Italian film in the shadow of Auschwitz
Resource Information
The work Italian film in the shadow of Auschwitz represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Italian film in the shadow of Auschwitz
Resource Information
The work Italian film in the shadow of Auschwitz represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Italian film in the shadow of Auschwitz
- Statement of responsibility
- Millicent Marcus
- Title variation
-
- '43-'97
- Ettore Scola's '43-'97
- Subject
-
- Bibel, Philemonbrief
- Cinéma -- Italie -- Histoire
- Electronic books
- Film
- Film
- Film & Video / History & Criticism
- Förintelsen i filmen
- Förintelsen på film
- History
- Holocaust, Jewish (1939-1945) in motion pictures
- Holocaust, Jewish (1939-1945), in motion pictures
- Holocauste, 1939-1945 au cinéma
- Italien
- Italy
- Jews in motion pictures
- Jews in motion pictures
- Judar på film
- Judenvernichtung
- Juifs au cinéma
- Motion pictures
- Motion pictures -- Italy
- Music, Dance, Drama & Film
- Nazism och film
- Nazisme et cinéma
- PERFORMING ARTS
- PERFORMING ARTS -- Film & Video | History & Criticism
- PERFORMING ARTS -- Reference
- Andra världskriget och film, Italien
- Language
- eng
- Summary
- "In addition to Roberto Benigni's internationally acclaimed Life is Beautiful (1997), there have appeared a number of other Italian films that deal with the Holocaust, many of which have not been available to foreign audiences. Millicent Marcus's Italian Film in the Shadow of Auschwitz looks at this development, attributing the new acceptance not only to international influences, but also to a domestic audience that is increasingly willing to face its collective demons and a cultural industry ready to produce its own forms of historic testimony. Throughout the book, Marcus brings a variety of critical perspectives to bear on the question of how Italian filmmakers are now confronting the Holocaust, especially in light of the sparse output of Holocaust films produced in Italy from 1945 to the early 1990s. What emerges is a look at how film is being used to address a profoundly disturbing chapter in the history of humankind."--Jacket
- Action
- digitized
- Cataloging source
- OCLCE
- Illustrations
-
- illustrations
- plates
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
-
- Toronto Italian studies
- Goggio publication series
Context
Context of Italian film in the shadow of AuschwitzWork of
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