection
- Deleuze, cinema and national identity : narrative time in national contexts
- Denys Arcand's Le déclin de l'empire américain and Les invasions barbares
- Derek Jarman's Medieval modern
- Descended from Hercules : biopolitics and the muscled male body on screen
- Designing interdisciplinary education : a practical handbook for university teachers
- Destination London : German-speaking emigrés and British cinema, 1925-1950
- Destructive sublime : World War II in American film and media
- Deterritorializing the new German cinema
- Disappearing war : interdisciplinary perspectives on cinema and erasure in the post-9/11 world
- Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language
- Disney culture
- Distribution Revolution : Conversations about the Digital Future of Film and Television
- Divas on screen : Black women in American film
- Divine decadence : fascism, female spectacle, and the makings of Sally Bowles
- Documentary time : film and phenomenology
- Documenting ourselves : film, video, and culture
- Documents of utopia : the politics of experimental documentary
- Doing women's film history : reframing cinemas, past and future
- Donald Shebib's Goin' down the road
- Double visions, double fictions : the Doppelgänger in Japanese film and literature
- Dramatized societies : quality television in Spain and Mexico
- Dream factories of a former colony : American fantasies, Philippine cinema
- Dream machine : realism and fantasy in Hindi cinema
- Driven to darkness : Jewish émigré directors and the rise of film noir
- Dying swans and madmen : ballet, the body, and narrative cinema
- Editing and special/visual effects
- El niño en el cine Argentino de la postdictadura (1983-2008) : alegorÃa y nostaligia
- Electric sounds : technological change and the rise of corporate mass media
- Emile Cohl, caricature, and film
- Emir Kusturica
- Enduring images : a future history of new left cinema
- Engaging the moving image
- Engulfed : the Death of Paramount Pictures and the Birth of Corporate Hollywood
- Epic sound : music in postwar Hollywood biblical films
- Euro horror : classic European horror cinema in contemporary American culture
- European film theory and cinema : a critical introduction
- Experimental film and video : an anthology
- Exporting perilous pauline : Pearl White and serial film craze
- F is for phony : fake documentary and truth's undoing
- Far from heaven
- Fast-talking dames
- Feasting Our Eyes : Food Films and Cultural Identity in the United States
- Federico Fellini : contemporary perspectives
- Federico Fellini : painting in film, painting on film
- Feeling normal : sexuality and media criticism in the digital age
- Feminism and film
- Figures of resistance : essays in feminist theory
- Film & the dream screen : a sleep and a forgetting
- Film and Video Censorship in Modern Britain
- Film and everyday eco-disasters
- Film and fashion amidst the ruins of Berlin : from Nazism to the Cold War
- Film as Cultural Artifact : Religious Criticism of World Cinema
- Film hieroglyphs : ruptures in classical cinema
- Film histories : an introduction and reader
- Film sequels : theory and practice from Hollywood to Bollywood
- Film talk : directors at work
- Film, fashion, and the 1960s
- Finding Queensland in Australian cinema : poetics and screen geographies
- First person Jewish
- Flickering empire : how Chicago invented the U.S. film industry
- Fluid screens, expanded cinema
- Forest of pressure : Ogawa Shinsuke and postwar Japanese documentary
- Forging peace : intervention, human rights and the management of media space
- Fort Lee : the Film Town (1904-2004)
- Foucault at the movies
- Four from the forties : Arliss, Crabtree, Knowles and Huntington
- Francois Truffaut and Friends : Modernism, Sexuality, and Film Adaptation
- Frankly, my dear : Gone with the wind revisited
- François Ozon
- Freedom to offend : how New York remade movie culture
- French colonial documentary : mythologies of humanitarianism
- French film in Britain : sex, art and cinephilia
- From Antz to Titanic : reinventing film analysis
- From Fu Manchu to Kung fu panda : images of China in American film
- From Mae to Madonna : women entertainers in twentieth-century America
- From Plato to Lumière : narration and monstration in literature and cinema
- From empire to the world : migrant London and Paris in the cinema
- From mouse to mermaid : the politics of film, gender, and culture
- Fruit Chan's Made in Hong Kong
- Full participation : a comparative study of compulsory voting
- Futurist cinema : studies on Italian avant-garde film
- Gabriel GarcÃa Márquez and the cinema : life and works
- Gender meets genre in postwar cinemas
- Gendering the nation : Canadian women's cinema
- Generic histories of German cinema : genre and its deviations
- Genre and performance
- George Cukor : a Double Life
- Germaine Dulac : a cinema of sensations
- German film after Germany : toward a transnational aesthetic
- Ghostlife of third cinema : Asian American film and video
- Giuseppe De Santis and postwar Italian cinema
- Global Bollywood : travels of Hindi song and dance
- Global Nollywood : the transnational dimensions of an African video film industry
- Godfather : the intimate Francis Ford Coppola
- Going viral : zombies, viruses, and the end of the world
- Guy Maddin's My Winnipeg
- Hal Hartley
- Hal Wallis : producer to the stars
- Halloween
- Hard-boiled Hollywood : crime and punishment in postwar Los Angeles
- Hedy Lamarr : the most beautiful woman in film
- Henry James goes to the movies
- High-class moving pictures : Lyman H. Howe and the forgotten era of traveling exhibition, 1880-1920
- Hitchcock Lost and Found : the Forgotten Films
- Hollywood exiles in Europe : the blacklist and cold war film culture
- Hollywood independents : the postwar talent takeover
- Hollywood's Indian : the Portrayal of the Native American in Film
- Hollywood's Italian American filmmakers : Capra, Scorsese, Savoca, Coppola, and Tarantino
- Hollywood's West : the American frontier in film, television, and history
- Hollywood's White House : the American presidency in film and history
- Hollywood's last golden age : politics, society, and the seventies film in America
- Home in Hollywood : the imaginary geography of cinema
- Homemade men in postwar Austrian cinema : nationhood, genre and masculinity
- Hoodlum movies : seriality and the outlaw biker film cycle, 1966-1972
- Horror and the Horror Film
- I-Docs
- Icons of Danish modernity : Georg Brandes and Asta Nielsen
- Ida Lupino, director : her art and resilience in times of transition
- Identity, place, and subversion in contemporary Mizrahi cinema in Israel
- Illusive utopia : theater, film, and everyday performance in North Korea
- Imperial affects : sensational melodrama and the attractions of American cinema
- Imperial projections : screening the German colonies
- Incorporating Images : Film and the Rival Arts
- Incorporations : race, nation, and the body politics of capital
- Ingmar Bergman's The silence : pictures in the typewriter, writings on the screen
- Inspiring Fellini : literary collaborations behind the scenes
- International politics and film : space, vision, power
- Interpreting films : studies in the historical reception of American cinema
- Into the past : the cinema of Guy Maddin
- Into the vortex : female voice and paradox in film
- Intrepid laughter : Preston Sturges and the movies
- Ireland in focus : film, photography, and popular culture
- It's only a movie! : films and critics in American culture
- It's the pictures that got small : Charles Brackett on Billy Wilder and Hollywood's golden age
- Italian fascism's empire cinema
- Italian film in the shadow of Auschwitz
- Italian neorealist cinema : an aesthetic approach
- Italian post-neorealist cinema
- Japanese documentary film : the Meiji era through Hiroshima
- Je t'aime-- moi non plus : Franco-British cinematic relations
- Jean-Luc Godard, Cinema Historian
- Jean-Pierre Jeunet
- Jerzy Skolimowski : the Cinema of a Nonconformist
- John Gilbert : the last of the silent film stars
- John Lasseter
- John Walker's Passage
- John Woo's A better tomorrow
- John Woo's The killer
- Johnnie To Kei-Fung's PTU
- Journalism in the movies
- Journalists in film : heroes and villains
- Keepers of the flame : NFL Films and the rise of sports media
- Kim Ki-duk
- King Hu's A touch of Zen
- Knock me up, knock me down : images of pregnancy in Hollywood films
- Kristeva in focus : from theory to film analysis
- L.A. Rebellion : creating a new black cinema
- La cara oculta del cine
- Labour orators from Bevan to Miliband
- Lady in the dark : Iris Barry and the art of film
- Landscapes in between : environmental change in modern Italian literature and film
- Landscapes of Loss : the National Past in Postwar French Cinema
- Lars von Trier
- Last features : East German cinema's lost generation
- Last words : considering contemporary cinema
- Late Westerns : the persistence of a genre
- Latin American cinema : a comparative history
- Latin American melodrama : passion, pathos, and entertainment
- Letterboxed : the evolution of widescreen cinema
- Lewd looks : American sexploitation cinema in the 1960s
- Like a natural woman : spectacular female performance in classical Hollywood
- Lincoln before Lincoln : early cinematic adaptations of the life of America's greatest president
- Literary adaptations in Spanish cinema
- Lois Weber in early Hollywood
- Lone Scherfig's Italian for beginners
- Lone Scherfig's Italian for beginners
- Lost in translation
- Lost objects of desire : the performances of Jeremy Irons
- Lukas Moodysson's Show me love
- Making Asian American film and video : histories, institutions, movements
- Making a promised land : Harlem in twentieth-century photography and film
- Making believe : screen performance and special effects in popular cinema
- Marie Dressler : the unlikeliest star
- Martial arts cinema and Hong Kong modernity : aesthetic, representation, circulation
- Marxism and film activism : screening alternative worlds
- Mary Pickford : queen of the movies
- Masculine interests : homoerotics in Hollywood films
- Masculinities in Polish, Czech and Slovak cinema : Black Peters and men of marble
- Maureen O'Hara : the biography
- Mavericks on the border : the early Southwest in historical fiction and film
- Meaning and interpretation of music in cinema
- Mediating mobility : visual anthropology in the age of migration
- Medievalism on the margins
- Memento
- Menus for movieland : newspapers and the emergence of American film culture
- Metacinema in contemporary Chinese film
- Mex-Cine : Mexican filmmaking, production, and consumption in the twenty-first century
- Michael Curtiz : a life in film
- Mike Leigh
- Militant visions : black soldiers, internationalism, and the transformation of American cinema
- Miracles & sacrilege : Roberto Rossellini, the church and film censorship in Hollywood
- Miriam Hopkins : life and films of a Hollywood rebel
- Monstrous progeny : a history of the Frankenstein narratives
- Movement and performance in Berlin School cinema
- Moving Images : Nineteenth-Century Reading and Screen Practices
- Moving color : early film, mass culture, modernism
- Mussolini's dream factory : film stardom in fascist Italy
- My life as a Mankiewicz : an insider's journey through Hollywood
- Mysteries of cinema : reflections on film theory, history and culture 1982-2016
- Native Americans on film : conversations, teaching, and theory
- Navajo talking picture : cinema on native ground
- Nazi cinema as enchantment : the politics of entertainment in the Third Reich
- Nazi film melodrama
- Negotiating Hollywood : the cultural politics of actors' labor
- New Austrian film
- New Korean cinema
- New Korean cinema
- New punk cinema
- New voices in Arab cinema
- Newsworkers : toward a history of the rank and file
- Nippon modern : Japanese cinema of the 1920s and 1930s
- Nosferatu : a symphony of horror
- Not according to plan : filmmaking under Stalin
- Organic cinema : film, architecture, and the work of Béla Tarr
- Orphans of the East : postwar Eastern European cinema and the revolutionary subject
- Orson Welles in focus : texts and contexts
- Oscar Micheaux and his circle : African-American filmmaking and race cinema of the silent era
- Out of Sync & Out of Work : History and the Obsolescence of Labor in Contemporary Culture
- Out of the inkwell : Max Fleischer and the animation revolution
- Palestinian cinema : landscape, trauma and memory
- Palimpsestic memory : the Holocaust and colonialism in French and francophone fiction and film
- Passions and deceptions : the early films of Ernst Lubitsch
- Peter Ho-sun Chan's He's a woman, she's a man
- Peter Lorre : face maker : stardom and performance between Hollywood and Europe
- Phantom ladies : Hollywood horror and the home front
- Philip Kaufman
- Pier Paolo Pasolini : contemporary perspectives
- Pier Paolo Pasolini : performing authorship
- Pink-slipped : what happened to the women in the silent film industries?
- Pola Negri : Hollywood's first femme fatale
- Poland daily : economy, work, consumption and social class in Polish cinema
- Polish film and the Holocaust : politics and memory
- Post-Beur cinema : North African émigré and Maghrebi-French filmmaking in France since 2000
- Post-Wall German Cinema and National History : Utopianism and Dissent
- Post-revolution nonfiction film : building the Soviet and Cuban nations
- Post-westerns : cinema, region, West
- Postcolonial Artists and Global Aesthetics
- Postcolonialism, diaspora, and alternative histories : the cinema of Evans Chan
- Postwall German cinema : history, film history, and cinephilia
- Quadrophenia
- Race and the revolutionary impulse in The Spook Who Sat by the Door
- Re-imagining DEFA : East German cinema in its national and transnational contexts
- Re-takes : postcoloniality and foreign film languages
- Reconstructing Strangelove : inside Stanely Kubrick's 'nightmare comedy'
- Reframing culture : the case of the Vitagraph quality films
- Reframing screen performance
- Reframing screen performance
- Regarding the real : cinema, documentary, and the visual arts
- Remaking Brazil : Contested national identities in contemporary Brazilian cinema
- Remaking Reality : U.S. Documentary Culture after 1945
- Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film
- Responding to Loss : Heideggerian Reflections on Literature, Architecture, and Film
- Rethinking occupied Ireland : gender and incarceration in contemporary Irish film
- Rex Ingram : visionary director of the silent screen
- Richard E. Norman and race filmmaking
- Richard Linklater
- Rising sun, divided land : Japanese and South Korean filmmakers
- Roots of the New Arab Film
- Runaway romances : Hollywood's postwar tour of Europe
- Sapphism on screen : lesbian desire in French and Francophone cinema
- Saul Bass : Anatomy of Film Design
- Scotland : global cinema : genres, modes and identities
- Screen culture and the social question, 1880-1914
- Screen writings, Volume II, Genres, classics, and aesthetics
- Screen/play : Derrida and film theory
- Screened encounters : the history of the Leipzig film festival, 1955-1990
- Screening Cuba : film criticism as political performance during the Cold War
- Screening Shakespeare in the twenty-first century
- Screening gender, framing genre : Canadian literature into film
- Screening nature : cinema beyond the human
- Screening the east : Heimat, memory and nostalgia in German film since 1989
- Screening transcendence : film under Austrofascism and the Hollywood hope, 1933-1938
- Screening war : perspectives on German suffering
- Scripting Hitchcock : Psycho, the birds, and Marnie
- Secret agents
- Seeing Sarah Bernhardt : performance and silent film
- Selected film essays and interviews
- Sex radical cinema
- Shadows, specters, shards : making history in avant-garde film
- Shakespeare's cinema of love : a study in genre and influence
- Shirley Temple and the performance of girlhood
- Shot in America : television, the state, and the rise of Chicano cinema
- Sidney J. Furie : life and films
- Silent Players : a Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses
- Silent cinema and the politics of space
- Silent film sound
- Silver screen, Hasidic Jews : the story of an image
- Siren City : Sound and Source Music in Classic American Noir
- Slapstick modernism : Chaplin to Kerouac to Iggy Pop
- Slow cinema
- Slow fade to black : the decline of RKO Radio Pictures
- Small nation, global cinema : the new Danish cinema
- Smoke signals : native cinema rising
- Snuff : real death and screen media
- Socialist senses : film, feeling, and the Soviet subject, 1917-1940
- Sound technology and the American cinema : perception, representation, modernity
- Sound, speech, music in Soviet and post-Soviet cinema
- South Asian media cultures : audiences, representations, contexts
- Southeast Asian independent cinema : essays, documents, interviews
- Space and being in contemporary French cinema
- Speaking pictures : neuropsychoanalysis and authorship in film and literature
- Special effects : still in search of wonder
- Spectacle of property : the house in American film
- Specters of war : Hollywood's engagement with military conflict
- Split screen Korea : Shin Sang-ok and postwar cinema
- Steven Soderbergh
- Storytelling in world cinemas : contexts, Volume 2
- Strains of Utopia : Gender, Nostalgia, and Hollywood Film Music
- Street Smart : the New York of Lumet, Allen, Scorsese, and Lee
- Street with no name : a history of the classic American film noir
- Stroheim
- Studying Talk to her
- Stupendous, miserable city : Pasolini's Rome
- Subjective realist cinema : from expressionism to inception
- Sunset Boulevard
- Supercinema : film-philosophy for the digital age
- Superman : the persistence of an American icon
- Sync : stylistics of hieroglyphic time
- Teen film : a critical introduction
- Teenagers and teenpics : the juvenilization of American movies in the 1950s
- Terror and joy : the films of Dušan Makavejev
- The B word : bisexuality in contemporary film and television
- The Blade runner experience : the legacy of a science fiction classic
- The Body in the Mirror : Shapes of History in Italian Cinema
- The British New Wave : a certain tendency?
- The Chaplin machine : slapstick, Fordism and the Communist avant-garde
- The Chinese diaspora on American screens : race, sex, and cinema
- The Devil You Dance With : Film Culture in the New South Africa
- The Edinburgh festivals : culture and society in postwar Britain
- The Europeanization of cinema : interzones and imaginative communities
- The Films of Bill Morrison : Aesthetics of the Archive
- The Flaherty : decades in the cause of independent cinema
- The French road movie : space, mobility, identity
- The German patient : crisis and recovery in postwar culture
- The Many Faces of Weimar Cinema : Rediscovering Germany's Filmic Legacy
- The Men With The Movie Camera : the Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
- The Nazi past in contemporary German film : viewing experiences of intimacy and immersion
- The New Jew in Film : Exploring Jewishness and Judaism in Contemporary Cinema
- The Rise of Spanish-Language Filmmaking : Out from Hollywood's Shadow, 1929-1939
- The Slumdog phenomenon : a critical anthology
- The Spanish prisoner
- The address of the eye : a phenomenology of film experience
- The art of taking a walk : flanerie, literature, and film in Weimar culture
- The attractive empire : transnational film culture in Imperial Japan
- The battle for the Bs : 1950s Hollywood and the rebirth of low-budget cinema
- The brain is the screen : Deleuze and the philosophy of cinema
- The brief, madcap life of Kay Kendall
- The children's film : genre, nation and narrative
- The cinema dreams its rivals : media fantasy films from radio to the Internet
- The cinema of Basil Dearden and Michael Relph
- The cinema of Christopher Nolan : imagining the impossible
- The cinema of Hal Hartley : flirting with formalism
- The cinema of István Szábo : visions of Europe
- The cinema of Takeshi Kitano : flowering blood
- The cinema of Terry Gilliam : it's a mad world
- The cinema of small nations
- The cinema of the Coen brothers : hard boiled entertainments
- The cinema of the Dardenne brothers : responsible realism
- The cinema of the Soviet thaw : space, materiality, movement
- The cinematic body
- The colour fantastic : chromatic worlds of silent cinema
- The contemporary television series
- The cool and the crazy : pop fifties cinema
- The corporeal image : film, ethnography, and the senses
- The counter-cinema of the Berlin School
- The curious humanist : Siegfried Kracauer in America
- The decline of sentiment : American film in the 1920s
- The demons of modernity : Ingmar Bergman and European cinema
- The emergence of film culture : knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945
- The epic cinema of Kumar Shahani
- The ethnic eye : Latino media arts
- The fast runner : filming the legend of Atanarjuat
- The girl from God's country : Nell Shipman and the silent cinema
- The hidden foundation : cinema and the question of class
- The image in early cinema : form and material
- The immigrant scene : ethnic amusements in New York, 1880-1920
- The immortal count : the life and films of Bela Lugosi
- The invention of Robert Bresson : the auteur and his market
- The journey of G. Mastorna : the film Fellini didn't make
- The long take : art cinema and the wondrous
- The lost one : a life of Peter Lorre
- The matter of vision : affective neurobiology & cinema
- The migration of musical film : from ethnic margins to American mainstream
- The naked truth : why Hollywood doesn't make X-rated movies
- The pedagogical imagination : the republican legacy in twenty-first-century French literature and film
- The phantom Holocaust : Soviet cinema and Jewish catastrophe
- The place of breath in cinema
- The playboy and James Bond : 007, Ian Fleming and Playboy magazine
- The politics and poetics of black film : Nothing but a man
- The problem body : projecting disability on film
- The reality of Film : Theories of Filmic Reality
- The red and the black : American film noir in the 1950s
- The reluctant film art of Woody Allen
- The reluctant film art of Woody Allen
- The sense of film narration
- The social architecture of French cinema, 1929-1939
- The sound of things to come : an audible history of the science fiction film
- The star-spangled screen : the American World War II film
- The transatlantic zombie : slavery, rebellion, and living death
- The ultimate Stallone reader : Sylvester Stallone as star, icon, auteur
- The unmaking of fascist aesthetics
- The utopia of film : cinema and its futures in Godard, Kluge, and Tahimik
- The year's work in Lebowski studies
- The year's work in nerds, wonks, and neocons
- The year's work in the oddball archive
- Theaters of occupation : Hollywood and the reeducation of postwar Germany
- Theory of film practice
- They live
- Thinking about video games : interviews with the experts
- Thomas Vinterberg's Festen
- Time frames : Japanese cinema and the unfolding of history
- Todd Haynes
- Torture porn in the wake of 9/11 : horror, exploitation, and the cinema of sensation
- Totalitarianism on screen : the art and politics of the lives of others
- Transnational representations : the state of Taiwan film in the 1960s and 1970s
- Transpacific attachments : sex work, media networks, and affective histories of Chineseness
- Trash : African cinema from below
- Truffaut on cinema
- Tsai Ming-liang and a cinema of slowness
- Turkish German cinema in the new millennium : sites, sounds, and screens
- Ulrike Ottinger : the autobiography of art cinema
- Understanding film : Marxist perspectives
- Unfinished business : screening the Italian Mafia in the new millennium
- Unhomely Cinema : Home and Place in Global Cinema
- Upward mobility and the common good : toward a literary history of the welfare state
- Veit Harlan
- Visible nations : Latin American cinema and video
- Visions of a new land : Soviet film from the Revolution to the Second World War
- Visions of avant-garde film : Polish cinematic experiments from expressionism to constructivism
- Vittorio De Sica : contemporary perspectives
- Vocal apparitions : the attraction of cinema to opera
- Von Sternberg
- Wanted cultured ladies only! : female stardom and cinema in India, 1930s-1950s
- War culture and the contest of images
- War machines
- War on the silver screen : shaping America's perception of history
- Washed in Blood : Male Sacrifice, Trauma, and the Cinema
- We'll always have the movies : American cinema during World War II
- What have they built you to do? : the Manchurian candidate and Cold War America
- Where film meets philosophy : Godard, Resnais, and experiments in cinematic thinking
- White robes, silver screens : movies and the making of the Ku Klux Klan
- Why we fought : America's wars in film and history
- Willing seduction : the blue angel, Marlene Dietrich and mass culture
- Wiping the war paint off the lens : Native American film and video
- With a crooked stick : the films of Oscar Micheaux
- Women in Polish cinema
- Wong Kar-Wai's Ashes of time
- Wong Kar-wai's Happy together
- Yuen Woo Ping's Wing Chun
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/resource/4w899FevZ3U/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/resource/4w899FevZ3U/">PERFORMING ARTS -- Film & Video | History & Criticism</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
