Black devil and iron angel : the railway in nineteenth-century German realism

Resource Information

The work Black devil and iron angel : the railway in nineteenth-century German realism represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.

Label

Black devil and iron angel : the railway in nineteenth-century German realism

Title remainder

the railway in nineteenth-century German realism

Statement of responsibility

Paul A. Youngman

Creator

• Youngman, Paul A

Subject

• Chemins de fer dans la littérature
• Criticism, interpretation, etc
• Deutsch
• Duits
• Eisenbahn
• Electronic books
• German literature
• German literature -- 19th century -- History and criticism
• 1800-1899
• Literatur
• Littérature allemande -- 19e siècle -- Histoire et critique
• Railroads in literature
• Railroads in literature
• Realisme (letterkunde)
• Spoorwegen
• LITERARY CRITICISM -- European | German

Genre

• Electronic books
• Criticism, interpretation, etc

Language

• eng
• ger
• eng

Summary

• "Black Devil and Iron Angel examines how the railway was received and represented by a variety of nineteenth-century German and Austrian realist authors including Berthold Auerbach, Theodor Fontane, and Gerhart Hauptmann. This book is a compelling, focused analysis of the point at which mythology and technology merge, signifying the composition of a larger narrative desired by human beings to gain some sense of control over a world in which they have little power - a problem not by any means confined to German-speaking lands."
• "Using Theodor Adorno and Max Horkheimer's seminal work on the dialectical nature of the Enlightenment as a framework, Youngman makes the original claim that realist authors are a particularly rich source in which to study the intersection of technology and mythology."
• "In his emphasis on the legitimacy of both scientific and non-scientific approaches to understanding, Youngman follows the lead of Charles Percy Snow, who, in the mid-twentieth century, identified what he considered a dangerous rift between literary intellectuals on the one hand and scientists on the other. In order to prevent the establishment of two distinct cultures incapable of communicating with one another, he admonished intellectuals to establish a "third culture," a culture bridging the gap between the techno-scientific realm and the mytho-literary realm. Youngman's work is intended as a contribution to what has become known as Third-Culture Studies."--Jacket

Action

digitized

Cataloging source

E7B

Index

index present

Literary form

non fiction

Nature of contents

• dictionaries
• bibliography