Scandal nation : law and authorship in Britain, 1750-1832
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The work Scandal nation : law and authorship in Britain, 1750-1832 represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Scandal nation : law and authorship in Britain, 1750-1832
Resource Information
The work Scandal nation : law and authorship in Britain, 1750-1832 represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Scandal nation : law and authorship in Britain, 1750-1832
- Title remainder
- law and authorship in Britain, 1750-1832
- Statement of responsibility
- Kathryn Temple
- Subject
-
- Authors and publishers
- Authors and publishers -- Great Britain -- History
- Authorship
- Authorship -- History
- Copyright infringement
- Copyright infringement -- Great Britain -- History
- Electronic books
- Englisch
- Great Britain
- Großbritannien
- History
- LAW / Administrative Law & Regulatory Practice
- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
- Libel and slander
- Libel and slander -- Great Britain -- History
- Auteurschap
- Literarisches Leben
- Literary forgeries and mystifications
- Literary forgeries and mystifications -- History
- Literatur
- Ongeoorloofde reproductie
- Piracy (Copyright)
- Piracy (Copyright) -- Great Britain -- History
- Scandals
- Scandals -- Great Britain -- History
- Schriftsteller
- Skandal
- Urheberrecht
- Literarische Fälschung
- Language
- eng
- Summary
- "Kathryn Temple argues that eighteenth-century Grub Street scandals involving print piracy, forgery, and copyright violation played a crucial role in the formation of British identity. Britain's expanding print culture demanded new ways of thinking about business and art. In this environment, print scandals functioned as sites where national identity could be contested even as it was being formed." "Temple draws upon cases involving Samuel Richardson, Samuel Johnson, Catharine Macaulay, and Mary Prince. The public uproar around these controversies crossed class, gender, and regional boundaries, reaching the Celtic periphery and the colonies. Both print and spectacle, both high and low, these scandals raised important points of law but also drew on images of criminality and sexuality made familiar in the theater, satirical prints, broadsides, even in wax museums." "Like print culture itself, the "scandal" of print disputes constituted the nation - and resistance to its formation. Print transgression destabilized both the print industry and efforts to form national identity. Temple concludes that these scandals represent print's escape from Britain's strenuous efforts to enlist it in the service of nation."--Jacket
- Cataloging source
- N$T
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
Context
Context of Scandal nation : law and authorship in Britain, 1750-1832Work of
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